595

Santo, santo, santo, mi corazón (Holy, Holy, Holy, My Heart)

Scripture References

Confessions and Statements of Faith References

Further Reflections on Confessions and Statements of Faith References

What we know as the attributes of God reveal his character and being. For these, he is worthy of praise and adoration. Even before he says or does anything, he is praise-worthy. The opening words of Belgic Confession, Article 1 declare that God is “eternal, incomprehensible, invisible, unchangeable, infinite, almighty; completely wise, just, and good, and the overflowing source of all good.”
 

The Lord’s Prayer ends with a doxology, and Heidelberg Catechism, Lord’s Day 52, Question and Answer 128 extrapolates: “Your holy name…should receive all the praise, forever.” After expressing our trust in the total care of God for all things, Heidelberg Catechism, Lord’s Day 9, Question and Answer 26 declares, “God is able to do this because he is Almighty God and desires to do this because he is a faithful Father.” And so we express our praise and adoration to God for who he is.

Additional Prayers

Optional prayer
To you, O holy God, all creation sings, “Santo. Holy. Heilig.”
All the earth sings: “Santo. Holy. Heilig.”
All of heaven sings: “Santo. Holy. Heilig.”
The church universal sings: “Santo. Holy. Heilig.”
All our women and girls sing: “Santo. Holy. Heilig.”
All our men our boys sing: “Santo. Holy. Heilig.”
As we join our voices with all creation,
help us to sense the breadth of your immense glory,
the wonder of your love,
the beauty of your holiness. Amen.
Adapt the refrain to include additional languages represented in your community.

Tune Information

Name
ARGENTINE SANTO
Key
C Major
Meter
6.7.8.5

Musical Suggestion

God’s holiness causes both holy fear and holy attraction; the latter is at work here. The tone is passionate and intimate, as if sharing and savoring words with a treasured friend. Play with a slow, lilting feel. Be flexible enough to stretch the tempo to reach and fully enjoy the octave leaps and the keyboard arpeggios. The keyboard accompaniment could simply double the vocal parts, or be quietly improvisatory as provided. A solo piano would serve well, or a pair of guitarists, one laying a bed of eighth notes (arpeggios), while the other plucks the melody.
 
Consider using this song:
  • As a simple song of adoration, perhaps humming one time through after singing one or more stanzas.
  • As a prayer response, after the Lord’s Prayer, for example.
  • During the Lord’s Supper, in place of or in addition to a traditional Sanctus text.
  • During a Pentecost service, singing in all the languages to testify to the universal character of the church.
(from Reformed Worship, Issue 62)
— David Vroege

Consider the following suggestion for use with children:
  • First, sing through each language
  • Second, read the prayer on the page, having a Leader (light font).
  • Third, respond to the prayer in song; have children choose one of the languages.
  • Forth, sing one more time, allowing the children to choose their language and sing together so that the sounds blend as one voice.
— Diane Dykgraaf
Hymnary.org does not have a score for this hymn.