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Scripture:1 Corinthians 3

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God Is Working His Purpose Out

Author: A. C. Ainger Meter: Irregular Appears in 93 hymnals Scripture: 1 Corinthians 3:6-7 Lyrics: 1 God is working his purpose out as year succeeds to year: God is working his purpose out, and the time is drawing near; nearer and nearer draws the time, the time that shall surely be, when the earth shall be filled with the glory of God as the waters cover the sea. 2 From utmost east to utmost west, where human foot hath trod, by the mouth of many messengers goes forth the voice of God: "Give ear to me, ye continents, ye isles, give ear to me," that the earth may filled with the glory of God as the waters cover the sea. 3 March we forth in the strength of God, with the banner of Christ unfurled, that the light of the glorious gospel of truth may shine throughout the world; fight we the fight with sorrow and sin to set their captives free, that earth may filled with the glory of God as the waters cover the sea. 4 All we can do is nothing worth unless God blessed the deed; vainly we hope for the harvest-tide till God gives life to the seed; yet nearer and nearer draws the time, the time that shall surely be, when the earth shall be filled with the glory of God as the waters cover the sea. Topics: God Eternity and Power; Purpose; Warfare, Spiritual Used With Tune: PURPOSE
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God be in my head, and in my understanding

Meter: Irregular Appears in 67 hymnals Scripture: 1 Corinthians 3:16 Lyrics: God be in my head, and in my understanding; God be in mine eyes, and in my looking; God be in my mouth, and in my speaking; God be in my heart, and in my thinking; God be at mine end, and at my departing. Topics: The Church Celebrates; The Church Celebrates Death and Grieving; Our Response to Christ In Discipleship; Death and Bereavement; God Presence of Used With Tune: GOD BE IN MY HEAD Text Sources: Book of Hours 1514
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God, your glory we have seen in your Son

Author: Didier Rimaud, 1922-; Ronald Johnson, 1913-; Brian Arthur Wren, 1936- Meter: 12.12 with refrain Appears in 6 hymnals Scripture: 1 Corinthians 3:11-15 First Line: In the fields of this world his good news he has sown Lyrics: Refrain: God, your glory we have seen in your Son, full of truth, full of heavenly grace; in Christ make us live, his love shine on our face, and the nations shall see in us the triumph you have won. 1 In the fields of this world his good news he has sown, and send us out to reap till the harvest is done. [Refrain] 2 In his love like a fire that consumes he passed by, the flame has touched our lips: let us shout, 'Here am I!' [Refrain] 3 He was broken for us, God-forsaken his cry, and still the bread he breaks: to ourselves we must die. [Refrain] 4 He has trampled the grapes of new life on his cross; now drink the cup and live: he has filled it for us. [Refrain] 5 He has founded a kingdom that none shall destroy; the corner-stone is laid: go to work, build with joy! [Refrain] Topics: Commitment; Confirmation Service; Discipleship; Epiphany; Eucharist; Evangelism; Glory of God; Jesus Christ Transfiguration; Kingdom of God; Mission/Sending; People of God; Saints Days and Holy Days Any Saint; Saints Days and Holy Days St Mark; Witness Used With Tune: DIEU NOUS AVONS VU TA GLOIRE

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GOD BE IN MY HEAD

Meter: Irregular Appears in 33 hymnals Composer and/or Arranger: Henry Walford Davies (1869-1941) Scripture: 1 Corinthians 3:16 Tune Key: A Major Incipit: 55532 76727 65555 Used With Text: God be in my head, and in my understanding
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GRÄFENBERG (NUN DANKET ALL)

Meter: 8.6.8.6 Appears in 245 hymnals Composer and/or Arranger: Johann Crüger, 1598-1662 Scripture: 1 Corinthians 3:10-23 Tune Key: F Major Incipit: 16512 33235 43215 Used With Text: Spirit Divine, Attend Our Prayers
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[Gentile or Jew]

Appears in 37 hymnals Composer and/or Arranger: John B. Foley, 1939-; Gary Alan Smith, 1947- Scripture: 1 Corinthians 3:9 Tune Key: G Major Incipit: 11215 55431 24321 Used With Text: One Bread, One Body

Instances

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Published text-tune combinations (hymns) from specific hymnals

교 희 의 참 된 터 는 (The Church's One Foundation)

Author: Samuel J. Stone Hymnal: 찬송과 예배 = Chansong gwa yebae = Come, Let Us Worship #255 (2001) Meter: 7.6.7.6 D Scripture: 1 Corinthians 3:11 Topics: 교회; 증 거; Christian Year All Saints Day; Church; Fellowship; Funeral and memorial service; Kingdom of God; Testimony and Witness; 교회 년 성도추모일 (만성절); 친교; 장례 와 추도식; 하나님나라 Languages: English Tune Title: AURELIA
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God giveth the increase

Author: W. F. Hall; John Cawood Hymnal: Hymnal of the Methodist Episcopal Church #301 (1891) Meter: 8.6.8.6 Scripture: 1 Corinthians 3:7 First Line: Almighty God, thy word is cast Topics: Satan Adversary; Scriptures, Holy Power of the; Scriptures, Holy Spread of the; Sowing and Reaping Languages: English
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God is Working His Purpose Out

Author: Arthur Campbell Ainger Hymnal: Trinity Hymnal (Rev. ed.) #74 (1990) Meter: Irregular Scripture: 1 Corinthians 3:6 Lyrics: 1 God is working his purpose out as year succeeds to year: God is working his purpose out, and the time is drawing near; nearer and nearer draws the time, the time that shall surely be, when the earth shall be filled with the glory of God as the waters cover the sea. 2 From utmost east to utmost west, where human feet have trod, by the mouth of many messengers goes forth the voice of God: "Give ear to me, you continents, ye isles, give ear to me," that the earth may be filled with the glory of God as the waters cover the sea. 3 March we forth in the strength of God, with the banner of Christ unfurled, that the light of the glorious gospel of truth may shine throughout the world: fight we the fight with sorrow and sin to set their captives free, that the earth may be filled with the glory of God as the waters cover the sea. 4 All we can do is nothing worth unless God blesses the deed; vainly we hope for the harvest-tide till God gives life to the seed; yet nearer and nearer draws the time, the time that shall surely be, when the earth shall be filled with the glory of God as the waters cover the sea. Topics: God His Sovereignty Languages: English Tune Title: PURPOSE

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N. F. S. Grundtvig

1783 - 1872 Person Name: Nikolai F. S. Grundtvig Scripture: 1 Corinthians 3:16 Author of "Built on the Rock" in The Worshiping Church Nicolai Frederik Severin Grundtvig was the son of a pastor, and was born at Udby, in Seeland, in 1783. He studied in the University of Copenhagen from 1800-1805; and, like some other eminent men, did not greatly distinguish himself; his mind was too active and his imagination too versatile to bear the restraint of the academic course. After leaving the university he took to teaching; first in Langeland, then (1808) in Copenhagen. Here he devoted his attention to poetry, literature, and Northern antiquities. In 1810 he became assistant to his father in a parish in Jutland. The sermon he preached at his ordination, on the subject "Why has the Lord's word disappeared from His house," attracted much attention, which is rarely the case with "probationers'" sermons. On his father's death, in 1813, he returned to Copenhagen, and for eight years devoted himself mainly to literature. The poetry, both secular and religious, that he produced, drew from a friend the remark that "Kingo's harp had been strung afresh." In 1821 King Frederik vi. appointed him pastor of Prasloe, a parish in Seeland, from which he was the next year removed to Copenhagen, and made chaplain of St. Saviour's church in Christianshavn. From the time of his ordination he had been deeply impressed with Evangelical church sentiments, in opposition to the fashionable Rationalism and Erastianism of the day; and adhered to the anti-rationalist teaching of Hauge, whose death at this time (1824) seemed to be a call to Grundtvig to lift up his voice. An opportunity soon presented itself; Professor Clausen brought out a book entitled Katholicismens og Protestantismens Forfatning, Ldre, og Ritus ("The condition, teaching, and ritual of Catholicism and Protestantism"). This book was replete with the Erastian Rationalism which was so especially distasteful to Grundtvig, who forthwith, in his Kirkens Gjenmsele ("The Church's Reply," 1825), strongly opposed its teaching, and laid down truer principles of Christian belief, and sounder views of the nature of the Church. This caused a sensation: Grandtvig (who had not spared his opponent) was fined 100 rixdollars, and the songs and hymns which he had written for the coming celebration of the tenth centenary of Northern Christianity were forbidden to be used. On this he resigned his post at St. Saviour's, or rather was forced to quit it by a sentence of suspension which was pronounced in 1826, and under which he was kept for 13 years. He took the opportunity of visiting England in 1829, 30, and 31, and consulting its libraries, mainly with a view to a further insight into Northern antiquities, and to help his studies in the early English tongue. His edition of Cynewulfs beautiful poem of the Phenix from the Codex Exoniensis, the Anglo-Saxon (so-called) text, with a preface in Danish, and a fri Fordanskning (free rendering in Danish), published in 1840*, is a result of this journey and enforced leisure. Tired of his long silence, his numerous friends and admirers proposed to erect a church for him, and form themselves into an independent congregation, but this was not permitted. He was allowed, however, to hold an afternoon service in the German church at Christianshavn. There ho preached for eight years, and compiled and wrote his hymn-book, Sang-Vdrk til den Danske Kirkce ("Song-work for the Danish Church"). He still worked on towards his object of raising the Christian body to which ho belonged from the condition of a mere slate establishment to the dignity of a gospel-teaching national church. In 1839 (the year of the death of King Frederik vr., and the accession of his cousin Chrisliem vni.) the suspension was removed, and he was appointed chaplain of the hospital Vartou, a position which he held till his death. In 1863 the king (Frederik vn.) conferred on him the honorary title of bishop. The good old man died suddenly, in his 89th year, on Sept. 2, 1872, having officiated the day before. As Kingo is the poet of Easter, and Brorson of Christmas, so Grundtvig is spoken of as the poet of Whitsuntide. --John Julian, Dictionary of Hymnology,, p. 1001 (1907)

Dale Grotenhuis

1931 - 2012 Scripture: 1 Corinthians 3:11 Harmonizer of "FOUNDATION" in Psalter Hymnal (Gray) Dale Grotenhuis (b. Cedar Grove, WI, 1931; d. Jenison, Mi, August 17, 2012) was a member of the 1987 Psalter Hymnal 1987 Revision Committee, and was professor of music and director of choral music at Dordt College, Sioux Center, Iowa, from 1960 until he retired in 1994 to concentrate on composition. Educated at Calvin College; Michigan State University, Lansing; and Ohio State University, Columbus; he combined teaching with composition throughout his career and was a widely published composer of choral music. He also directed the Dordt choir in a large number of recordings, including many psalm arrangements found in the 1959 edition of the Psalter Hymnal. Before coming to Dordt, Grotenhuis taught music at Christian high schools in Washington and Michigan. Under his direction, the Dordt College concert choir participated in annual tours that took members throughout the United States, Canada and Europe. He loved the church and the music of the church. His favorite song was "All Glory Be to God on High". Bert Polman (last two sentences from Joy Grotenhuis, daughter-in-law)

Chas. H. Gabriel

1856 - 1932 Person Name: Charles H. Gabriel, 1856-1932 Scripture: 1 Corinthians 3:20 Composer of "ASPINWALL" in Trinity Psalter Hymnal Pseudonyms: C. D. Emerson, Charlotte G. Homer, S. B. Jackson, A. W. Lawrence, Jennie Ree ============= For the first seventeen years of his life Charles Hutchinson Gabriel (b. Wilton, IA, 1856; d. Los Angeles, CA, 1932) lived on an Iowa farm, where friends and neighbors often gathered to sing. Gabriel accompanied them on the family reed organ he had taught himself to play. At the age of sixteen he began teaching singing in schools (following in his father's footsteps) and soon was acclaimed as a fine teacher and composer. He moved to California in 1887 and served as Sunday school music director at the Grace Methodist Church in San Francisco. After moving to Chicago in 1892, Gabriel edited numerous collections of anthems, cantatas, and a large number of songbooks for the Homer Rodeheaver, Hope, and E. O. Excell publishing companies. He composed hundreds of tunes and texts, at times using pseudonyms such as Charlotte G. Homer. The total number of his compositions is estimated at about seven thousand. Gabriel's gospel songs became widely circulated through the Billy Sunday­-Homer Rodeheaver urban crusades. Bert Polman