This versification is a poetic summary of Psalm 92 that derives from the 1912 Psalter with minor alterations.
A joyful celebration of God's righteous rule, Psalm 92 appears to rise out of an experience of God's deliverance from enemies who took no account of God's readiness and power to protect his own. That experience moved the psalmist to note the appropriateness of praising God's love and faithfulness and all that the LORD has done. The psalmist also uses the occasion to expound on the folly of the wicked, who defy God by their actions, and on the flourishing of the righteous, who trust in God. In the postexilic liturgy of the temple, Psalm 92 was sung at the time of the morning sacrifice on the Sabbath.
ELLESDIE, an anonymous tune (with bass line) dates from a collection of evangelistic hymns compiled by Joshua Leavitt.
ELLESDIE was published in the second volume of Christian Lyre (1833); there the tune was named DISCIPLE. The meaning of the tune name ELLESDIE is unclear–Robert McCutchan suggests that it stands for L.S.D., perhaps the initials of an unidentified person associated with this tune. ELLESDIE consists of four long lines in a modified rounded bar form (AA’BA’). Sing this tune in harmony with much enthusiasm.
Hubert P. Main provided the harmony, first published in Winnowed Hymns (1873; that collection attributed the tune to Mozart, though no evidence supports that claim).
The 1912 Psalter was the first ecumenical psalter published in the United States and the most widely used metrical psalter of the twentieth century in North America. The United Presbyterian Church invited all other Reformed and Presbyterian denominations to join them in the effort to provide a new versifications of the psalms; six Presbyterian denominations, as well as the Christian Reformed Church and the Reformed Church in America joined in the effort in revising the 1887 Psalter (whose texts actually dated back to the 1871 Book of Psalms; the 1887 edition had added music to the texts.). The 1912 Psalter included all the psalms in 413 settings, eight doxologies, and the three Lukan canticles (Song of Mary, Song of Zechariah, and Song of Simeon).
Bert Polman and Jack Reiffer
After receiving a degree in law from Yale University, Joshua Leavitt (b. Heath, MA, 1794; d. New York, NY, 1873) worked as a teacher and lawyer. Be returned to Yale to study for the ministry and in 1825 was ordained in the Congregational Church in Stratford, Connecticut. In 1830 he began publishing The Evangelist, a weekly newspaper that printed many articles on antislavery, temperance, and religious revivals. That same year he edited and co-published The Christian Lyre, a popular shape-note tunebook.
Hubert P. Main (b. Ridgefield, CT, 1839; d. Newark, NJ, 1925) came from a musical family: his father Sylvester, was a singing schoolteacher and gospel song composer who had moved to the United States from England. Although he only completed elementary school, Main was a prolific composer. Beginning at age fifteen, he produced more than a thousand hymn and anthem settings, as well as secular music. Many of his harmonizations stem from his editorial work on a variety of hymnals and his association with music publishers, including William Bradbury. He spent many years in the service of the firm that eventually became Hope Publishing Company.