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Lead us, heavenly Father, lead us

Author: James Edmeston, 1791-1867 Meter: 8.7.8.7.8.7 Appears in 357 hymnals Scripture: Hebrews 4:15 Lyrics: 1 Lead us, heavenly Father, lead us o'er the world's tempestuous sea; guard us, guide us, keep us, feed us, for we have no help but thee; yet possessing every blessing, if our God our Father be. 2 Saviour, breathe forgiveness o'er us: all our weakness thou dost know; thou didst tread this earth before us, thou didst feel its keenest woe; lone and dreary, faint and weary, through the desert thou didst go. 3 Spirit of our God, descending, fill our hearts with heavenly joy, love with every passion blending, pleasure that can never cloy: thus provided, pardoned, guided, nothing can our peace destroy. Topics: New Year; Lent I Year A; Lent I Year C; Proper 22 Year B; Lent Used With Tune: MANNHEIM

Lord Jesus, think on me

Author: Synesius of Cyrene, c. 365-c. 414; A. W. Chatfield, 1808-1896 Meter: 6.6.8.6 Appears in 129 hymnals Scripture: Hebrews 4:9 Lyrics: 1 Lord Jesus, think on me, and purge away my sin; from earthborn passions set me free, and make me pure within. 2 Lord Jesus, think on me with many a care opprest; let me thy loving servant be, and taste thy promised rest. 3 Lord Jesus, think on me, nor let me go astray; through darkness and perplexity point thou the heavenly way. 4 Lord Jesus, think on me, that, when the flood is past, I may eternal brightness see, and share thy joy at last. Topics: Lent Used With Tune: SOUTHWELL

Lord, Who throughout These Forty Days

Author: Claudia F. Hernaman, 1838-1898; Gilbert E. Doan, 1930- Meter: 8.6.8.6 Appears in 86 hymnals Scripture: Hebrews 4:15-16 Topics: Ash Wednesday; Lent Suffering; Lent Suffering; Repentance; Temptation; Victory in Conflict Used With Tune: RICHMOND

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LAND OF REST

Meter: 8.6.8.6 Appears in 185 hymnals Composer and/or Arranger: Annabel Morris Buchanan, 1889-1983 Scripture: Hebrews 4:15-16 Tune Key: F Major Incipit: 51123 51165 51123 Used With Text: Lord, Who Throughout These Forty Days

LADUE CHAPEL

Meter: 8.7.8.7 D Appears in 12 hymnals Composer and/or Arranger: Ronald Arnatt Scripture: Hebrews 4:14-16, 5:1-10 Tune Key: G Major Incipit: 11214 32111 17645 Used With Text: Womb of Life and Source of Being

LIEBSTER JESU, WIR SIND HIER

Meter: 7.8.7.8.8.8 Appears in 252 hymnals Composer and/or Arranger: Johann Rudolph Ahle, 1625-73; Paul G. Bunjes, 1914-98 Scripture: Hebrews 4:12 Tune Key: G Major Incipit: 31253 12176 12321 Used With Text: Blessed Jesus, at Your Word

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Instances

Published text-tune combinations (hymns) from specific hymnals

Let us, then, hold firmly to the faith we profess.

Hymnal: Seventh-day Adventist Hymnal #877 (1985) Scripture: Hebrews 4:14 Topics: Calls to Worship

Love Divine, All Loves Excelling

Author: Charles Wesley Hymnal: Glory to God #366 (2013) Meter: 8.7.8.7 D Scripture: Hebrews 4:3-11 Lyrics: 1 Love divine, all loves excelling, Joy of heaven, to earth come down, fix in us thy humble dwelling; all thy faithful mercies crown. Jesus, thou art all compassion; pure, unbounded love thou art; visit us with thy salvation; enter every trembling heart. 2 Breathe, O breathe thy loving Spirit into every troubled breast; let us all in thee inherit; let us find the promised rest. Take away the love of sinning; Alpha and Omega be; end of faith, as its beginning, set our hearts at liberty. 3 Come, Almighty, to deliver; let us all thy life receive; suddenly return, and never, nevermore thy temples leave. Thee we would be always blessing, serve thee as thy hosts above, pray, and praise thee without ceasing, glory in thy perfect love. 4 Finish then thy new creation; pure and spotless let us be; let us see thy great salvation perfectly restored in thee: changed from glory into glory, till in heaven we take our place, till we cast our crowns before thee, lost in wonder, love, and praise. Topics: Christ's Return and Judgment; Funeral; Gift of the Holy Spirit; Jesus Christ Advent; Living in Christ; Love of God for Us; Salvation; The Triune God; Wedding Languages: English Tune Title: HYFRYDOL

Love divine, all loves excelling

Author: Charles Wesley, 1707-1788 Hymnal: Singing the Faith #503 (2011) Meter: 8.7.8.7 D Scripture: Hebrews 4:11 Topics: Growth in Grace and Holiness; The Communion of Saints Languages: English Tune Title: BLAENWERN

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Robert Lowry

1826 - 1899 Person Name: Robert Lowry, 1826-1899 Scripture: Hebrews 4:9 Composer of "ALL THE WAY" in Lead Me, Guide Me (2nd ed.) Robert Lowry was born in Philadelphia, March 12, 1826. His fondness for music was exhibited in his earliest years. As a child he amused himself with the various musical instruments that came into his hands. At the age of seventeen he joined the First Baptist Church of Philadelphia, and soon became an active worker in the Sunday-school as teacher and chorister. At the age of twenty-two he gave himself to the work of the ministry, and entered upon a course of study at the University of Lewisburg, Pa. At the age of twenty-eight he was graduated with the highest honors of his class. In the same year of his graduation, he entered upon the work of the ministry. He served as pastor at West Chester, Pa., 1851-1858; in New York City, 1859-1861; in Brooklyn, 1861-1869; in Lewisburg, Pa., 1869-1875. While pastor at Lewisburg, he was also professor of belles lettres in the University, and received the honorary degree of D. D. in 1875. He then went to Plainfield, N. J., where he became pastor of Park Avenue Church. In each of these fields his work was crowned with marked success. Dr. Lowry was a man of rare administrative ability, a most excellent preacher, a thorough Bible student, and whether in the pulpit or upon the platform, always a brilliant and interesting speaker. He was of a genial and pleasing disposition, and a high sense of humor was one of his most striking characteristics. Very few men had greater ability in painting pictures from the imagination. He could thrill an audience with his vivid descriptions, inspiring others with the same thoughts that inspired him. His melodies are sung in every civilized land, and many of his hymns have been translated into foreign tongues. While preaching the Gospel, in which he found great joy, was his life-work, music and hymnology were favorite studies, but were always a side issue, a recreation. In the year 1880, he took a rest of four years, visiting Europe. In 1885 he felt that he needed more rest, and resigned his pastorate at Plainfield, and visited in the South and West, also spending some time in Mexico. He returned, much improved in health, and again took up his work in Plainfield. On the death of Wm. B. Bradbury, Messrs. Biglow & Main, successors to Mr. Bradbury in the publishing business, selected Dr. Lowry for editor of their Sunday-school book, Bright Jewels, which was a great success. Subsequently Dr. W. Doane was associated with him in the issue of the Sunday-school song book, Pure Gold, the sales of which exceeded a million copies. Then came Royal Diadem, Welcome Tidings, Brightest and Best, Glad Refrain, Good as Gold, Joyful Lays, Fountain of Song, Bright Array, Temple Anthems, and numerous other volumes. The good quality of their books did much to stimulate the cause of sacred song in this country. When he saw that the obligations of musical editorship were laid upon him, he began the study of music in earnest, and sought the best musical text-books and works on the highest forms of musical composition. He possessed one of the finest musical libraries in the country. It abounded in works on the philosophy and science of musical sounds. He also had some musical works in his possession that were over one hundred and fifty years old. One of his labors of love some years ago was an attempt to reduce music to a mathematical basis. On the established fact that Middle C has two hundred and fifty-six vibrations per second, he prepared a scale and went to work on the rule of three. After infinite calculation and repeated experiments, he carried it far enough to discover that it would not work. A reporter once asked him what was his method of composition — "Do you write the words to fit the music, or the music to fit the words?" His reply was, "I have no method. Sometimes the music comes and the words follow, fitted insensibly to the melody. I watch my moods, and when anything good strikes me, whether words or music, and no matter where I am, at home or on the street, I jot it down. Often the margin of a newspaper or the back of an envelope serves as a notebook. My brain is a sort of spinning machine, I think, for there is music running through it all the time. I do not pick out my music on the keys of an instrument. The tunes of nearly all the hymns I have written have been completed on paper before I tried them on the organ. Frequently the words of the hymn and the music have been written at the same time." The Doctor frequently said that he regarded "Weeping Will Not Save Me" as the best and most evangelistic hymn he ever wrote. The following are some of his most popular and sweetest gospel melodies: "Shall We Gather at the River?," "One More Day's Work for Jesus," "Where is My Wandering Boy To-night?," "I Need Thee Every Hour," "The Mistakes of My Life," "How Can I Keep from Singing?," "All the Way My Saviour Leads Me," "Saviour, Thy Dying Love," "We're Marching to Zion," etc. "Shall We Gather at the River?" is perhaps, without question, the most widely popular of all his songs. Of this Mr. Lowry said: "It is brass band music, has a march movement, and for that reason has become popular, though for myself I do not think much of it." Yet he tells us how, on several occasions, he had been deeply moved by the singing of that hymn, "Going from Harrisburg to Lewisburg once I got into a car filled with half-drunken lumbermen. Suddenly one of them struck up, "Shall We Gather at the River?" and they sang it over and over again, repeating the chorus in a wild, boisterous way. I did not think so much of the music then as I listened to those singers, but I did think that perhaps the spirit of the hymn, the words so flippantly uttered, might somehow survive and be carried forward into the lives of those careless men, and ultimately lift them upward to the realization of the hope expressed in my hymn." "A different appreciation of it was evinced during the Robert Raikes' Centennial. I was in London, and had gone to meeting in the Old Bailey to see some of the most famous Sunday-school workers in the world. They were present from Europe, Asia, and America. I sat in a rear seat alone. After there had been a number of addresses delivered in various languages, I was preparing to leave, when the chairman of the meeting announced that the author of "Shall We Gather at the River?" was present, and I was requested by name to come forward. Men applauded and women waved their handkerchiefs as I went to the platform. It was a tribute to the hymn; but I felt, when it was over, that, after all, I had perhaps done some little good in the world, and I felt more than ever content to die when God called." On Children's Day in Brooklyn, in 1865, this song was sung by over forty thousand voices. While Dr. Lowry said, "I would rather preach a gospel sermon to an appreciative, receptive congregation than write a hymn," yet in spite of his preferences, his hymns have gone on and on, translated into many languages, preaching and comforting thousands upon thousands of souls, furnishing them expression for their deepest feelings of praise and gratitude to God for His goodness to the children of men. What he had thought in his inmost soul has become a part of the emotions of the whole Christian world. We are all his debtors. Rev. Robert Lowry, D. D., died at his residence in Plainfield, K J., November 25, 1899. Dead, yet he lives and his sermons in gospel song are still heard and are doing good. Dr. Lowry was a great and good man, and his life, well spent, is highly worthy of a place among the world's greatest gospel song and hymn writers. -- Biography of Gospel Song and Hymn Writers ------- Lowry, Robert, D.D., son of Crozier Lowry, was born at Philadelphia, Pennsylvania, March 12, 1826, and educated at Lewisburg University. Having received ordination as a Baptist Minister, his first charge was at West Chester, Pennsylvania. From thence he passed to New York City, and then to Brooklyn, N. Y. In 1876 he was appointed Professor of Rhetoric in his University. On resigning his Professorship he undertook the charge of the 2nd Baptist Church, New Jersey. Dr. Lowry has been associated with some of the most popular Sunday School hymn-books published in the States, including Happy Voices, 1865; Chapel Melodies, 1868; Bright Jewels, 1869; Pure Gold, 1871; Royal Diadem, 1873; Tidal Wave, 1874; Fountain of Song1877; Welcome Tidings, 1877, &c. Of Dr. Lowry's hymns those which have attained the widest circulation are:— 1. Jerusalem, for ever bright. Heaven. Appeared in the American Tract Society's Happy Voices, 1865, with music by the author. 2. Low in the grave He lay. Resurrection of Christ. Written in 1874 and published in Brightest and Best, 1875. 3. Marching on, marching on. Sunday School Battle Song. Appeared, with music by the author, in Happy Voices, 1865. 4. My home is in heaven, my rest is not here. In Happy Voices, 1865, with music by the author. 5. My life flows on in endless song. Joy in God. In Bright Jewels, 1869; the Royal Diadem, 1873, and others in America and Great Britain, with music by the author. 6. One more day's work for Jesus. Work for Christ. Published, with music by the author, in Bright Jewels, 1869. 7. Shall we gather at the river? Mutual recognition in the Hereafter. The origin of this hymn is thus set forth in E. W. Long's Illustrated History of Hymns and their Authors, Philadelphia, 1876, p. 64:— ”On a very hot summer day, in 1864, a pastor was seated in his parlour in Brooklyn, N. Y. It was a time when an epidemic was sweeping through the city, and draping many persons and dwellings in mourning. All around friends and acquaintances were passing away to the spirit land in large numbers. The question began to arise in the heart, with unusual emphasis, ‘Shall we meet again? We are parting at the river of death, shall we meet at the river of life?' ‘Seating myself at the organ,’ says he, ‘simply to give vent to the pent up emotions of the heart, the words and music of the hymn began to flow out, as if by inspiration:— ‘Shall we gather at the river, Where bright angel feet have trod?’" In 1865 the hymn and music were given in Happy Voices, No. 220, in 5 stanzas of 4 lines and a chorus. The hymn has since passed into a great number of hymnals in Great Britain and America. 8. Take the wings of the morning; speed quickly thy flight. Exhortation to Repentance. Written for, and published with music by the author in, the Royal Diadem, 1873. 9. Weeping will not save me. Salvation through Faith. Published in the Chapel Melodies, 1868. 10. What can wash away my stain? Precious Blood of Jesus. Given in the Welcome Tidings, 1877, with music by the author. 11. Where is my wandering boy tonight! The absent Child. In the Fountain of Song, 1877, together with music by the author. Most of these hymns are given in Mr. I. D. Sankey's Sacred Songs & Solos, Pts. i., ii. --John Julian, Dictionary of Hymnology (1907)

Johann Lindemann

1549 - 1631 Person Name: Johann Lindemann Scripture: Hebrews 4:14-16 Author of "In Thee Is Gladness " in Lift Up Your Hearts Johann Lindemann (b. Gotha, Thuringia, Germany, 1549; d. Gotha, 1631) attended the gymnasium (high school) in Gotha and then studied at the University of Jena. He returned to Gotha, where he served on the council and became a cantor in several churches (1580-1631). One of the signers of the Lutheran Formula of Concord (1577), Lindemann published Amarum Filii Dei Decades Duae (1598), which included his "In You Is Gladness." Bert Polman ============== Lindemann, Johann, son of Nicolaus Lindemann, burgess at Gotha, was born at Gotha c. 1550. He attended the Gymnasium at Gotha, and apparently thereafter studied and graduated M.A. at Jena. He appears to have become cantor at Gotha in 1571 or 1572, and retired from this post, on a pension, in 1631. In 1634 he Was a member of the new Council at Gotha. The date of his death is unknown. (Monatshefte für Musikgeschichte, 1878, p. 73; manuscript from Superintendent Dr. Otto Dreyer, of Gotha, &c. The extant register of births at Gotha only goes back to 1566, that of deaths only to 1659.) Lindemann's Decades Amorum Filii Dei seem to have been published at Erfurt, 1594 and 1596. The ed. of 1598 [Royal Library, Berlin] is entitled Amorum Filii Dei Decades Duae: Das ist Zwantzig liebliche und gantz anmutige lateinische und deutsche newe Jharss oder Weyhenachten Gesenglein. He is there described as Cantor and musician to the churches and schools at Gotha. Whether he is the author of the words of any of these pieces is not certain. Nor is it even clear that he was the composer of the melodies; but it is evident that he must have arranged and harmonised them. The two best known of these pieces are "Jesu wollst uns weisen" (No. 3, in 3 stanzas), and, "In dir ist Freude" (Love to Christ). The latter is No. 7 in 2 stanzas of 12 lines. it is set to a tune adapted from a madrigal by Giovanni Giacomo Gastoldi da Caravaggio (his Balletti appeared at Venice 1591,1593,1595,1597, &c), and is marked as "Balletti: L'innamorato: A Lieta Vita: á 5." The text is repeated in the Unverfálschter Liedersegen, 1851, No. 42. The translation in common use is: "In Thee is gladness." A full and good translation by Miss Winkworth, in her Lyra Germanica, 2nd Ser. 1858, p. 155, and her Chorale Book for England, 1863, No. 156. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Anne K. LeCroy

1930 - 2016 Person Name: Anne K. LeCroy, b. 1930 Scripture: Hebrews 4:8-10 Reviser of "Christ, Mighty Savior" in Lutheran Service Book Rev. Anne LeCroy was a professor of English at East Tennessee State University. Following her work as a translator she was a vocational deacon in the diocese of East Tennessee, serving St. Timothy's in Kingsport, and St. John's in Johnson City. Dianne Shapiro, from email sent by Rev. Margaret Zeller, Rector, St. Christopher's, Kingsport

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