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Scripture:Exodus 14

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Stand, O Stand Firm

Appears in 6 hymnals Scripture: Exodus 14:13 Lyrics: Stand, O stand firm. Stand, O stand firm. Stand, O stand firm and see what our God can do. (Sisters*, stand very) Stand, O stand firm. Stand, O stand firm. Stand, O stand firm and see what our God can do. *make up additional verses: "Brothers," "People," "Children," etc. Topics: Assurance; Commitment; Discernment Used With Tune: [Stand, O stand firm] Text Sources: Traditional song, Cameroon
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Salvation, it is finished

Meter: Irregular Appears in 12 hymnals Scripture: Exodus 14:13 First Line: 'Tis finished, the Redeemer said Lyrics: 1 'Tis finish'd the Redeemer said, And meekly bow'd his dying head; Whilst we this sentence scan, Come sinners, and observe the word. Behold the conquests of our Lord, Complete for helpless man. 2 Finish'd the righteousness of grace, Finish'd for sinners pard'ning peace; Their mighty debt is paid: Accusing law cancell'd by blood, And wrath of an offended God, In sweet oblivion laid. 3 Who now shall urge a second claim? The law no longer can condemn, Faith a release can shew; Justice itself a friend appears, The prison house a whisper hears, Loose him, and let him go. 4 O unbelief! injurious bar! Source of tormenting, fruitless fear, Why dost thou yet reply? Where'er thy loud objections fall, Tis finish'd, still may answer all, And silence ev'ry cry. 5 His toil, divinely finish'd stands, But, ah! the praise his word demands; Careful may we attend1 Conclusion to our souls be this, Because salvation finish'd is, Our thanks shall never end. Topics: Free, Complete, and Finished Salvation, ascribed unto the Just God, and the Saviour Text Sources: Whitfield's Coll.
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Salvation of God

Author: James Relly Meter: Irregular Appears in 5 hymnals Scripture: Exodus 14:13-14 First Line: Canaan promised is before Lyrics: 1 Canaan promis'd is before; Come let us forward go, Not the ocean, nor its roar, Nor the Egyptian foe, May obstruct, when God commands; His pow'r on our behalf he shows: Move we forward to the land, Where milk and honey flows. 2 Pharaoh's hosts, our flesh and sense, Press hard upon our rear; Vainly strive to cause offence, Or make the spirit fear: God protects us in his hand, Whilst vengeance on his foes he throws: Move we forward to the land, Where milk and honey flows. 3 Roaring floods clap hands aloud, To drive us back again; Seas of trials vastly crowd T' affright the sons of men: Jesus bids us quiet stand, Whilst he his great salvation shows: Move we forward to the land, Where milk and honey flows. 4 Seas divide before our face, And stand upon an heap; Mighty waters, by his grace, Shrink from the fearful deep: On we march at his command, Nor dread the pow'r of our foes: Move we forward to the land, Where milk and honey flows. 5 Love, which God to us doth shew, Strikes the Egyptian dead; Floods, which give us passage thro', Return upon their head: Dead we see them on the strand, Nor can they further us pursue; We are in Immanuel's land, Where milk and honey flow.

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SALZBURG

Appears in 182 hymnals Composer and/or Arranger: Jacob Hintze, 1622-1702; Johann Sebastian Bach, 1685-1750 Scripture: Exodus 14:28 Tune Key: D Major Incipit: 51565 43554 32215 Used With Text: At the Lamb's high feast we sing
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ST. KEVIN

Meter: 7.6.7.6 D Appears in 195 hymnals Composer and/or Arranger: Arthur Seymour Sullivan Scripture: Exodus 14:15-22 Tune Key: F Major Incipit: 33321 34512 34322 Used With Text: Come, You Faithful, Raise the Strain
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ST JOHN DAMASCENE

Meter: 7.6.7.6.7.6.7.6 Appears in 14 hymnals Composer and/or Arranger: A. H. Brown, 1830-1926 Scripture: Exodus 14:21-22 Tune Key: G Major Incipit: 56111 23123 45556 Used With Text: Come, ye faithful, raise the strain

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Salvation, it is finished

Hymnal: Psalms, Hymns and Spiritual Songs #CCLXI (1792) Meter: Irregular Scripture: Exodus 14:13 First Line: 'Tis finished, the Redeemer said Lyrics: 1 'Tis finish'd the Redeemer said, And meekly bow'd his dying head; Whilst we this sentence scan, Come sinners, and observe the word. Behold the conquests of our Lord, Complete for helpless man. 2 Finish'd the righteousness of grace, Finish'd for sinners pard'ning peace; Their mighty debt is paid: Accusing law cancell'd by blood, And wrath of an offended God, In sweet oblivion laid. 3 Who now shall urge a second claim? The law no longer can condemn, Faith a release can shew; Justice itself a friend appears, The prison house a whisper hears, Loose him, and let him go. 4 O unbelief! injurious bar! Source of tormenting, fruitless fear, Why dost thou yet reply? Where'er thy loud objections fall, Tis finish'd, still may answer all, And silence ev'ry cry. 5 His toil, divinely finish'd stands, But, ah! the praise his word demands; Careful may we attend1 Conclusion to our souls be this, Because salvation finish'd is, Our thanks shall never end. Topics: Free, Complete, and Finished Salvation, ascribed unto the Just God, and the Saviour Languages: English
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Stand, O Stand Firm

Hymnal: More Voices #99 (2007) Scripture: Exodus 14:13 Lyrics: Stand, O stand firm. Stand, O stand firm. Stand, O stand firm and see what our God can do. (Sisters*, stand very) Stand, O stand firm. Stand, O stand firm. Stand, O stand firm and see what our God can do. *make up additional verses: "Brothers," "People," "Children," etc. Topics: Assurance; Commitment; Discernment Languages: English Tune Title: [Stand, O stand firm]
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Stand Firm

Hymnal: Lead Me, Guide Me (2nd ed.) #731 (2012) Scripture: Exodus 14:13 First Line: Stand, O stand firm Lyrics: All: Stand, O stand firm, Cantor(s): with Mary All: stand, O stand firm, Cantor(s): with Michael, All: stand, O stand firm Cantor(s) with the angels, and see what the Lord can do. Cantor(s) O my sisters, (O my brothers,) (O God's people) Stand very firm. All: Stand, O stand firm, Cantor(s): with John the Baptist, All: stand, O stand firm, Cantor(s): with Joseph, All: stand, O stand firm Cantor(s) with Peter, and see what the Lord can do. Cantor(s) O my sisters, (O my brothers,) (O God's people) Stand very firm. All: Stand, O stand firm, Cantor(s): with Mary Magdalene, All: stand, O stand firm, Cantor(s): with Perpetua, All: stand, O stand firm Cantor(s) with Felicity, and see what the Lord can do. Cantor(s) O my sisters, (O my brothers,) (O God's people) Stand very firm. All: Stand, O stand firm, Cantor(s): with Paul, All: stand, O stand firm, Cantor(s): with Stephen, All: stand, O stand firm Cantor(s) with Ignatius, and see what the Lord can do. Cantor(s) O my sisters, (O my brothers,) (O God's people) Stand very firm. All: Stand, O stand firm, Cantor(s): with Agnes, All: stand, O stand firm, Cantor(s): with Catherine, All: stand, O stand firm Cantor(s) with Teresa, and see what the Lord can do. Cantor(s) O my sisters, (O my brothers,) (O God's people) Stand very firm. All: Stand, O stand firm, Cantor(s): with Lawrence, All: stand, O stand firm, Cantor(s): with Gregory, All: stand, O stand firm Cantor(s) with Benedict, and see what the Lord can do. Cantor(s) O my sisters, (O my brothers,) (O God's people) Stand very firm. All: Stand, O stand firm, Cantor(s): with Joan of Arc, All: stand, O stand firm, Cantor(s): with Hildegard, All: stand, O stand firm Cantor(s) with Julia, and see what the Lord can do. Cantor(s) O my sisters, (O my brothers,) (O God's people) Stand very firm. All: Stand, O stand firm, Cantor(s): with Romero, All: stand, O stand firm, Cantor(s): with King, All: stand, O stand firm Cantor(s) with Thomas Merton, and see what the Lord can do. Cantor(s) O my sisters, (O my brothers,) (O God's people) Stand very firm. Topics: All Saints November 1st; African Hymns; Brotherhood and Sisterhood; Courage; Encouragement; Faithfulness of God Languages: English Tune Title: [Stand, O stand firm]

People

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Authors, composers, editors, etc.

Henry Thomas Smart

1813 - 1879 Person Name: Henry Smart Scripture: Exodus 14:22 Composer of "LANCASHIRE" in Rejoice in the Lord Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporiza­tions and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for impor­tant places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman

Arthur Sullivan

1842 - 1900 Person Name: Arthur Seymour Sullivan Scripture: Exodus 14:29 Composer of "ST. KEVIN" in The Presbyterian Hymnal Arthur Seymour Sullivan (b Lambeth, London. England. 1842; d. Westminster, London, 1900) was born of an Italian mother and an Irish father who was an army band­master and a professor of music. Sullivan entered the Chapel Royal as a chorister in 1854. He was elected as the first Mendelssohn scholar in 1856, when he began his studies at the Royal Academy of Music in London. He also studied at the Leipzig Conservatory (1858-1861) and in 1866 was appointed professor of composition at the Royal Academy of Music. Early in his career Sullivan composed oratorios and music for some Shakespeare plays. However, he is best known for writing the music for lyrics by William S. Gilbert, which produced popular operettas such as H.M.S. Pinafore (1878), The Pirates of Penzance (1879), The Mikado (1884), and Yeomen of the Guard (1888). These operettas satirized the court and everyday life in Victorian times. Although he com­posed some anthems, in the area of church music Sullivan is best remembered for his hymn tunes, written between 1867 and 1874 and published in The Hymnary (1872) and Church Hymns (1874), both of which he edited. He contributed hymns to A Hymnal Chiefly from The Book of Praise (1867) and to the Presbyterian collection Psalms and Hymns for Divine Worship (1867). A complete collection of his hymns and arrangements was published posthumously as Hymn Tunes by Arthur Sullivan (1902). Sullivan steadfastly refused to grant permission to those who wished to make hymn tunes from the popular melodies in his operettas. Bert Polman

Martin Shaw

1875 - 1958 Person Name: Martin Shaw (1875-1958) Scripture: Exodus 14:19-31 Composer of "MARCHING" in Ancient and Modern Martin F. Shaw was educated at the Royal College of Music in London and was organist and choirmaster at St. Mary's, Primrose Hill (1908-1920), St. Martin's in the Fields (1920-1924), and the Eccleston Guild House (1924-1935). From 1935 to 1945 he served as music director for the diocese of Chelmsford. He established the Purcell Operatic Society and was a founder of the Plainsong and Medieval Society and what later became the Royal Society of Church Music. Author of The Principles of English Church Music Composition (1921), Shaw was a notable reformer of English church music. He worked with Percy Dearmer (his rector at St. Mary's in Primrose Hill); Ralph Vaughan Williams, and his brother Geoffrey Shaw in publishing hymnals such as Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). A leader in the revival of English opera and folk music scholarship, Shaw composed some one hundred songs as well as anthems and service music; some of his best hymn tunes were published in his Additional Tunes in Use at St. Mary's (1915). Bert Polman