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Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Scripture: 1 Corinthians 11:23-25 Harmonizer of "PICARDY" in Worship and Rejoice Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Edward Miller

1735 - 1807 Scripture: 1 Corinthians 11:23-26 Arranger of "ROCKINGHAM OLD" in Trinity Hymnal (Rev. ed.) Edward Miller, Born in the United Kingdom. The son of a pavior (stone paver), Miller left home to study music at King's Lynn. He was a flautist in Handel's orchestra. In 1752 he published “Six Solos for the German Flute”. In 1756 he was appointed organist of St. George Minster Doncaster, continuing in that post for 50 years. He also gave pianoforte lessons. He published hymns and sonatas for harpsichord, 16 editions of “The Institues of Music”, “Elegies for Voice & Pianoforte”, and Psalms of David set to music, arranged for each Sunday of the year. That work had over 5000 subscribers. He published his thoughts on performance of Psalmody in the Church of England, addressed to clergy. In 1801 he published the Psalms of Watts and Wesley for use by Methodists, and in 1804 the history and antiques of Doncaster with a map. John Perry

Ragan Courtney

b. 1941 Scripture: 1 Corinthians 11:23-25 Author of "In Remembrance of Me" in The Faith We Sing Ragan Courtney is a communicator. As a ninth grader he had his first poem published, and this event directed him into a study of literature and a career in writing. When he graduated from Louisiana College, he enrolled in The New Orleans Baptist Theological Seminary, but left after one semester to study acting at The Neighborhood Playhouse School of the Theater in New York City. After graduating from the Playhouse, Ragan worked at various jobs in the city while working toward the goal of a career in theater. His break came when he and his cousin, C.C. Courtney, wrote and starred in the musical, "Earl of Ruston." After touring the South the show opened on Broadway in the Billy Rose Theater, but it closed within a week. Devastated at this sense of failure, Ragan was deeply depressed; however, at his lowest point he had a profound spiritual experience that transformed his life. Out of this experience he wrote, “Celebrate Life!" with his good friend Buryl Red that went on to sell over a million copies and be performed in countless venues. He then wrote, "Bright, New Wings," with his wife, Cynthia Clawson, and it, too, was a success. In addition to "Celebrate Life!" and "Bright, New Wings," Courtney has written and published the following church musicals: "Beginnings," "Lottie D.," "Acts," "In the Name of the Lord," "Song of Bethlehem," "Angels," "In Obedience," and "Room at the Inn," to name a few. He also wrote and published five books of poetry. They are: Poems, by Broadman Press; The Wind I Soar On and Death Has Set My Mind on Fire, by Triune Publishing; Suddenly Single, by Zondervan Publishers; and Three Voices, by Convention Press. Ragan taught at the Southern Baptist Theological Seminary in Louisville, Kentucky; worked for the Baptist Sunday School Board in Nashville, Tennessee as a Drama and Worship Consultant; and was the Director of the Center for Christianity and the Arts at Houston Baptist University. He has conducted countless workshops across the country on creative worship. Additionally, he has written, directed, and performed in plays and pageants for nearly 25 years including the remarkable presentation "A Christmas Spectacular" at Houston's First Baptist Church. Ragan lives in Houston with his wife where he continues writing, directing, and consulting for the theatrical productions of Jeannette Clift George and The Imperial Performing Arts. http://www.ragancourtney.com/biography/

Buryl Red

1936 - 2013 Scripture: 1 Corinthians 11:23-25 Composer of "RED" in The Faith We Sing Born in Little Rock, Ark., Red earned his bachelor's degree in church music from Baylor University in 1957. While a student, he was involved in the Baylor Religious Hour Choir and the Phi Mu Alpha Sinfonia national professional music fraternity. He also received a degree from Yale University in 1961 and as of 2007 resided in New York City. Red was described by The Washington Post as "uncommonly creative," with his musical works as a composer, conductor, producer and arranger heard in such diverse venues as Carnegie Hall, "Saturday Night Live" and thousands of schools, churches and theaters around the world. He had more than 1,600 published compositions and arrangements, produced more than 2,500 recordings and supervised, composed or arranged the music for several hundred shows, documentaries and musical specials for network and cable television. Several of Red's choral works including "Celebrate Life" and the first performing edition of Pergolesi's Magnificat are considered landmarks in their fields. He served as executive record producer for some of the most widely used music textbooks in the United States, including the recent Silver Burdett Making Music series and was honored with the inclusion of his well-known song, "In Remembrance," in The African-American Heritage Hymnal published in 2001. He was also honored with many civic and professional awards and degrees. Red served as musical director of The CenturyMen, an auditioned men's chorus of professional musicians who are directors of music in Baptist churches across America and from around the world. He died April 1, 2013.

Michael Joncas

b. 1951 Person Name: Michael Joncas, b. 1951 Scripture: 1 Corinthians 11:23-26 Author of "Song of the Lord's Supper" in Gather Comprehensive

Doreen Potter

1925 - 1980 Person Name: Doreen Potter, 1925-1980 Scripture: 1 Corinthians 11:23-26 Composer of "LINSTEAD" in Worship and Rejoice Doreen Potter was born in 1925 in Panama, but lived in Jamaica during her childhood. She studied music at St. Katharine's College in Liverpool, UK and at Trinity College, London. She was a violinist, pianist, and teacher. She married Philip Potter, general secretary of the World Council of Churches in Geneva. Through her husband she met Fred Kaan and composed tunes for Kaan's texts, as well as other hymn tunes. Dianne Shapiro, from biography published by Hope Publishing Company (accessed online 8/5/2020)

Robert J. Batastini

b. 1942 Person Name: Robert J. Batastini, b. 1942 Scripture: 1 Corinthians 11:23-26 Author (refrain and sts. 3-5) of "Eat This Bread" in Lutheran Service Book Robert J. Batastini is the retired vice president and senior editor of GIA Publications, Inc., Chicago. Bob has over fifty-five years of service in pastoral music ministry, having served several parishes in the Archdiocese of Chicago and one in the Diocese of Joliet. He served as executive editor and project director for the Worship hymnals (three editions), Gather hymnals (three editions), Catholic Community Hymnal, and as executive editor of RitualSong. In 1993 he became the first recipient of the Father Lawrence Heimann Citation for lifetime contribution to church music and liturgy in the U.S., awarded by St. Joseph's College, Rensselaer, Indiana, and was named "Pastoral Musician of the Year-2000" by the National Association of Pastoral Musicians (NPM). At its 2006 conference, he was named a Fellow of the Hymn society in the United States and Canada. In his retirement he is active in the music ministry of St. Francis de Sales Parish, Holland, MI. Nancy Naber, from www.giamusic.com/bios/

Jacques Berthier

1923 - 1994 Person Name: Jacques Berthier, 1923-94 Scripture: 1 Corinthians 11:23-26 Composer of "EAT THIS BREAD" in Lutheran Service Book Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) A son of musical parents, Berthier studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions. Bert Polman

Carl Schalk

1929 - 2021 Person Name: Carl F. Schalk, b. 1929 Scripture: 1 Corinthians 11:23-26 Arranger of "FARLEY CASTLE" in Lutheran Service Book Carl F. Schalk (b. Des Plaines, IL, 1929; d. 2021) is professor of music emeritus at Concordia University, River Forest, Illinois, where he taught church music since 1965. He completed graduate work at the Eastman School of Music in Rochester, New York, and at Concordia Seminary, St. Louis, Missouri. From 1952 to 1956 he taught and directed music at Zion Lutheran Church in Wausau, Wisconsin, and from 1958 to 1965 served as director of music for the International Lutheran Hour. Honored as a Fellow of the Hymn Society in the United States and Canada in 1992, Schalk was editor of the Church Music journal (1966-1980), a member of the committee that prepared the Lutheran Book of Worship (1978), and a widely published composer of church music. Included in his publications are The Roots of Hymnody in The Lutheran Church-Missouri Synod (1965), Key Words in Church Music (1978), and Luther on Music: Paradigms of Praise (1988). His numerous hymn tunes and carols are collected in the Carl Schalk Hymnary (1989) and its 1991 Supplement. Bert Polman

Dmitri Stepanovich Bortnianski

1751 - 1825 Person Name: Dmitri Bortnianski Scripture: 1 Corinthians 11:23-32 Composer of "WELLS" in Moravian Book of Worship Dimitri Stepanovitch Bortniansky (1751-1825) Ukraine 1751-1825 Born in Glukhov, Ukraine, he joined the imperial choir at age 8 and studied with Galuppi, who later took the lad with him to Italy, where he studied for 10 years, becoming a composer, harpsichordist, and conductor. While in Italy he composed several operas and other instrumental music, composing more operas and music later in Russia. In 1779 he returned to Russia, where he was appointed Director to the Imperial Chapel Choir, the first as a native citizen. In 1796 he was appointed music director. With such a great instrument at his disposal, he produced many compositions, 100+ religious works, sacred concertos, cantatas, and hymns. He influenced Rachmaninoff and Tchaikovshy, the latter editing Bortniansky's sacred work, amassing 10 volumnes. He died in St. Petersburg. He was so popular in Russia that a bronze statue was erected in his honor in the Novgorod Kremlin. He composed in different musical styles, including choral works in French, Italian, Latin, German, and Church Slavonic. John Perry