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Scripture:John 20

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Texts

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Valley Psalm to the Holy Spirit

Author: Melchizedek M. Solis Appears in 2 hymnals Scripture: John 20:21-23 First Line: Come, Holy Spirit, come, Show us our way Topics: Praise and Adoration The Holy Spirit; Responses to God Prayer; The Christian Life Aspiration and Hope; The Christian Life Guidance; The Christian Life Liberation and Justice; The Holy Spirit and The Church The Holy Spirit Used With Tune: KATARUNGAN Text Sources: Filipino

Ven a los pies de Jesús

Author: Alfredo Colom M. Appears in 2 hymnals Scripture: John 20:11-18 Topics: Curuz de Cristo; Cross of Christ; Invitación; Invitation; Sufrimientos y Muerte de Cristo; Suffering and Death of Christ Used With Tune: VEN A LOS PIES

Tunes

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VRUECHTEN

Meter: 6.11.6.11 with refrain Appears in 76 hymnals Composer and/or Arranger: Alice Parker Scripture: John 20:1-18 Tune Sources: Dutch melody, 17th cent. Tune Key: E Flat Major Incipit: 51234 55654 65432 Used With Text: Because You Live, O Christ
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VICTIMAE PASCHALI

Meter: 7.7.7.7 D Appears in 9 hymnals Scripture: John 20:11-18 Tune Sources: Würth's Katholisches Gesangbuch, 1859; Revised in Catholic Youth's Hymn Book Tune Key: G Major Incipit: 51621 71132 176 Used With Text: Christ the Lord Is Risen Today
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VULPIUS (GELOBT SEI GOTT)

Meter: 8.8.8 with refrain Appears in 140 hymnals Composer and/or Arranger: Melchior Vulpius (1570?-1615); Ernest Campbell MacMillan (1893-1973) Scripture: John 20:1-18 Incipit: 17655 67111 25176 Used With Text: Good Christians all, rejoice and sing

Instances

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Published text-tune combinations (hymns) from specific hymnals

Valley Psalm to the Holy Spirit

Author: Melchizedek M. Solis Hymnal: Hymns from the Four Winds #24 (1983) Scripture: John 20:21-23 First Line: Come, Holy Spirit, come, Show us our way Topics: Praise and Adoration The Holy Spirit; Responses to God Prayer; The Christian Life Aspiration and Hope; The Christian Life Guidance; The Christian Life Liberation and Justice; The Holy Spirit and The Church The Holy Spirit Languages: English Tune Title: KATARUNGAN

Ven a los pies de Jesús

Author: Alfredo Colom M. Hymnal: Celebremos Su Gloria #305 (1992) Scripture: John 20:11-18 Topics: Curuz de Cristo; Cross of Christ; Invitación; Invitation; Sufrimientos y Muerte de Cristo; Suffering and Death of Christ Languages: Spanish Tune Title: VEN A LOS PIES

People

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Authors, composers, editors, etc.

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Vaughan Williams, 1872-1958 Scripture: John 20:24-31 Arranger of "HELMSLEY" in Lutheran Service Book Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

Melchior Vulpius

1570 - 1615 Person Name: Melchior Vulpius (1570?-1615) Scripture: John 20:1-18 Composer of "VULPIUS (GELOBT SEI GOTT)" in Common Praise (1998) Born into a poor family named Fuchs, Melchior Vulpius (b. Wasungen, Henneberg, Germany, c. 1570; d. Weimar, Germany, 1615) had only limited educational oppor­tunities and did not attend the university. He taught Latin in the school in Schleusingen, where he Latinized his surname, and from 1596 until his death served as a Lutheran cantor and teacher in Weimar. A distinguished composer, Vulpius wrote a St. Matthew Passion (1613), nearly two hundred motets in German and Latin, and over four hundred hymn tunes, many of which became popular in Lutheran churches, and some of which introduced the lively Italian balletto rhythms into the German hymn tunes. His music was published in Cantiones Sacrae (1602, 1604), Kirchengesangund Geistliche Lieder (1604, enlarged as Ein schon geistlich Gesanglmch, 1609), and posthumous­ly in Cantionale Sacrum (1646). Bert Polman

Jaroslav J. Vajda

1919 - 2008 Scripture: John 20:19-23 Author of "Go, My Children" in Voices Together Jaroslav J. Vajda (b. Lorain, Ohio, 1919; d. 2008) Born of Czechoslovakian parents, Vajda was educated at Concordia College in Fort Wayne, Indiana, and Concordia Theological Seminary in St. Louis, Missouri. Ordained as a Lutheran pastor in 1944, he served congregations in Pennsylvania and Indiana until 1963. He was editor of the periodicals The Lutheran Beacon (1959-1963) and This Day (1963-1971) and book editor and developer for Concordia Publishing House in St. Louis from 1971 until his retirement in 1986. Working mainly with hymn texts, Vajda served on several Lutheran commissions of worship. A writer of original poetry since his teens, he was the author of They Followed the King (1965) and Follow the King (1977). His translations from Slovak include Bloody Sonnets (1950), Slovak Christmas (1960), An Anthology of Slovak Literature (1977), and contributions to the Lutheran Worship Supplement (1969) and the Lutheran Book of Worship (1978). A collection of his hymn texts, carols, and hymn translations was issued as Now the Joyful Celebration (1987); its sequel is So Much to Sing About (1991). Vajda's hymns are included in many modern hymnals, and he was honored as a Fellow of the Hymn Society in the United States and Canada in 1988. Bert Polman