J. Arturo Gonzalez was born in Mexico City, Mexico. His initial musical training was as a participant of El Sistema – Mexico; he was part of the orchestras and a conducting fellow of the Conducting program of El Sistema. After getting a bachelor’s degree in Piano performance and Orchestral Conducting from the Conservatorio Nacional de Musica in Mexico City, he moved to the United States to pursue a Master’s degree in Sacred Music/Choral Conducting from Southern Methodist University in Dallas, Texas where he was awarded a full international scholarship.

 

While he was working on his doctoral degree from the University of Colorado in Boulder he was assistant conductor of the CU opera and also became one of the eight semi-finalist of the American Choral Directors Association (ACDA) conducting competition, the only student in the history of the University of Colorado to achieve this recognition. He has been a faculty member of El Paso Community College, the University of Texas in El Paso, East Central College in Saint Louis, Missouri, and the University of Chihuahua in Mexico.

 

He has been also the music director of El Paso association for the Performing Arts, Ballet/Theater of the Border, East Central Summer Productions, Midwest Lyric Opera, the Colorado Light Opera, and the Colorado Shakespeare Festival. He has directed choirs since age 17 and has conducted choirs, orchestras, opera, and musicals in Mexico, Central America, the US, and Spain. He has been guest conductor of the Symphony orchestra of the National Conservatory of music in Mexico City, the state chamber orchestra and Choir of the state of Queretaro, the Symphony orchestra of the University of Guanajuato, Mexico, and the Carlos Chavez Symphony orchestra, the top orchestra of El Sistema in Mexico City. His choral arrangements and editions have been published by Choristers Guild and Asbury Press. 

Michael Hawn (b. 1948), Professor of Sacred Music and Director, Master of Sacred Music Program at Perkins School of Theology, SMU, joined the faculty in the fall of 1992. Prior to this he was a professor of church music at two Baptist seminaries for a total of fifteen years. In addition to teaching, he has served churches in Kentucky, Georgia, North Carolina and Texas as minister of music. Hawn holds the Doctor of Musical Arts and the Master of Church Music degrees from Southern Baptist Theological Seminary, Louisville, Kentucky, and the Bachelor of Music Education degree from Wheaton College, Illinois. Additional study includes Florida State University (Orff Certification), Oberlin College Baroque Performance Institute, and Aston Magna Baroque Performance Institute. A countertenor, Hawn has studied with Russell Oberlin and Ren Jacobs. He is a life member of Choristers Guild, having served as president of the board of directors (1990-1992, 2001-2003) and interim executive director (2002-2003), and the Hymn Society in the United States and Canada.

 

Hawn is a frequent contributor to church music periodicals in the areas of church music education and hymnology, having published over 200 articles. Edited books include For the Living of These Days: Resources for Enriching Worship (Macon, GA: Smyth & Helwys Pub., Inc., 1995) and a three-year children's choir resource, Stepping Stones: An Ecumenical Children's Choir Curriculum (Garland, TX: Choristers Guild, 1995, 1996, 1997). Beginning in September of 2004, he has written a weekly column for The United Methodist Reporter entitled "History of Hymns" and contributes a feature on a global (non-Western) hymn in the bi-monthly journal Worship Arts. He is a well-known clinician throughout the United States in the areas of children's choirs and worship. Hawn also founded and served as chair of the board of directors for the Children's Chorus of Greater Dallas (1996-1998).

 

Hawn is also a student of global music and worship, having received a fellowship from The Association of Theological Schools in 1989 for study in Nigeria and Kenya. He also taught and studied church music in Cuba, Haiti, Mexico, and Nicaragua. During the summer of 1996, he was given a grant from Southern Methodist University for the purpose of studying Asian Christian worship and song, a trip that took him to Singapore, Malaysia, Taiwan, the Philippines, Thailand, and Hong Kong. He received a sabbatical grant from the Louisville Institute in 1998. This research in Argentina, Brazil, South Africa, Zimbabwe, Japan and Korea led to the publication of a global collection Halle Halle: We Sing the World Round (Choristers Guild, 1999) and Gather into One: Praying and Singing Globally (Wm. B. Eerdmans, 2003). A grant from the Calvin Institute for Christian Worship (2000) provided the background for the text One Bread, One Body: Exploring Cultural Diversity in Worship (The Alban Institute, 2003).

 

In February 2006, Hawn served as the music director of the IX Assembly of the World Council of Churches in Porto Alegre, Brazil. He has recently published four articles on Australian congregational song in The Hymn: A Journal of Congregational Song and has contributed 18 articles on sub-Saharan African hymnody to the Cambridge Dictionary of Hymnology (2008). His edited volumn, New Songs of Celebration Render (GIA Publications, Inc., 2013), explores the theological and musical developments in congregational song in North America since the Second Vatican Council.

Michael Hawn (b. 1948), Professor of Sacred Music and Director, Master of Sacred Music Program at Perkins School of Theology, SMU, joined the faculty in the fall of 1992. Prior to this he was a professor of church music at two Baptist seminaries for a total of fifteen years. In addition to teaching, he has served churches in Kentucky, Georgia, North Carolina and Texas as minister of music. Hawn holds the Doctor of Musical Arts and the Master of Church Music degrees from Southern Baptist Theological Seminary, Louisville, Kentucky, and the Bachelor of Music Education degree from Wheaton College, Illinois. Additional study includes Florida State University (Orff Certification), Oberlin College Baroque Performance Institute, and Aston Magna Baroque Performance Institute. A countertenor, Hawn has studied with Russell Oberlin and Ren Jacobs. He is a life member of Choristers Guild, having served as president of the board of directors (1990-1992, 2001-2003) and interim executive director (2002-2003), and the Hymn Society in the United States and Canada.

 

Hawn is a frequent contributor to church music periodicals in the areas of church music education and hymnology, having published over 200 articles. Edited books include For the Living of These Days: Resources for Enriching Worship (Macon, GA: Smyth & Helwys Pub., Inc., 1995) and a three-year children's choir resource, Stepping Stones: An Ecumenical Children's Choir Curriculum (Garland, TX: Choristers Guild, 1995, 1996, 1997). Beginning in September of 2004, he has written a weekly column for The United Methodist Reporter entitled "History of Hymns" and contributes a feature on a global (non-Western) hymn in the bi-monthly journal Worship Arts. He is a well-known clinician throughout the United States in the areas of children's choirs and worship. Hawn also founded and served as chair of the board of directors for the Children's Chorus of Greater Dallas (1996-1998).

 

Hawn is also a student of global music and worship, having received a fellowship from The Association of Theological Schools in 1989 for study in Nigeria and Kenya. He also taught and studied church music in Cuba, Haiti, Mexico, and Nicaragua. During the summer of 1996, he was given a grant from Southern Methodist University for the purpose of studying Asian Christian worship and song, a trip that took him to Singapore, Malaysia, Taiwan, the Philippines, Thailand, and Hong Kong. He received a sabbatical grant from the Louisville Institute in 1998. This research in Argentina, Brazil, South Africa, Zimbabwe, Japan and Korea led to the publication of a global collection Halle Halle: We Sing the World Round (Choristers Guild, 1999) and Gather into One: Praying and Singing Globally (Wm. B. Eerdmans, 2003). A grant from the Calvin Institute for Christian Worship (2000) provided the background for the text One Bread, One Body: Exploring Cultural Diversity in Worship (The Alban Institute, 2003).

 

In February 2006, Hawn served as the music director of the IX Assembly of the World Council of Churches in Porto Alegre, Brazil. He has recently published four articles on Australian congregational song in The Hymn: A Journal of Congregational Song and has contributed 18 articles on sub-Saharan African hymnody to the Cambridge Dictionary of Hymnology (2008). His edited volumn, New Songs of Celebration Render (GIA Publications, Inc., 2013), explores the theological and musical developments in congregational song in North America since the Second Vatican Council.