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Rupert Cravens

1911 - 1983 Person Name: Rev. Rupert Cravens Hymnal Number: 78 Author of "In the Beauty of Holiness" in Sunlit Way Born: July 2, 1911. Died: December 24, 1983, Lawrence County, Tennessee. Buried: Mimosa Cemetery, Lawrenceburg, Tennessee. Lyrics-- As We Daily Travel On Be Near Me, Dear Savior, and Guide Brighter, Blissful Day Is Just Ahead, A By Faith We Look Beyond This Vale Christ Is Coming Back from Glory Cross I’ll Bear for Jesus, The Dear Sinner, Your Life Is No More Than a Breeze Deep in My Heart Is a Calm So Divine Each Day My Heart Is Filled with Praise Every Day Let Me Live Close to Jesus Far Away from God and Home Far Beyond the Starry Sky Is a Home Father in Heaven So Loved a Lost World, The From the Broad Way of Sin Get Ready for the By and By Great the Debt of Love I Owe Happy on the Way to Heaven’s Glory He Is Closer Than a Brother © 1968 Heaven Smiles upon My Pathway Hold My Hand O Blessed Savior Homes Are Broken, Hearts Are Sad I Am Going to a City I Am Kept Each Day in the Holy Way I Am On My Way to a Better Home I Am Saved by the Blood I Have Found a Healing Fountain I Was Bending with a Heavy Burden I’m a Pilgrim in This World I’m Bound for Heaven, That City Above I’m Singing Today I’m So Glad I Found the Savior In God’s Garden There’s No Room In the Beauty of Holiness the Lord In the Bible We are Told I’ve Traveled Here for Jesus Jesus Calls for Humble Servants Jesus’ Love, Wondrous Love Jesus, Our Lord, Is Great and Strong Jesus Suffered Cruel Death Jesus, Thou art Life to Me Jesus Walks Beside Me On Life’s Way Joy of Heaven Is Swelling in My Soul, The Let Me Live Close to Thee © 1968 Lift up Your Eyes and Never Falter Lift Your Eyes and Look Above Living for Jesus I Have Look away to Heaven Look to the Cross Love of God, All Love Excelling Love of God Has Changed My Life, The My View of Heaven’s Growing Brighter No Stranger Am I to God’s Mercy and Love O Christian, Be Brave and with Faith Press Along O I Love to read the Bible Everyday O Savior Dear to Thee O Take Courage Weary Heart O What Joy Abides Often I Am Worn and Weary Often I Think of That Sweet Home Often Times My Heart Grows Lonely Often We Read the Bible We Love Oh, Wonderful Morning! © 1967 On the Restless Sea of Life Open to the House of David Peace That Passeth Understanding Praise the Lord, All Ye People Praise Savior, Lead Me Lest I Wander Sing a Song of Glory So Oft I’ve Heard of a City of Light So Often in Fondest Dreams I Stroll Story of the Cross, The © 1968 There Is a City of Beauty Untold There Is a Garden Where Often I Meet There Will Be Joy for All There Will Come a Day of Gladness By and By There Will Dawn a Happy Morning There’ll Be a Happy Time Tomorrow There’s a Crown of Life Awaiting the Faithful There’s a Friend Who’s Dearer There’s a Happy Home Awaiting Me There’s a Happy Land of Beauty Trusting in the Love of Jesus Walking in the Way of Wonderful Love Walking in the Way We Have Often Been Told of a City We’re a Happy Band of Singers What Joy Beyond Expression When My Heart Is Sore, and by Trials When Our Journey of Life Is Ended When the Gates of Glory Open When We Stood in Sin Condemned Where Lookest Thou, O Weary With Faith in the Lord I Hold With God’s Love My Heart Is Overflowing --hymntime.com/tch/bio/

V. O. Fossett

1904 - 1964 Hymnal Number: 131 Composer of "['Tis sweet, O God, to steal away]" in Sunlit Way Died: December 20, 1964. Buried: Laurel Land Memorial Park, Dallas, Texas. A native of DeKalb County, Alabama, Fossett attended his first Gospel Music School at age 12. At age 16, he attended Thomas Mosley’s Normal School. By age 19, he began singing and playing in a quartet. By 1937, he was teaching in High Point, North Carolina, where he married Katherine Strother. Three years later, he joined the Chattanooga, Tennessee, office of the Stamps-Baxter music publishers. Fossett’s works include: Fossett’s Inspirational Melodies (Dallas, Texas: Stamps-Baxter Music & Printing Company, 1952) --www.hymntime.com/tch/

B. B. Edmiaston

1881 - 1955 Person Name: B. B. E. Hymnal Number: 85 Author of "Dreaming" in Sunlit Way Benard Bates Edmiaston Born: July 16, 1881, Bennetts, Baxter County, Arkansas. Died: December 2, 1964, Bronte, Texas. Buried: Fairview Cemetery, Bronte, Texas. Bernard was the son of David W. Edmiaston and Georgia Ann Fluty, and husband of Ella Allen. He studied music under Rufus Turner, Franklin Eiland, W. H. Lawson, Berry McGee, Emmett Dean, G. W. Fields, John Herbert, and many others, and taught singing schools for at least 38 years. He wrote and published songs through the Trio Music Company, Waco, Texas, and was director of the Southern Development Normal School of Music in Waco. © The Cyber Hymnal™ (www.hymntime.com/tch)

Mrs. Hemans

1793 - 1835 Person Name: F. D. Hemans Hymnal Number: 83 Author of "Death of a Christian" in Sunlit Way Hemans, Felicia Dorothea, née Browne, was born in Liverpool, Sep. 25, 1793. In 1800, her father having suffered severe losses in business, removed with his family near to Abergele, N. Wales, where he died sometime after. In 1812 she was married to Captain Hemans, who, on retiring from the army sometime after, removed to Bronnylfa, near St. Asaph. Some years after he left his wife and children and proceeded to Italy, where he died. In 1828 Mrs. Hemans removed to Wavertree, near Liverpool, and in 1831 to Dublin, where she died May 16, 1835, and was buried in St. Ann's Church, Dawson Street, in that city. From 1808, when at 15 she published Poems, to 1834, when her Scenes & Hymns of Life appeared, she produced a great number of poems and other works, including: (1) The Domestic Affections and Other Poems, 1812; (2) The Sceptic, 1820; (3) Dartmoor, 1821; (4) Vespers of Palermo, 1823; (5) The Siege of Valenciav, 1823; (6) Voice of Spring, 1823; (7) Forest Sanctuary, 1825; (8) Hymns for Childhood, 1827 (English edition, 1834; first published in America); (9) Records of Woman and Miscellaneous Poems, 1828; (10) Songs of the Affections, 1830; (11) Scenes and Hymns of Life (dedicated to the poet Wordsworth), 1834. Then followed (12) The Works of Mrs. Hemans; with a Memoir of her Life by her Sister [Mrs. Hughes]. Edinburgh, W. Blackwood & Sons, 1839, in 3 volumes. Her Poems were collected and published by Blackwood in 1849, and again as one of the Chandos Classics, 1886. Three distinct ideas pervade Mrs. Hemans's poetry, the Fatherhood of God, Heaven as our Home, and mutual recognition when there. The work of the Atonement has a very subordinate place; and the Holy Spirit is scarcely recognized. The rhythm, even in her most popular pieces, is often disappointing, and a tone of sadness pervades most of her work. The gloom of disappointment and the traces of shadowed memories run like black threads through the web and woof of her productions. As a writer of hymns she holds a subordinate place. The best are "Answer me, burning stars of light," "Calm on the bosom of thy God," “Come to the land of peace," and "Fear was within the tossing bark." [Rev. James Davidson, B.A.] Mrs. Hemans's hymns which have come into common use include;— 1. Answer me, burning stars of light. Trust in God. Written after the death of a sister-in-law, and published in her Records of Woman, &c, 1828, p. 242, in 4 stanzas of 8 lines. (P. Works, N.Y., 1828, vol. ii. pp. 144, 268). 2. Calm on the bosom of thy God. Death and Burial. This hymn appears in the closing scene of her dramatic poem, The Siege of Valencia, 1823, p. 235, in 2 stanzas of 4 lines. (Works, vol. iii. p. 379). It is supposed to be sung over the bier of Ximena, daughter of Gonzalez, the Governor of Valencia, during the final struggle of the siege. Mrs. Hemans subsequently added a third stanza ("Lone are the paths, and sad the bowers"); and in this form it is published separately as "A Dirge" in her Works, vol. iv. p. 330. It is one of the best known of her hymns. 3. Child, amidst the flowers at play. Hour of Prayer. This is given in her P. Works, 1828, vol. ii. p. 85, amongst the "Miscellaneous Pieces," in 3 stanzas of 8 lines, as a hymn for The Hour of Prayer. Dr. Martineau in his Hymns, &c, 1873, dates it 1825. 4. Come to me, dreams [thoughts] of heaven. Aspiration. Appeared in her National Lyrics, 1834, p. 251, and again in her Works, 1839, vol. vii. p. 88. 5. Come to the land of peace. The Angel's Greeting. Published in her Works, 1839, vol. vi. p. 186. 6. Earth! guard what here we lay in holy trust. Burial. Given in her Works, 1839, vol. iv. p. 327. This is a poem, and not a hymn. 7. Father! that in the olive shade. Gethsemane. Written at the death-bed of her mother, Jan., 1827, and published in her Hymns for Childhood, in 4 stanzas of 4 lines, as a Hymn by the sick-bed of a Mother. (Works, 1839, vol. vi. p. 147.) Sometimes as "O Thou, Who in the olive shade." 8. Father, Who art on high. Prayer. This is part of her "Cathedral Hymn," published in her Scenes and Hymns of Life, 1834. (Works, 1839, vi. p. 142.) 9. Fear was within the tossing bark. Stilling the Tempest. This hymn appeared in her Hymns for Childhood, 1827; her Poetical Works, N. Y., 1828, ii. p. 124; and her Works, 1839, vol. iv. p. 325. 10. He knelt, the Saviour knelt and prayed. Gethsemane. This hymn appeared in The Almut (an annual) 1n 1825, and her Poetical Works, N.Y., 1828, ii. p. 125. It is also introduced in her dramatic poem, The English Martyrs: a Scene of the days of Queen Mary, published in her Scenes and Hys. of Life, 1834, p. 16. A betrothed couple are condemned to death: but are allowed a short intercourse before execution. This they employ in prayer and the singing of this hymn, which is based upon the sacred scene in Gethsemane. "The English Martyrs" is the opening piece of the Scenes and Hymns of Life, 1834. (Works, vii. p. 130.) 11. I hear thee speak of the better land. Heaven. Published in her Poetical Works, N. York, 1828, ii. p. 193, and her Songs of the Affections, 1830, p. 225, in 4 stanzas of 7 lines, and headed “The Better Land." (Works, 1839, vi. p. 123.) Popular as a sacred song, but not much used as a hymn. 12. Leaves have their time to fall. The Hour of Death Published in her Poet. Works, N. Y., 1828, ii. p. 114, and in her Forest Sanctuary , 2nd edition, 1829, p. 276, in 10 stanzas of 4 lines. (Works, 1839, iv. p. 177.) It is usually given in an abbreviated form. 13. Lowly and solemn be Thy children's cry to Thee. Burial. This hymn, in 9 stanzas of 6 lines, forms the closing portion of her poem on The Funeral Day of Sir Walter Scott. [He d. Sept. 21, 1832.] The poem was given in her Scenes and Hymns of Life, 1834, p. 99. (Works, vii. p. 178.) In an abbreviated form this Burial hymn is in extensive use in Great Britain and America, and is found in more hymn-books than all the rest of Mrs. Hemans's hymns put together. 14. No cloud obscures the summer's sky. Ps. xix. Appeared in her Hymns for Childhood, in 10 stanzas of 4 lines, and entitled “The Stars." (Works, 1839, iv. p. 253.) It is usually given in an abbreviated form, beginning with stanza ii., "Child of the earth, Oh lift thy glance." 15. Now autumn strews on every plain. Harvest. One of her juvenile pieces, published in her Poems, Liverpool, 1808, p. 94, as a "Harvest Hymn." 16. O lovely voices of the sky. Christmas Carol. Appeared in her Hymns for Childhood, 1827, in 3 stanzas of 8 lines, and her Poet. Works, N. Y., 1828, ii. p. 123. (Works, v. p. 307. 17. Praise ye the Lord on every height. Ps. cxlviii. Published in her Hymns for Childhood, in 7 stanzas of 4 lines. (Works, 1839, iv. p. 264.) 18. Saviour, now receive him. Burial. Scenes and Hys. of Life, 1834, p. 70, is a hymn entitled, "The Funeral Hymn" in the Burial of an Emigrant's Child in the Forest. It begins "Where the long reeds quiver." This extract opens with stanza ii. altered. 19. The breaking waves dashed high. Landing of the Pilgrim Fathers. Published in her Records of Woman, &c, 1828, p. 261, in 10 stanzas of 4 lines, and in her Works, 1828, p, 261, "The Landing of the Pilgrim Fathers in New England." (Works, 1839, v. p. 280.) Popular as a sacred song, but not much used as a hymn. 20. The Church of our fathers so dear to our souls. The Holy Church. This hymn has not been traced to date. Snepp, in Songs of Grace & Glory, says 1834. 21. The kings of old have shrine and tomb. The Graves of Martyrs. In The Forest Sanctuary, 2nd edition, 1829, p. 284, "The Graves of Martyrs" in 7 stanzas. Also Poet. Works, N. Y., 1828, ii. p. 150. 22. Where is the tree the prophet threw? Faith. Appeared in her Poet. Works, N. Y., 1828, ii. p. 170, and headed "The Fountain of Marah." Also in her Works, 1839, vi. p. 176. -- John Julian, Dictionary of Hymnology ================ Hemans, Felicia D., p. 509, i. No. 11, "I hear thee speak of the better land," and No. 12, "Leaves have their time to fall," appeared in J. Curtis's Union Collection, 1827, p. 274, i., and then in her Poetical Works, 1828. --John Julian, Dictionary of Hymnology, New Supplement (1907)

M. H. McKee

1879 - 1955 Hymnal Number: 52 Author of "Work and Pray" in Sunlit Way Martin Hall McKee, known as Mark, born in Texas, died in Texas Dianne Shapiro, from Find a Grave website (accessed 6/20/2022)

G. W. Lyon

1838 - 1903 Hymnal Number: 107 Composer of "[He knows the bitter, weary way]" in Sunlit Way George Washington Lyon, born August 12, 1838 in DeKalb County, Georgia, was a musician, composer and music publisher and teacher; He died April 8, 1903 in Atlanta, Georgia. Dianne Shapiro, from Find A Grave (https://www.findagrave.com/memorial/14155468/george-washington-lyon) and obituary, Atlantic Constitution, April 9, 1903 (https://www.newspapers.com/newspage/34121111/) (accessed 7/5/2018)