235

Spirit, Working in Creation

Scripture References

Thematically related:

Further Reflections on Scripture References

Like 416, this text is a biblical study of the ministry of the Holy Spirit: in creation and inspiration (st. 1), in the life of Christ and his people (st. 2), and in the church (st. 3). Although the emphasis is on the work of the Spirit, the text clearly recognizes that the Spirit always points to Christ. 
 
Psalter Hymnal Handbook

Confessions and Statements of Faith References

Further Reflections on Confessions and Statements of Faith References

It is difficult to isolate certain confessional themes in each song about the Holy Spirit. Rather, there are several themes that are woven together in nearly all of these songs. The Holy Spirit is identified as one with the Father and the Son in the Holy Trinity; we plead for the coming and indwelling of the Spirit in our lives; the Spirit’s work is evident in creation and in God’s people throughout redemptive history; the Spirit calls and empowers the church for mission; and the Spirit is the source of power, fruit, and hope. These themes are expressed in confessional statements such as these:
  • Heidelberg Catechism, Lord’s Day 20, Question and Answer 53 testifies, “…the Spirit, with the Father and the Son, is eternal God.” In addition, the Spirit “makes me share in Christ and all his benefits, comforts me, and will remain with me forever.”
  • Our World Belongs to God has helpful references to these multiple themes of the Spirit’s work and ministry.
    • “Jesus becomes the baptizer, drenching his followers with the Spirit, creating a new community where Father, Son and Spirit make their home” (paragraph 28)
    • “The Spirit renews our hearts and moves us to faith… stands by us in our need and makes our obedience fresh and vibrant” (paragraph 29).
    • “God the Spirit lavishes gifts on the church in astonishing variety…equipping each member to build up the body of Christ and to serve our neighbors.”
    • “The Spirit gathers people from every tongue, tribe and nation into the unity of the body of Christ” (paragraph 30).
    • “Men and women, impelled by the Spirit go next door and far away…pointing to the reign of God with what they do and say” (paragraph 30).  
  •       Our Song of Hope also contributes very clearly regarding the Spirit’s work:
    • “The Holy Spirit speaks through the Scriptures…has inspired Greek and Hebrew words, setting God’s truth in human language, placing God’s teaching in ancient culture, proclaiming the Gospel in the history of the world” (stanza 6).
    •  “The Holy Spirit speaks through the church, measuring its words by the canonical Scriptures…has spoken in the ancient creeds, and in the confessions of the Reformation” (stanza 7).
    • “The Spirit sends [the church] out in ministry to preach good news to the poor, righteousness to the nations, and peace among all people” (stanza 16).
    • “The Holy Spirit builds one church, united in one Lord and one hope, with one ministry around one table” (stanza 17).
    • The Spirit calls all believers in Jesus to respond in worship together, to accept all the gifts from the Spirit, to learn from each other’s traditions, to make unity visible on earth” (stanza 17).
“…The Spirit works at the ends of the world before the church has there spoken a word” (stanza 20).

Tune Information

Name
SUNRISE
Key
G Major or modal
Meter
8.7.8.7 D

Hymn Story/Background

With John Stainer's ALL FOR JESUS tune in mind, John Richards wrote this text in 1978. It was published in Cry Hosanna (1980) in ten four-line stanzas. The original stanzas 1 and 2, 4 and 5, and 8 and 10 are included in three eight-line stanzas.
 
The text is a biblical study of the ministry of the Holy Spirit: in creation and inspiration (st. 1), in the life of Christ and his people (st. 2), and in the church (st. 3). Although the emphasis is on the work of the Spirit, the text clearly recognizes that the Spirit always points to Christ.
 
Sometimes known as OMNI DIE, SUNRISE was first published in the 1768 Supplementum to the Luxembourg Kyriale. After its inclusion in Gesang und Gebetbuch (Trier, 1847), the tune gained popularity. SUNRISE attained its name because of its publication with William Bright's morning hymn "At thy feet, O Christ we lay" in Hymns Ancient and Modern Revised (1950).
 
A bar form (AAB) tune, SUNRISE is marked by a number of repeated tones. The active harmonization will delight choirs and challenge part-singing congregations. Sing stanzas 1 and 3 in unison with brisk accompaniment; sing stanza 2 in harmony unaccompanied.
— Bert Polman

Author Information

John Richards (b. Bournemouth, Hampshire, England, 1939) received his education at St. John's College in Durham, Emmanuel College in Cambridge, England, and Queen's College in Birmingham, England. Having served as the curate at several parishes in southern England and as a school chaplain, he is currently the director of Renewal Services, a parachurch organization. Richards has published several books, including Exorcism, Deliverance and Healing (1976) and The Church’s Healing Ministry (1986).
— Bert Polman
Hymnary.org does not have a score for this hymn.