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J. Jefferson Cleveland

1937 - 1986 Scripture: Matthew 6:9-13 Adapter of "The Lord's Prayer (West Indian)" in Renew! Songs and Hymns for Blended Worship Judge Jefferson Cleveland (1937-1986) was one of the most important scholars and editors of African-American congregational song of the 20th century. Along with Verogla Nix, he edited what is arguably the most groundbreaking collection of African-American song in the last half of the 20th century, Songs of Zion (1981/1982). Lutheran hymnologist Marilyn Stulken provides a biographical sketch of Cleveland’s life and accomplishments. Born in Georgia, Cleveland graduated from Clark College (Atlanta), Illinois Wesleyan University and received his doctorate in education from Boston University. He served on the faculty of three historically black Christian colleges: Claflin College (South Carolina), Langston University (Oklahoma), and Jarvis Christian College (Texas), before teaching at the University of Massachusetts and Wesley Theological Seminary in Washington, D.C. Cleveland’s musical arrangements, historical research and scholarship on the performance practice of African-American song have proven invaluable for the advancement of black gospel song, not only among African Americans, but also in Anglo hymnals to the present day. For example, Cleveland’s essay, “A Historical Account of the Hymn in the Black Worship Experience,” in Songs of Zion is a helpful introduction for laypersons and scholars alike. In addition to serving as a hymnody consultant for the United Methodist General Board of Discipleship, he toured the United States and Africa in 1981 and Europe in 1984 as a teacher, lecturer and performer. --www.umportal.org/

Verolga Nix

1933 - 2014 Scripture: Matthew 6:9-13 Adapter of "The Lord's Prayer (West Indian)" in Renew! Songs and Hymns for Blended Worship Verolga Nix (Apr. 6, 1933-Dec. 9, 2014) Born in Cleveland, Verolga moved with her family at an early age to Philadelphia. She studied for two years at New England Conservatory of Music and then earned a music degree from Oberlin Conservatory of Music in 1955. She was awarded an honorary doctorate of humane letters from Bennett College in 2000. After retiring from twenty years as a full-time music teacher in Philadelphia public schools she served as minister of music at several churches in Philadelphia, trained and conducted many choirs and served as a seminar leader nationwide. She was a member of Broadcast Music, Inc. (BMI), National Association of Negro Musicians and the Hymn Society in U.S. and Canada. In 1980 the United Methodist Church asked her to co-edit with J. Jefferson Cleveland the supplemental hymnal Songs of Zion. She published nearly 200 original songs an arrangements. (further details in The Philadelphia Tribune, Dec.19, 2014 obituary). Mary Louise VanDyke

Nicholay Rimsky-Korsakov

1844 - 1908 Person Name: Nicholas Rimsky-Korsakov, 1844-1908 Scripture: Matthew 6:9-13 Composer of "[Our Father in heaven]" in Sing! A New Creation

John Logan

1748 - 1788 Person Name: John Logan, 1748-1788 Scripture: Matthew 6:9-15 Author of "O God of Bethel, by Whose Hand" in Common Praise (1998) Logan, John, son of a farmer, born at Fala, Midlothian, 1748, and educated at Edinburgh University, in due course entering the ministry of the Church of Scotland and becoming the minister of South Leith in 1770. During the time he held this charge he delivered a course of lectures on philosophy and history with much success. While he was thus engaged, the chair of Universal History in the University became vacant; but as a candidate he was unsuccessful. A tragedy, entitled Runnamede, followed. He offered it to the manager of Covent Garden Theatre, but it was interdicted by the Lord Chamberlain "upon suspicion of having a seditious tendency." It was subsequently acted in Edinburgh. In 1775 he formed one of the Committee by whom the Translations and Paraphrases of the Church of Scotland was prepared. In 1782 he was compelled to resign his charge at Leith in order to prevent deposition, and finally, having passed on to London, he supported himself partly by his pen, and died there, Dec. 28, 1788. [Also, see Bruce, Michael] The names of Michael Bruce and John Logan are brought together because of the painful controversy which has long prevailed concerning the authorship of certain Hymns and Paraphrases of Holy Scripture which are in extensive use in the Christian Church both at home and abroad. During the latter years of Bruce's short life he wrote various Poems, and also Hymns for a singing class at Kinnesswood, which were well known to his family and neighbours, and were eventually copied out by Bruce himself in a quarto MS. book, with the hope that some day he might see them in print. Immediately upon his death, in 1767, Logan called upon his father and requested the loan of this book that he might publish the contents for the benefit of the family. This was granted. Not till three years afterwards did a certain work, containing seventeen poems, and entitled Poems on Several Occasions, by Michael Bruce, 1770, appear, with a Preface in which it was stated that some of the Poems were by others than Bruce. Bruce's father immediately pointed out the absence from the volume of certain hymns which he called his son's "Gospel Sonnets," and members of the singing class at Kinnesswood also noted the absence of hymns with which they were familiar. Letters of remonstrance and demands for the return of the quarto manuscript book of Bruce by the father remaining unanswered, led him eventually to see Logan in person. No book was forthcoming, a few scraps of manuscript only were returned, and Logan accounted for the absence of the book by saying he feared "that the servants had singed fowls with it." For a time the matter rested here, only to be revived with renewed interest by the publication, in 1781 (14 years after the death of Bruce, and 11 after the Poems, &c, were issued), of Poems. By the Rev. Mr. Logan, One of the Ministers of Leith. In this volume, an "Ode to the Cuckoo," a poem of exquisite beauty, and other poetical pieces which appeared in the Poems on Several Occasions, by Michael Bruce, were repeated, and claimed as his own by Logan. In addition, certain Hymns and Paraphrases were included, most of which were of sterling merit, and poetical excellence. It has been shown, we think, most conclusively by Dr. Mackelvie in his Life of Bruce prefixed to the Poems, 1837 and by Dr. Grosart in his Works of M. Bruce, 1865, that the "Ode to the Cuckoo," "Lochleven," and other poetical pieces were taken from MS. book of M. Bruce. The Hymns and Paraphrases, most of which were included in the Translations and Paraphrases during the same year, were also claimed for Bruce. Until clearer evidence is brought forward on behalf of Bruce, the hymns, or paraphrases, following must be ascribed to John Logan: — "Who can resist th'Almighty arm"; "In streets and op'nings of the gates”; "Thus speaks the heathen: How shall man"; "Take comfort, Christians, when your friends"; "The hour of my departure's come." The following, which are found only in the Translations and Paraphrases of 1781, are claimed by W. Cameron for Logan, and have never been seriously disputed by the friends of Bruce, the second being original, the first a revise from the Translations and Paraphrases of 1745; and the third a revise of Doddridge and Dr. Hugh Blair:— "Let Christian faith and hope dispel"; “Thus speaks the high and lofty One"; "What though no flowers the fig-tree clothe." In addition, we see no cause to deny to Logan the few changes, and new stanza, which are found in Doddridge's "0 God of Bethel, by Whose hand." Of the above hymns 5 are recasts of hymns in the Scottish Translations and Paraphrases of 1745. Those are: "Behold the mountain of the Lord " (see "In latter days the mount of God "); "When Jesus by the Virgin brought" (see "Now let Thy servant die in peace"); "Behold the Ambassador divine" (see "Behold my Servant, see Him rise"); "Let Christian faith and hope dispel" (see “Now let our souls ascend above"); and "What though no flowers the fig-tree clothe" (see "So firm the saints' foundation stands"). …It is curious to note that every hymn which we have ascribed to M. Bruce has come into more or less extensive use outside of the Translations and Paraphrases, and that not one which we have ascribed to Logan, except "Let Christian faith and hope dispel," and “Take comfort, Christians," &c, is found beyond that work, unless we give to Logan the plaintive "The hour of my departure's come" (which Dr. Grosart claims for Bruce), and the recast "O God of Bethel, by Whose hand," whose success is due to Doddridge. This is the verdict of 100 years' use of those hymns, and shows conclusively the poetic strength of Bruce and the weakness of Logan. --John Julian, Dictionary of Hymnology (1907) ================ http://en.wikipedia.org/wiki/John_Logan_%28minister%29

William D. Longstaff

1822 - 1894 Scripture: Matthew 6:6 Author of "Take Time to Be Holy" in The Worshiping Church William Dunn Longstaff United Kingdom 1822-1894. Born at Sunderland, Durham, England, the son of a wealthy ship owner, he was a person of independent financial means. Although Longstaff had everything he desired, he still had an empty feeling in his life, and attended church one day and was inspired by words of a China missionary, Griffith John, on furlough to England, preaching at a service in Keswick, England, citing I Peter 1:16, “Be ye holy, for I am holy”. That resulted in him giving his heart to the Lord and beginning a Christian life, dedicated to God. He became a generous philanthropist and was influential in evangelical circles. Following his friend, Rev Arthur A Rees, a persuasive Welsh preacher, who left the Anglican priesthood after disagreements with his rector and bishop, Dunn served as church treasurer for Ree’s Bethesda Free Chapel in Sunderland. He married Joice Burlinson in 1853 and they had eight children: William, Hannah, Rhoda, Amelia, Ernest, Nora, Marnia, and Minnie. Longstaff befriended well-known evangelists, including William Booth of the Salvation Army, to whose work he generously contributed. Some of Langstaff’s hymns were published in the Salvation Army magazine, “The War Cry” during the 1880s. He also financed Dwight Moody’s evangelical crusades in England and Scotland when Moody’s funding dried up after their financier died. During the crusade they preached to 20,000 people. Longstaff did not forget that first sermon he heard, and it prompted the writing of his hymn lyrics, which he later showed to Ira Sankey during their crusade. Sankey showed it to George Stebbins, who set it to music in 1882 during a revival in India. In 1881 Longstaff’s wife died. He died at Sunderland, England. John Perry

Lewis Hensley

1824 - 1905 Person Name: Lewis Hensley, 1824-1905 Scripture: Matthew 6:10 Author of "Thy kingdom come, O God" in Common Praise Hensley, Lewis, M.A., born May, 1824, and educated at Trinity College, Cambridge, where in 1846 he graduated as Senior Wrangler, and first Smith's Prizeman. From 1846 to 1852 he was a Fellow and Assistant Tutor of Trinity College. Taking Holy Orders in 1851, he held successively the Curacy of Upton-with-Chalvey, Bucks; the Vicarage of Ippolyts-with-Great-Wymondly, Hertfordshire, and that of Hitchin, in the same county; Rural Dean, 1867. His works include Household Devotions; Shorter Household Devotions, &c. His hymns appeared in his Hymns for the Sundays after Trinity, London, Bell & Daldy, 1864; and Hymns for the Minor Sundays from Advent to Whitsuntide, London, Bell & Daldy, 1867. His Advent hymn, "Thy Kingdom come, O God," is from the latter of these works. --John Julian, Dictionary of Hymnology (1907) =============== Hensley, L. , p. 511, i., was b. May 20, 1824, and d. suddenly in a railway train, near Great Eyburgh, Norfolk, Aug. 1, 1905. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Horace Clarence Boyer

1935 - 2009 Person Name: Horace Clarence Boyer, b. 1935 Scripture: Matthew 6:26 Arranger of "SPARROW" in African American Heritage Hymnal Horace Boyer (b. Winter Park, Flordia, July 28, 1935; d. Amherst, Massachusetts, July 21, 2009) was professor of music at the University of Massachussetts, Amhurst, editor of the African American hymnal Lift Every Voice and Sing, Lift Every Voice and Sing II, and author of How Sweet the Sound: The Golden Age of Gospel (Elliot & Clark, 1995). Sing! A New Creation

Arthur Sullivan

1842 - 1900 Person Name: Arthur S. Sullivan Scripture: Matthew 6:10 Composer of "ST. EDMUND" in The Hymnbook Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army bandmaster and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he composed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Gerald H. Knight

1908 - 1979 Person Name: Gerald H. Knight, 1908-1979 Scripture: Matthew 6:9-15 Harmonizer of "DETROIT" in Gather Comprehensive Gerald Hocken Knight CBE (1908–1979) was an cathedral organist, who served at Canterbury Cathedral. Gerald Hocken Knight was born on 27 July 1908 in Par, Cornwall, and was educated at Truro Cathedral School and Peterhouse, Cambridge. He was an articled organ pupil of Hubert Stanley Middleton at Truro Cathedral. He was appointed a Fellow of the Royal School of Church Music in 1964. He published the following compositions and books: The Treasury of English Church Music. Volume one. 1100-1545. Edited by Denis Stevens, etc. 1965 Accompaniments for unison Hymn-singing. 1971 Christ whose Glory fills the Skies. [Anthem for treble voices and organ.] Words by Charles Wesley, etc. 1957 The Coventry Mass. Adapted from medieval sources. Accompaniment by G. H. Knight. 1966 Incidental Vocal Music to "The Devil to pay," Play by Dorothy L. Sayers. 1939 Incidental Music to The Zeal of Thy House, Dorothy L. Sayers. 1938 Twenty Questions on Church Music. Answered by G. H. Knight (Series. no. 3.), 1950 R.S.C.M. The first forty years. 1968 --en.wikipedia.org/

Somerset Corry Lowry

1855 - 1932 Person Name: Somerset Corry Lowry (1855-1932) Scripture: Matthew 6:10 Author of "Son of God, eternal Saviour" in Church Hymnary (4th ed.) Lowry, Somerset Corry, M.A., son of James Corry Lowry, Q.C., of Rockdale, Dungannon, Ireland, b. in 1855, and educated at Repton and Trin. Hall, Camb., B.A. 1877, M.A. 1880. Ordained in 1879 to the Curacy of Doncaster. Subsequently Vicar of North Holmwood, Surrey, 1891-1900, and of St. Augustin's, Bournemouth, from 1900. He has published The Work of the Holy Spirit, 1894; Convalescence, 1897; Lessons from the Passion, 1899, &c. His hymns include:— 1. Behold, Lord! how the nations rage, [In Time of War.] Written "For Use during the War between Russia and Japan," in 1904, and printed as a leaflet by Jarvis & Co., Bournemouth. 2. Lord, while afar our brothers fight. [In Time of War.] Written at Holmwood, Surrey, in 1899, after the reverse of Colenso, and extensively used during the S. African War. Given in the 1904 ed. of Hymns Ancient & Modern. 3. 0 Saviour, once again the ebbing year. [For a Memorial Service.] Written at Holmwood, in 1898, for Queen Victoria's annual Service in memory of the Prince Consort. Included in Hymns of the Christ. Centuries, 1903. 4. 0 Son of God, enthroned above. [Advent] Written at Holmwood, in 1892, and given in M. Woodward's Children's Service Book, 1897. 5. Pressing forward. [Processional.] Also in Woodward's Children's Service Book, 1897. Written at Bournemouth, in 1888. 6. Son of God, Eternal Saviour. [For Unity.] Written at Holmwood, in 1893 ; printed in Goodwill, Feb. 1894, and included in the 1904 ed. of Hymns Ancient & Modern. 7. We meet as we have never met before. [Burial.] Written for use after a Child's Funeral, Holmwood, 1892, and given in Woodward's Children's Service Book, 1897. --John Julian, Dictionary of Hymnology, New Supplement (1907)