This is one of the best-known African American spirituals in Christian history. Its source is the oral tradition of African Americans, but the concerts of the Fisk Jubilee Singers (PHH 476) and the Hampton Singers brought "Swing Low" to the attention of white audiences. J. B. T. Marsh includes an early version of text and tune in his The Story of the Jubilee Singers, with their Songs (1876 ed.).
Considered by Erik Routley (PHH 31) to be one of the "archetypal" African American spirituals, "Swing Low" welcomes death as the occasion "to carry me home" to glory. The text incorporates the imagery of “Jordan” and "chariot" from the Old Testament narratives of Elijah's ascent into heaven (2 Kings 2). In spite of the "ups" and "downs" of earthly life (st. 3), it is comforting for Christians to know with certainty that their final destination is the glory of a new heaven and earth.
Liturgical Use:
Advent; times of hardship; with preaching on 2 Kings 2 or on eschatological topics.
--Psalter Hymnal Handbook
A pentatonic melody, SWING LOW has the musical structure of "call and response" (solo and chorus) which is common in the rote practices associated with African American spirituals. Use a vocal soloist or a small group of voices for the marked unison segments and have the entire congregation sing the harmony parts. Although ideally this spiritual is sung unaccompanied, the continual changes from unison to harmony can also be emphasized with instruments. Some melodic and rhythmic liberties should be taken in singing the solo lines. Do not rush!
--Psalter Hymnal Handbook