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Scripture:1 Corinthians 15

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Forth in Your Name, O Lord, I Go

Author: Charles Wesley, 1707-1788 Meter: 8.8.8.8 Appears in 346 hymnals Scripture: 1 Corinthians 15:38 Lyrics: 1 Forth in your name, O Lord, I go, my daily labor to pursue, determined only you to know in all I think or speak or do. 2 The task your wisdom has assigned, O let me cheerfully fulfill; in all my works your presence find, and prove your good and perfect will. 3 May I find you at my right hand; your eyes see truly what I do. I labor on at your command and offer all my works to you. 4 Give me to bear your easy yoke and ev'ry moment watch and pray and still to things eternal look, and hasten to your glorious day. 5 For you I joyously employ whate’er you in grace have giv’n: I run my daily course with joy and closely walk with you to heav’n. Topics: Vocation Used With Tune: LAKEWOOD
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Friend after friend departs

Appears in 228 hymnals Scripture: 1 Corinthians 15:19 Topics: Death; Burial A Friend; Friends in Heaven; Hope In Death
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Fight the Good Fight

Author: John Samuel Bewley Monsell Meter: 8.8.8.8 Appears in 483 hymnals Scripture: 1 Corinthians 15:57-58 First Line: Fight the good fight with all thy might Lyrics: 1 Fight the good fight with all thy might. Christ is thy strength and Christ thy right. Lay hold on life, and it shall be thy joy and crown eternally. 2 Run the straight race through God's good grace; lift up thine eyes, and seek Christ's face. Life with its way before us lies; Christ is the path, and Christ the prize. 3 Cast care aside; lean on thy guide. God's boundless mercy will provide. Trust, and thy trusting soul shall prove Christ is its life, and Christ its love. 4 Faint not nor fear: God's arms are near. God changeth not, and thou art dear. Only believe, and thou shalt see that Christ is all in all to thee. Topics: Faith; Grace; Living in Christ; Trusting in the Promises of God Used With Tune: DUKE STREET

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FINLANDIA

Meter: 10.11.10.11.11.10 Appears in 283 hymnals Composer and/or Arranger: Jean Sibelius (1865-1957) Scripture: 1 Corinthians 15:58 Tune Sources: Original arrangement from the symphonic poem Finlandia Tune Key: F Major Incipit: 32343 23122 33234 Used With Text: When memory fades and recognition falters
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FORTUNATUS NEW

Meter: 8.7.8.7.8.7 Appears in 20 hymnals Composer and/or Arranger: Carl F. Schalk, b. 1929 Scripture: 1 Corinthians 15:54-57 Tune Key: d minor Incipit: 17115 45575 43435 Used With Text: Christ, the Lord of Hosts, Unshaken
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FARMER

Meter: 7.6.7.6.7.6.7.6 Appears in 51 hymnals Composer and/or Arranger: John Farmer Scripture: 1 Corinthians 15 Tune Key: C Major Incipit: 11135 65531 72111 Used With Text: The Day of Resurrection

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Fight the Good Fight

Author: John Samuel Bewley Monsell Hymnal: Glory to God #846 (2013) Meter: 8.8.8.8 Scripture: 1 Corinthians 15:57-58 First Line: Fight the good fight with all thy might Lyrics: 1 Fight the good fight with all thy might. Christ is thy strength and Christ thy right. Lay hold on life, and it shall be thy joy and crown eternally. 2 Run the straight race through God's good grace; lift up thine eyes, and seek Christ's face. Life with its way before us lies; Christ is the path, and Christ the prize. 3 Cast care aside; lean on thy guide. God's boundless mercy will provide. Trust, and thy trusting soul shall prove Christ is its life, and Christ its love. 4 Faint not nor fear: God's arms are near. God changeth not, and thou art dear. Only believe, and thou shalt see that Christ is all in all to thee. Topics: Faith; Grace; Living in Christ; Trusting in the Promises of God Languages: English Tune Title: DUKE STREET
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Forth in Your Name, O Lord, I Go

Author: Charles Wesley, 1707-1788 Hymnal: Christian Worship #739 (2021) Meter: 8.8.8.8 Scripture: 1 Corinthians 15:38 Lyrics: 1 Forth in your name, O Lord, I go, my daily labor to pursue, determined only you to know in all I think or speak or do. 2 The task your wisdom has assigned, O let me cheerfully fulfill; in all my works your presence find, and prove your good and perfect will. 3 May I find you at my right hand; your eyes see truly what I do. I labor on at your command and offer all my works to you. 4 Give me to bear your easy yoke and ev'ry moment watch and pray and still to things eternal look, and hasten to your glorious day. 5 For you I joyously employ whate’er you in grace have giv’n: I run my daily course with joy and closely walk with you to heav’n. Topics: Vocation Languages: English Tune Title: LAKEWOOD
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Forth in Thy Name, O Lord, I Go

Author: Charles Wesley, 1707-88 Hymnal: Lutheran Service Book #854 (2006) Meter: 8.8.8.8 Scripture: 1 Corinthians 15:58 Lyrics: 1 Forth in Thy name, O Lord, I go, My daily labor to pursue, Thee, only Thee, resolved to know In all I think or speak or do. 2 The task Thy wisdom has assigned, O let me cheerfully fulfill; In all my works Thy presence find, And prove Thy good and perfect will. 3 Thee may I set at my right hand, Whose eyes my inmost substance see, And labor on at Thy command, And offer all my works to Thee. 4 Give me to bear Thine easy yoke, And ev'ry moment watch and pray, And still to things eternal look, And hasten to Thy glorious day. 5 For Thee delightfully employ Whate’er Thy bounteous grace has giv’n, And run my course with even joy, And closely walk with Thee to heav’n. Topics: Close of Service Languages: English Tune Title: LAKEWOOD

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Venantius Honorius Clementianus Fortunatus

540 - 600 Person Name: Venantius H. C. Fortunatus, ca. 530-609 Scripture: 1 Corinthians 15:20-22 Author of "Welcome, Happy Morning!" in Trinity Hymnal (Rev. ed.) Venantius Honorius Clematianus Fortunatus (b. Cenada, near Treviso, Italy, c. 530; d. Poitiers, France, 609) was educated at Ravenna and Milan and was converted to the Christian faith at an early age. Legend has it that while a student at Ravenna he contracted a disease of the eye and became nearly blind. But he was miraculously healed after anointing his eyes with oil from a lamp burning before the altar of St. Martin of Tours. In gratitude Fortunatus made a pilgrimage to that saint's shrine in Tours and spent the rest of his life in Gaul (France), at first traveling and composing love songs. He developed a platonic affection for Queen Rhadegonda, joined her Abbey of St. Croix in Poitiers, and became its bishop in 599. His Hymns far all the Festivals of the Christian Year is lost, but some of his best hymns on his favorite topic, the cross of Jesus, are still respected today, in part because of their erotic mysticism. Bert Polman ================== Fortunatus, Venantius Honorius Clementianus, was born at Ceneda, near Treviso, about 530. At an early age he was converted to Christianity at Aquileia. Whilst a student at Ravenna he became almost blind, and recovered his sight, as he believed miraculously, by anointing his eyes with some oil taken from a lamp that burned before the altar of St. Martin of Tours, in a church in that town. His recovery induced him to make a pilgrimage to the shrine of St. Martin, at Tours, in 565, and that pilgrimage resulted in his spending the rest of his life in Gaul. At Poitiers he formed a romantic, though purely platonic, attachment for Queen Rhadegunda, the daughter of Bertharius, king of the Thuringians, and the wife, though separated from him, of Lothair I., or Clotaire, king of Neustria. The reader is referred for further particulars of this part of the life of Fortunatus to Smith and Wace's Dictionary of Christian Biography, vol. ii. p. 552. It is sufficient to say here that under the influence of Rhadegunda, who at that time lived at Poitiers, where she had founded the convent of St. Croix, Fortunatus was ordained, and ultimately, after the death of Rhadegunda in 597, became bishop of Poitiers shortly before his own death in 609. The writings, chiefly poetical, of Fortunatus, which are still extant, are very numerous and various in kind; including the liveliest Vers de Societé and the grandest hymns; while much that he is known to have written, including a volume of Hymns for all the Festivals of the Christian Year, is lost. Of what remains may be mentioned, The Life of St. Martin of Tours, his Patron Saint, in four books, containing 2245 hexameter lines. A complete list of his works will be found in the article mentioned above. His contributions to hymnology must have been very considerable, as the name of his lost volume implies, but what remains to us of that character, as being certainly his work, does not comprise at most more than nine or ten compositions, and of some of these even his authorship is more than doubtful. His best known hymn is the famous "Vexilla Regis prodeunt," so familiar to us in our Church Hymnals in some English form or other, especially, perhaps, in Dr. Neale's translation, "The Royal Banners forward go." The next most important composition claimed for him is "Pange, lingua, gloriosi praelium certaminis," but there would seem to be little doubt according to Sirmond (Notis ad Epist. Sidon. Apollin. Lib. iii., Ep. 4), that it was more probably written by Claudianus Mamertus. Besides these, which are on the Passion, there are four hymns by Fortunatus for Christmas, one of which is given by Daniel, "Agnoscat omne saeculum," one for Lent, and one for Easter. Of "Lustra sex qui jam peregit," of which an imitation in English by Bishop. Mant, "See the destined day arise," is well-known, the authorship is by some attributed to Fortunatus, and by some to St. Ambrose. The general character of the poetry of Venantius Fortunatus is by no means high, being distinguished neither for its classical, nor, with very rare exceptions, for its moral correctness. He represents the "last expiring effort of the Latin muse in Gaul," to retain something of the "old classical culture amid the advancing tide of barbarism." Whether we look at his style, or even his grammar and quantities, we find but too much that is open to criticism, whilst he often offends against good taste in the sentiments he enunciates. Occasionally, as we see in the "Vexilla Regis," he rises to a rugged grandeur in which he has few rivals, and some of his poems are by no means devoid of simplicity and pathos. But these are the exceptions and not the rule in his writings, and we know not how far he may have owed even these to the womanly instincts and gentler, purer influence of Rhadegunda. Thierry, in his Récits des Temps Mérovingiens, Récit 5, gives a lively sketch of Fortunatus, as in Archbishop Trench's words (Sacred Latin Poetry, 1874,p. 132), "A clever, frivolous, self-indulgent and vain character," an exaggerated character, probably, because one can hardly identify the author of "Vexilla Regis," in such a mere man of the world, or look at the writer of "Crux benedicta nitet, Dominus qua carne pependit" q.v., as being wholly devoid of the highest aspirations after things divine. A quarto edition of his Works was published in Rome in 1786. [Rev. Digby S. Wrangham, M.A.] - John Julian, Dictionary of Hymnology (1907) ==================== Fortunatus, V. H. C., p. 384, i. The best edition of his poems is F. Leo's edition of his Opera Poetica, Berlin, 1881 (Monumenta Germaniae, vol. iv.). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Donald Fishel

b. 1950 Scripture: 1 Corinthians 15 Author of "Alleluia, Alleluia! Give Thanks" in Psalter Hymnal (Gray)

Alfred V. Fedak

b. 1953 Person Name: Alfred Victor Fedak (b. 1953) Scripture: 1 Corinthians 15:55-57 Composer of "ECCE, DEUS" in Church Hymnary (4th ed.) Alfred Fedak (b. 1953), is a well-known organist, composer, and Minister of Music at Westminster Presbyterian Church on Capitol Hill in Albany, New York. He graduated from Hope College in 1975 with degrees in organ performance and music history. He obtained a Master’s degree in organ performance from Montclair State University, and has also studied at Westminster Choir College, Eastman School of Music, the Institute for European Studies in Vienna, and at the first Cambridge Choral Studies Seminar at Clare College, Cambridge. As a composer, he has over 200 choral and organ works in print, and has three published anthologies of his work (Selah Publishing). In 1995, he was named a Visiting Fellow in Church Music at Episcopal Seminary of the Soutwest in Austin, Texas. He is also a Fellow of the American Guild of Organists, and was awarded the AGO’s prestigious S. Lewis Elmer Award. Fedak is a Life Member of the Hymn Society, and writes for The American Organist, The Hymn, Reformed Worship, and Music and Worship. He was a member of the Presbyterian Committee on Congregational Song that prepared Glory to God, the 2013 hymnal of the Presbyterian Church (U.S.A.) Laura de Jong