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Raquel Mora Martínez

b. 1940 Scripture: Psalm 19 Arranger of "ROSAS" in With One Voice Raquel Martinez (b. January 17, 1940) is a well-known composer and arranger of Hispanic songs and hymns. She has degrees from the University of Texas at El Paso and Perkins School of Theology and the School of the Arts, Southern Methodist University. She served as editor of the official United Methodist hymnal, Mil Voces Para Celebrar (Nashville: Abingdon Press, 1996). --www.gbod.org/lead-your-church/hymn-studies/

David Haas

b. 1957 Scripture: Psalm 19 Author of "Psalm 19: Lord, You Have the Words" in Gather Comprehensive

Ronald F. Krisman

Scripture: Psalm 19:8-11 Translator (Antiphon) of "Psalm 19: Lord, You Have the Words (Tienes Tú, Señor)" in Oramos Cantando = We Pray In Song

Joseph Gelineau

1920 - 2008 Scripture: Psalm 19 Composer (Gelineau tone) of "[Lord, you have the words of everlasting live]" in Worship (4th ed.) Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com

William Henry Monk

1823 - 1889 Scripture: Psalm 19:1-6 Adapter of "DIX" in Glory to God William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman

T. R. Birks

1810 - 1883 Person Name: Thomas R. Birks Scripture: Psalm 19 Versifier of "The Heavens Declare Your Glory" in Psalter Hymnal (Gray) Birks, Thomas Rawson, M.A., b. Sept. 1810, and educated at Trinity College, Cambridge (B.A. 1834, M.A. 1837), of which he subsequently became a Fellow. Having taken Holy Orders in 1837, he became Rector of Kelshall, Herts, 1844; Vicar of Holy Trinity, Cambridge, 1866; Hon. Canon of Ely Cathedral, 1871; and Professor of Moral Philosophy, Cambridge, 1872. He d. at Cambridge, July 21, 1883. His works, to the number of 25, include Biblical, Astronomical, Scientific, Prophetic, and other subjects. He also wrote the Memoirs of the Rev. E Bickersteth (his father-in-law), 2 vols., 1851. His hymns appeared in Bickersteth's Christian Psalmody; 1833; and, together with Versions of the Psalms, in his Companion Psalter, 1874. They number upwards of 100. [Eng. Psalters, § xx.] Very few are in common use in Great Britain, but in America their use is extending. They include:— 1. Except the Lord do build the house. Ps. cxxvii. 2. O come, let us sing to the Lord. Ps. xcv. 3. O King of Mercy, from Thy throne on high. Ps. lxxx. 4. O taste and see that He is good. Ps. xxxiv. 5. O when from all the ends of earth. Psj xiv. 6. The heavens declare Thy glory. Ps. xix. 7. The Lord Himself my Portion is. Ps. liii. 8. The mighty God, the Lord hath spoken. Ps. l. 9. Thou art gone up on high, O Christ, &c. Ps. xlvii. 10. Whom have I [we] Lord in heaven, but Thee. Ps. lxxiii. Of these versions of the Psalms, all of which date from 1874, the most popular is No. 3. Mr. Birks' compositions are worthy of greater attention than they have hitherto received. --John Julian, Dictionary of Hymnology (1907)

J. W. Ferrill

1879 - 1975 Scripture: Psalm 19:7 Author of "A Soul Winner for Jesus" in The New Wonderful Songs for Work and Worship Born: October 31, 1879, Texas. Died: May 13, 1975, Park Place Nursing Home, Mart, Texas. Buried: Faulkenberry Cemetery, Groesbeck, Texas. James W. Ferrill was born on Oct. 31, 1879, and raised on a farm at Davis Prairie near Thornton in Limestone County, TX, outside of Grosbeck and about thirty miles east of Waco. His family were members of the church of Christ, and he became a Christian too. At about age fifteen he began his study of music under J. E. Thomas and Franklin L. Eiland. After graduating from North Texas Normal College at Denton, TX, where he received his teacher’s degree, he began conducting singing schools with his first one at Forace Chapel near Grosbeck in 1901. Continuing to teach singing schools regularly from then through 1932, Ferrell sometimes held up to fifteen schools a year. His love for music brought him employment with first the Trio Music Co. of Waco, TX, and he went to Louisiana for a time selling their music books. But while attending a convention in 1904 at Tiger Prairie, he ran into J. E. Thomas, his former teacher and the owner of the Quartet Music Co. With Thomas’s encouragement, Ferrell then became a stockholder and director in the Quartet Music Co. and remained with them about thirty years. In 1905, he took a more thorough music course with the Analytical New Light Normal School of Music in Waco, and on Dec. 20 of that year he married Callie B. Anderson. While Ferrill was taking the New Light course, the class was given the assignment to write words to the title, "I Want To Be A Soul Winner For Jesus." After the class was finished, he continued to work on it for two more years before submitting it to a publisher. It was copyrighted in 1907 by the Quartet Music Co. In 1932, the Ferrills returned to Davis Prairie and lived on the approximately 65 acre farm left to him by his mother. They stayed there until 1967. In addition to farming, he taught music at every opportunity, and during his life, he published around forty hymns. His last days were spent at the Park Place Nursing Home in Mart, TX, where he died in 1973 at the age of 94. Another hymn by Ferrill that have been used in several of our hymnbooks is "Wonderful City of God." Among hymnbooks published by members of the Lord’s church during the twentieth century, "A Soulwinner for Jesus" appeared in the 1938/1944 (New) Wonderful Songs edited by Thomas S. Cobb; the 1959 Majestic Hymnal No. 2 and the 1978 Hymns of Praise both edited by Reuel Lemmons; and the 1963 Abiding Hymns edited by Robert C. Welch. Today it may be found in the 1971 Songs of the Church and the 1990 Songs of the Church 21st C. Ed. both edited by Alton H. Howard; the 1978/1983 (Church) Gospel Songs and Hymns; and the 1992 Praise for the Lord edited by John P. Wiegand; in addition to Hymns for Worship, Sacred Selections, and the 2007 Sacred Songs for the Church edited by William D. Jeffcoat. --hymnstudiesblog.wordpress.com/2008/02/26

Carl P. Daw Jr.

b. 1944 Person Name: Carl P. Daw, Jr. (1944-) Scripture: Psalm 19 Paraphraser of "Let All Creation Bless the Lord" in Common Praise (1998) Carl P. Daw, Jr. (b. Louisville, KY, 1944) is the son of a Baptist minister. He holds a PhD degree in English (University of Virginia) and taught English from 1970-1979 at the College of William and Mary, Williamsburg, Virginia. As an Episcopal priest (MDiv, 1981, University of the South, Sewanee, Tennesee) he served several congregations in Virginia, Connecticut and Pennsylvania. From 1996-2009 he served as the Executive Director of The Hymn Society in the United States and Canada. Carl Daw began to write hymns as a consultant member of the Text committee for The Hymnal 1982, and his many texts often appeared first in several small collections, including A Year of Grace: Hymns for the Church Year (1990); To Sing God’s Praise (1992), New Psalms and Hymns and Spiritual Songs (1996), Gathered for Worship (2006). Other publications include A Hymntune Psalter (2 volumes, 1988-1989) and Breaking the Word: Essays on the Liturgical Dimensions of Preaching (1994, for which he served as editor and contributed two essays. In 2002 a collection of 25 of his hymns in Japanese was published by the United Church of Christ in Japan. He wrote Glory to God: A Companion (2016) for the 2013 hymnal of the Presbyterian Church (U.S.A.). Emily Brink

Ludwig van Beethoven

1770 - 1827 Person Name: Ludwig von Beenhoven Scripture: Psalm 19 Composer of "ODE TO JOY" in Trinity Hymnal (Rev. ed.) A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period. Bert Polman

Folliott Sandford Pierpoint

1835 - 1917 Person Name: Folliott S. Pierpoint, 1835-1917 Scripture: Psalm 19:1-6 Author of "For the Beauty of the Earth" in The Covenant Hymnal In the spring of 1863, Folliott S. Pierpoint (b. Bath, Somerset, England, 1835; d. Newport, Monmouthshire, England, 1917) sat on a hilltop outside his native city of Bath, England, admiring the country view and the winding Avon River. Inspired by the view to think about God's gifts in creation and in the church, Pierpont wrote this text. Pierpont was educated at Queen's College, Cambridge, England, and periodically taught classics at Somersetshire College. But because he had received an inheritance, he did not need a regular teaching position and could afford the leisure of personal study and writing. His three volumes of poetry were collected in 1878; he contributed hymns to The Hymnal Noted (1852) and Lyra Eucharistica (1864). "For the Beauty of the Earth" is the only Pierpont hymn still sung today. Bert Polman ================== Pierpoint, Folliott Sandford, M.A., son of William Home Pierpoint of Bath, was born at Spa Villa, Bath, Oct. 7, 1835, and educated at Queen's College, Cambridge, graduating in classical honours in 1871. He has published The Chalice of Nature and Other Poems, Bath, N.D. This was republished in 1878 as Songs of Love, The Chalice of Nature, and Lyra Jesu. He also contributed hymns to the Churchman's Companion (London Masters), the Lyra Eucharistica, &c. His hymn on the Cross, "0 Cross, O Cross of shame," appeared in both these works. He is most widely known through:— "For the beauty of the earth." Holy Communion, or Flower Service. This was contributed to the 2nd edition of Orby Shipley's Lyra Eucharistica, 1864, in 8 stanzas of 6 lines, as a hymn to be sung at the celebration of Holy Communion. In this form it is not usually found, but in 4, or sometimes in 5, stanzas, it is extensively used for Flower Services and as a Children's hymn. --John Julian, Dictionary of Hymnology (1907)