Glory to God ‎#91

91. Come, Come Emmanuel

Instrument/Format Page ScanAccompanimentAlto SaxBassBassoonBulletin (harmony)Bulletin (melody)CelloClarinetFluteHornLarge PrintLead SheetOboePewProjection (harmony)Projection (melody)Tenor SaxTromboneTrumpetTubaViolaViolin

You have access to this FlexScore.
Download:

Are parts of this score outside of your desired range? Try transposing this FlexScore.

General Settings

Stanza Selection

Voice Selection

Text size

Text size:

-3 -2 -1 +0 +1 +2 +3 +4

Music size

Music size:

-8 -6 -4 -2 +0 +2 +4 +6 +8 +10

Transpose (Half Steps)

Transpose (Half Steps):

-12 -11 -10 -9 -8 -7 -6 -5 -4 -3 -2 -1 None 1 2 3 4 5 6 7 8 9 10 11 12

Capo

Capo:

None 1 2 3 4 5 6 7 8 9 10 11

Contacting server...

Contacting server...

$2.99 Purchase the FlexScore for this hymn instance (licensed for a single user) $11.99 Purchase all of the FlexScore instruments/formats for this hymn instance (licensed for all instrumentalists in your church or organization) $39.99 Purchase a FlexScore subscription and get unlimited access to all public domain FlexScores for one year
	Questions? Check out the FAQ

A separate copy of this score must be purchased for each choir member. If this score will be projected or included in a bulletin, usage must be reported to a licensing agent (e.g. CCLI, OneLicense, etc).

This is a preview of your FlexScore.

Text Information

• First Line: Come, come Emmanuel
• Title: Come, Come Emmanuel
• Author: James J. Chepponis (1995)
• Meter: 6.5
• Language: English
• Publication Date: 2013
• Scripture:
  Numbers 24:17
  ;
  Proverbs 8:22-31
  ;
  Isaiah 7:10-14
  ;
  Isaiah 40:9
  ;
  Matthew 1:23
• Topic: Jesus Christ: Advent
• Copyright: © 1995 GIA Publications, Inc.
• ONE LICENSE: 102094

Tune Information

• Name: COME, COME EMMANUEL
• Composer: James J. Chepponis (1995)
• Meter: 6.5
• Key: G Major
• Copyright: © 1995 GIA Publications, Inc.

Text Information:

This Advent refrain centers on the name of Jesus meaning “God with us” (Matthew 1:23, quoting Isaiah 7:14). Intended for repeated congregational singing, it can be expanded by the addition of stanzas sung by a soloist or choir, or it can serve effectively as a prayer response.