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Mark How the Lamb of God's Self-Offering

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Scripture References

Confessions and Statements of Faith References

Further Reflections on Confessions and Statements of Faith References

Our World Belongs to God, paragraph 25 testifies that when we are set right with God, we are “given new life, and called to walk with him in freedom from sin’s dominion.”
 
Stanza 3 refers to the “royal priesthood,” a calling that all of God’s children share, because we “share in his anointing…to confess his name, to present myself to him as a living sacrifice of thanks, and to strive with a free conscience against sin and the devil in this life, and afterward to reign with Christ over all creation for eternity” (Heidelberg Catechism, Lord’s Day 12, Question and Answer 32).

Confession

Optional prayer of confession
 
God of our salvation,
we marvel that you sent your Son in the world,
that we might become your children.
Yet we confess
that we often rebel against you and your ways.
We fall back into a spirit of fear.
We turn toward false saviors.
Forgive and heal us, we pray.
Help us, once again,
to turn away from all that is false,
and to turn toward you.
Help us to hear and embrace
the identity, the promise and the calling
you give to us in our baptism
as your dearly loved children. Amen.

Tune Information

Name
GENEVAN 98/118 / RENDEZ À DIEU
Key
G Major or modal
Meter
9.8.9.8 D

Hymn Story/Background

GENEVAN 98/118 was first published in the 1551 Genevan Psalter as a setting for Psalm 118; in the 1562 edition it was also set to Psalm 98 (hence both numbers in the tune name). The tune is also often named RENDEZ À DIEU, the French incipit for Psalm 118.
 
This beloved tune is one of the finest and most widely sung of the Genevan psalm tunes (next to GENEVAN 134). Its clear melodic structure and vibrant rhythm call for firm accompaniment with bright organ registration, though some congregations may want to try unaccompanied singing on a stanza or two in the tradition of the sixteenth-century Reformers.
 
— Bert Polman

Author Information

Carl P. Daw, Jr. (b. Louisville, KY, 1944) is the son of a Baptist minister. He holds a PhD degree in English (University of Virginia) and taught English from 1970-1979 at the College of William and Mary, Williamsburg, Virginia. As an Episcopal priest (MDiv, 1981, University of the South, Sewanee, Tennesee) he served several congregations in Virginia, Connecticut and Pennsylvania. From 1996-2009 he served as the Executive Director of The Hymn Society in the United States and Canada. Carl Daw began to write hymns as a consultant member of the Text committee for The Hymnal 1982, and his many texts often appeared first in several small collections, including A Year of Grace: Hymns for the Church Year (1990); To Sing God’s Praise (1992), New Psalms and Hymns and Spiritual Songs (1996), Gathered for Worship (2006). Other publications include A Hymntune Psalter (2 volumes, 1988-1989) and Breaking the Word: Essays on the Liturgical Dimensions of Preaching (1994, for which he served as editor and contributed two essays. In 2002 a collection of 25 of his hymns in Japanese was published by the United Church of Christ in Japan. His current project is preparing a companion volume to Glory to God, the 2013 hymnal of the Presbyterian Church (U.S.A.).  
 
— Emily Brink

Composer Information

The Genevan Psalter is the major gift of the Reformed branch of the Reformation to the song of the church. John Calvin (1509-1564) first experienced congregational singing of the psalms in Strasbourg when serving as a pastor of French exiles there, and when returning to Geneva in 1541 he finally persuaded the city council to permit congregational singing, which they had banned entirely under the influence of Ulrich Zwingli. Just two months after returning to Geneva, Calvin wrote in his Ecclesiastical Ordinances: "It will be good to introduce ecclesiastical songs, the better to incite the people to pray to and praise God. For a beginning the little children are to be taught; then with time all the church will be able to follow." Calvin set about overseeing the development of several metrical psalms with melodies, rather than the hymns, or chorales, of the Lutheran tradition, and also in contrast to the published psalters with texts only that followed in England and Scotland. The emerging Genevan Psalter was published in instalments until completed in 1562, including the 150 psalms, the Ten Commandments and the Song of Simeon. He employed the best French poets and composers to prepare metrical settings rather than continuing to chant the psalms, since poetry in meter was the popular form of the day—and also the choice for the Lutheran chorale. 
 
The publication event was the largest in publishing history until then; twenty-four printers in Geneva alone, plus presses in Paris, Lyons, and elsewhere produced more than 27,000 copies in the first two years; more than 100,000 copies were available in over thirty editions. The Genevan Psalter was extremely popular, and almost immediately translated into Dutch, Hungarian, and German. Due to the intense persecution of the French Huguenots in the 16th century, the center of activity of the Reformed branch of the Reformation moved away from France and especially to the Netherlands, and from there to Indonesia, South Africa, and North America. The most recent translation (2004) of the entire psalter is into Japanese. The most recent English translation of the entire Genevan Psalter is available with melodies from the Canadian Reformed Book of Praise, available at http://www.canrc.org/?page=23.

Calvin’s goal was to provide a distinct tune for every psalm, so that each psalm would have its own identity. Every tune would then bring to mind a particular psalm. The psalter didn’t quite reach this goal: it contains 125 different tunes. Today, only a few of those Genevan tunes are in wide use, among them the psalm tune most widely known around the world, often identified as OLD HUNDRETH, or simply, “The Doxology.” 
— Emily Brink

Dale Grotenhuis (b. Cedar Grove, WI, 1931; d. Jenison, Mi, August 17, 2012) was a member of the Psalter Hymnal 1987 Revision Committee, and was professor of music and director of choral music at Dordt College, Sioux Center, Iowa, from 1960 until he retired in 1994 to concentrate on composition. Educated at Calvin College; Michigan State University, Lansing; and Ohio State University, Columbus; he combined teaching with composition throughout his career and was a widely published composer of choral music. He also directed the Dordt choir in a large number of recordings, including many psalm arrangements found in the 1959 edition of the Psalter Hymnal.
 
— Bert Polman
Hymnary.org does not have a score for this hymn.