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Be Present at Our Table
Author: John Cennick Meter: 8.8.8.8 Appears in 96 hymnals Scripture: Revelation 19:9 First Line: Be present at our table, Lord Lyrics: Be present at our table, Lord;
be here and everywhere adored;
thy creatures bless, and grant that we
may feast in paradise with thee. Topics: Children's Hymns; Family Worship; Elements of Worship Lord's Supper Used With Tune: GENEVAN 134/OLD HUNDREDTH
Be Present at Our Table
Beautiful Saviour, wonderful Counsellor
Author: Stuart Townend Meter: Irregular Appears in 6 hymnals Scripture: Revelation 19:6 First Line: All my days I will sing this song of gladness Topics: Life in Christ Christ Risen - Reign and Priesthood; Heaven; Jesus cross Used With Tune: BEAUTIFUL SAVIOUR
Beautiful Saviour, wonderful Counsellor
Bendito sea Dios
Appears in 2 hymnals Scripture: Revelation 1-22 First Line: Bendito sea Dios: Padre, Hijo y Espíritu Santo Lyrics: Bendito sea Dios:
Padre, Hijo y Espíritu Santo.
Y bendito sea su reino,
ahora y por siempre. Amén. Topics: Cantos Litúrgicos Aclamaciones Used With Tune: VENTURA Text Sources: Apocalipsis 4:86
Bendito sea Dios
BATTLE HYMN
Meter: 15.15.15.6 ith refrain Appears in 445 hymnals Scripture: Revelation 19:15 Tune Sources: American melody, 19th c. Tune Key: B Flat Major Incipit: 55554 35123 33211 Used With Text: Battle Hymn of the Republic
BATTLE HYMN
BEAUTIFUL SAVIOUR
Meter: Irregular Appears in 7 hymnals Composer and/or Arranger: Stuart Townend Scripture: Revelation 19:6 Tune Key: F Major Incipit: 11212 31432 11121 Used With Text: Beautiful Saviour, wonderful Counsellor
BEAUTIFUL SAVIOUR
Battle Hymn of the Republic
Author: Julia Ward Howe, 1819-1910 Hymnal: Worship and Rejoice #730 (2003) Meter: 15.15.15.6 ith refrain Scripture: Revelation 19:15 First Line: Mine eyes have seen the glory of the coming of the Lord Refrain First Line: Glory, glory, hallelujah! Lyrics: 1 Mine eyes have seen the glory of the coming of the Lord;
he is trampling out the vintage where the grapes of wrath are stored;
he hath loosed the fateful lightning of his terrible swift sword;
his truth is marching on.
Refrain:
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Glory, glory, hallelujah!
His truth is marching on.
2 I have seen him in the watchfires of a hundred circling camps,
they have builded him an altar in the evening dews and damps;
I can read his righteous sentence by the dim and flaring lamps;
his day is marching on. [Refrain]
3 He has sounded forth the trumpet that shall never call retreat;
he is sifting out the hearts of all before his judgment seat.
O be swift, my soul, to answer him; be jubilant, my feet!
Our God is marching on. [Refrain]
4 In the beauty of the lilies Christ was born across the sea,
with a glory in his bosom that transfigures you and me;
as he died to make us holy, let us die to make all free,
while God is marching on. [Refrain]
Languages: English Tune Title: BATTLE HYMN
Battle Hymn of the Republic
Be Present at Our Table, Lord
Author: John Cennick, 1718-55 Hymnal: Lutheran Service Book #775 (2006) Meter: 8.8.8.8 Scripture: Revelation 19:9 Lyrics: Be present at our table, Lord;
Be here and ev'rywhere adored;
Thy creatures bless, and grant that we
May feast in paradise with Thee. Topics: Children's Songs; Mealtime Languages: English Tune Title: OLD HUNDREDTH
Be Present at Our Table, Lord
Be Present at Our Table
Author: John Cennick Hymnal: Lift Up Your Hearts #843 (2013) Meter: 8.8.8.8 Scripture: Revelation 19:9 First Line: Be present at our table, Lord Lyrics: Be present at our table, Lord;
be here and everywhere adored;
thy creatures bless, and grant that we
may feast in paradise with thee. Topics: Children's Hymns; Family Worship; Elements of Worship Lord's Supper Languages: English Tune Title: GENEVAN 134/OLD HUNDREDTH
Be Present at Our Table
Matthew Bridges
1800 - 1894 Person Name: Matthew Bridges (1800-1894) Scripture: Revelation 19:12 Author of "Crown him with many crowns" in Ancient and Modern Matthew Bridges
Matthew Bridges
Johann Sebastian Bach
1685 - 1750 Person Name: Johann Sebastian Bach, 1685-1750 Scripture: Revelation 19:9 Harmonizer of "SALZBURG" in Complete Anglican Hymns Old and New Johann Sebastian Bach was born at Eisenach into a musical family and in a town steeped in Reformation history, he received early musical training from his father and older brother, and elementary education in the classical school Luther had earlier attended.
Throughout his life he made extraordinary efforts to learn from other musicians. At 15 he walked to Lüneburg to work as a chorister and study at the convent school of St. Michael. From there he walked 30 miles to Hamburg to hear Johann Reinken, and 60 miles to Celle to become familiar with French composition and performance traditions. Once he obtained a month's leave from his job to hear Buxtehude, but stayed nearly four months. He arranged compositions from Vivaldi and other Italian masters. His own compositions spanned almost every musical form then known (Opera was the notable exception).
In his own time, Bach was highly regarded as organist and teacher, his compositions being circulated as models of contrapuntal technique. Four of his children achieved careers as composers; Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Brahms, and Chopin are only a few of the best known of the musicians that confessed a major debt to Bach's work in their own musical development. Mendelssohn began re-introducing Bach's music into the concert repertoire, where it has come to attract admiration and even veneration for its own sake.
After 20 years of successful work in several posts, Bach became cantor of the Thomas-schule in Leipzig, and remained there for the remaining 27 years of his life, concentrating on church music for the Lutheran service: over 200 cantatas, four passion settings, a Mass, and hundreds of chorale settings, harmonizations, preludes, and arrangements. He edited the tunes for Schemelli's Musicalisches Gesangbuch, contributing 16 original tunes. His choral harmonizations remain a staple for studies of composition and harmony. Additional melodies from his works have been adapted as hymn tunes.
--John Julian, Dictionary of Hymnology (1907)
Johann Sebastian Bach
John L. Bell
b. 1949 Person Name: John L. Bell, b.1949 Scripture: Revelation 19:3 Transcriber of "[Alleluia. Alleluia]" in African American Heritage Hymnal John Bell (b. 1949) was born in the Scottish town of Kilmarnock in Ayrshire, intending to be a music teacher when he felt the call to the ministry. But in frustration with his classes, he did volunteer work in a deprived neighborhood in London for a time and also served for two years as an associate pastor at the English Reformed Church in Amsterdam. After graduating he worked for five years as a youth pastor for the Church of Scotland, serving a large region that included about 500 churches. He then took a similar position with the Iona Community, and with his colleague Graham Maule, began to broaden the youth ministry to focus on renewal of the church’s worship. His approach soon turned to composing songs within the identifiable traditions of hymnody that began to address concerns missing from the current Scottish hymnal:
"I discovered that seldom did our hymns represent the plight of poor people to God. There was nothing that dealt with unemployment, nothing that dealt with living in a multicultural society and feeling disenfranchised. There was nothing about child abuse…,that reflected concern for the developing world, nothing that helped see ourselves as brothers and sisters to those who are suffering from poverty or persecution." [from an interview in Reformed Worship (March 1993)]
That concern not only led to writing many songs, but increasingly to introducing them internationally in many conferences, while also gathering songs from around the world. He was convener for the fourth edition of the Church of Scotland’s Church Hymnary (2005), a very different collection from the previous 1973 edition. His books, The Singing Thing and The Singing Thing Too, as well as the many collections of songs and worship resources produced by John Bell—some together with other members of the Iona Community’s “Wild Goose Resource Group,” —are available in North America from GIA Publications.
Emily Brink
John L. Bell
