O Jesus, I Have Promised

Scripture References

Tune Information

F Major or modal
Meter D

Hymn Story/Background

John E. Bode wrote this hymn of consecration in 1866 on the occasion of the confirmation (profession of faith and first communion) of his daughter and two sons. The text was printed in 1868 by the Society for the Promotion of Christian.
Knowledge in a leaflet entitled "A Hymn for the Newly Confirmed" and was later published in an appendix to that society's Psalms and Hymns (1869).
A lot of hymnals delete two of Bode's original six stanzas. The hymn originally began with the words "O Jesus, we have promised" and included a reference to Luke 9:57: "I will follow you wherever you go." The text, especially stanza 4, has been altered for publication in the Psalter Hymnal 1987.
The word "promised" in stanza 1 refers to the vows taken at confirmation/profession of faith. This hymn is a prayer for Christ's presence on the Christian pilgrimage–in the face of temptation and external sin (st. 2) and internal guilt (st. 3)–and it assures us that our promises (st. 1) come in response to the promises of Christ (st. 4) .
— Cyberhymnal.org

Author Information

A fine student at Christ Church, Oxford, England, and a prominent scholar who gave the famous Bampton Lectures ("for the exposition and defense of the Christian faith") at Oxford in 1855, John E. Bode (b. St. Pancras, England, 1816; d. Castle Camps, Cambridgeshire, England, 1874) was a rector in Westwell, Oxfordshire, and in Castle Camps. This gifted poet and hymn writer published Hymns for the Gospel of the Day, for Each Sunday and Festivals of Our Lord in 1860.
— Bert Polman

Composer Information

Arthur Henry Mann (b. Norwich, Norfolk, England May 16, 1850; d. Cambridge, England, November 19, 1929) graduated from New College, Oxford (MusB 1874, MusD 1882). He was a chorister and assistant organist at Norwich Cathedral, and after short stints playing the organ at St. Peter’s, Wolverhampton (1870); Tettenhall Parish Church (1871); and Beverley Minster (1875); he became the organist at King’s College Chapel, Cambridge (1876-1929), University Organist (1897-1929), and music master and organist at The Leys School, Cambridge (1894-1922). In addition to composing an oratorio and a number of hymn tunes, he was music editor of The Church of England Hymnal (1894).
— Cyberhymnal.org