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Ronald F. Krisman

Person Name: Ronald F. Krisman, n. 1946 Translator of "Los Magos Que Llegaron a Belén (The Magi Came to Bethlehem)" in Oramos Cantando = We Pray In Song

b. 1917 Translator of "From a Distant Home" in The Presbyterian Hymnal George K. Evans (b. 1917) was educated at Rice University (B.A.) the University of Texas (M.A.), and George Peabody College for Teachers (Ph.D.). Throughout his career, he served as music supervisor and choral music director in high schools and colleges. He also was minister of music, choir director, and organist in various churches. --The Presbyterian Hymnal Companion, 1993 Died: After 1962 (he had copyrights registered at least through 1963).

Walter Ehret

1918 - 2009 Translator of "From a Distant Home" in The Presbyterian Hymnal EHRET--Walter, passed away on November 16th, 2009 at the age of 91, after a long, happy, and productive life. He left a great legacy as a teacher who touched many students' lives. He was the beloved husband and best friend of Beverly, his wife of 62 years, adored father of David Ehret and Christine Marver, and daughter-in-law Pamela Ehret, and the proud grandfather of Jeffrey, Julia, and Sarah Marver. Mr. Ehret was born in New York City in 1918 to Adele Tonies and her husband who tragically died in the flu epidemic of that year. He was later adopted by a kind stepfather, Charles Ehret. Walter Ehret was a graduate of the Julliard School of Music and Teachers College, Columbia University. He has served as an adjunct faculty member of Hofstra University, Manhattanville College, and Teachers College, Columbia University. In addition, he taught instrumental and choral music in several New Jersey and New York school systems for over 40 years. In 1984 he retired as District Coordinator of Music for the Scarsdale, NY Public Schools. Choral groups under his direction have performed with distinction at contests and at other award-winning occasions. They have performed in Carnegie Hall and Madison Square Garden, as well as on radio and television. His organizations have been invited to sing at New Jersey and New York State School Music Association conventions, divisional meetings of the Music Educators National Conference, and the first American Choral Directors Association National Conference. He was a past president of the Music Educators Associations for Bergen, Nassau, and Westchester Counties. He was a former Vice President of Choirs for the New York State School Music Association, a former State Chairman of Junior High School Music of the New York State School Music Association, and a past member of several MENC committees. He was a founding member and first New York State president of the American Choral Directors Association. He is well known as a clinician, conductor, and choral literature specialist, and has functioned in these various capacities at over 300 workshops in some 30 states. He is one of the nation's most prolific and respected choral editors and arrangers, and has over 2000 publications in print. In addition, he is co-author of Growing with Music, a basic music series for grades K-8, co-author of Functional Lessons in Singing, a class voice textbook, author of The Choral Conductor's Handbook, and co-author of The International Book of Christmas Carols. --www.legacy.com/obituaries/nytimes/

Lorraine Florindez

1926 - 2011 Person Name: Lorraine Florindez, 1926- Adapter of "Los magos que llegaron a Belén" in ¡Cantad al Señor! Lorraine A. Wiggan Florindez was born on March 11, 1926, in Chicago, Illinois, the eldest of three daughters, offspring of Lucenia Rivetta Ulett and Edward Wiggan, Jamaican immigrants. A child prodigy on the piano, Lorraine began formal piano lessons at the age of seven and gave her first formal piano recital at age eleven, an event written up in the newspaper, The Chicago Defender. She served as church organist for St. James Lutheran, Chicago, at the age of fourteen. A student of Corpus Christie Catholic School, Francis Willard Elementary, and DeSable High School, Lorraine played oboe and French horn in her high school concert band, which frequently featured vibraphonist, Lionel Hampton. A voracious learner, Lorraine skipped two grades and graduated from high school at the age of sixteen. The first in her family to attend college, she majored in music at Carthage College, Kenosha, Wisconsin, graduating in 1946 with a Bachelor’s degree cum laude in music. Lorraine had a dedication to God and missionary endeavors and was placed by the Board of American Missions (LCA, 1946) at the Southern Christian Institute in Edwards, Mississippi, where she conducted a children’s choir and taught music. Fluent in Spanish, Lorraine was commissioned to continue her missionary work in Puerto Rico in 1948. There she met and eventually married Rev. Miguel de Sevilla in 1950. They served together in rural parishes in Dorado for five years and had three children: Catalina, Miguel. Jr., and “Sage” Joyce. Over the span of the next fourteen years, Rev. Sevilla was assigned to cultivate the Puerto Rican Lutheran communities in various church parishes: St. Croix, USVI (1955-60), Camden New Jersey (1960-65), Chicago, Illinois (1965-67), and Brooklyn, New York (1967-69). Within these communities Lorraine served as organist, established choirs, and extended musical horizons. Her marriage to Miguel eventually ended in divorce. Lorraine later met Armando Florindez, a mechanical engineer from Peru. The two were married in 1972 and lived in New York until 1992. During this time Lorraine acquired a Masters in Music Education from Columbia University and continued her music education at the Julliard School. She became a full time music teacher in the public school system and was known for her remarkable musical productions with elementary age students: Oliver, Fiddler on the Roof, The King and I, Annie, and West Side Story. Throughout life, Lorraine’s foundation of faith, set by her parents, never waivered. A love of God and people infused her ministry of music. Developing multigenerational church choirs, composing numerous choral works, and facilitating workshops on Latin American hymns and liturgy throughout the United States, Central and South America, Lorraine’s passion for arranging hymns and discovering indigenous religious music culminated in several hymn compendiums: Cantad Al Senor (St. Louis, 1991) and Lutheran Service Book (St. Louis, 2006). She held memberships in various music organizations, including the American Guild of Organists, the Hymn Society of America, and the Association of Lutheran Church Musicians. From 1992 to the present, Lorraine peacefully resided in Orlando Florida, where she continued her ministry of music with Latino congregations of Orlando. She is survived by her loving husband, Armando, her sisters, Ileane Thomas and Joyce Morgan, her three children; eight beautiful grandchildren, Stephanie, Joey, Jason, Giancarlo, Xiomara, Yasmin, Maya, and Alex; six nieces and nephews, numerous cousins, and three great grandchildren. To God be the glory! A Dios sea la Gloria! Family will receive friends from 9:00 to 11:00 a.m., Saturday, March 12, 2011 at Woodlawn Funeral Home. Obituary from Dignity Memorial.

Manuel F. Juncas

Author of "Los Magos Que Llegaron a Belén" in Cantos del Pueblo de Dios = Songs of the People of God (2nd ed.)

Manuel Fernández Juncos

1846 - 1928 Person Name: Manuel Fernández Juncas Author of "Los magos que llegaron a Belén (The Magi Who to Bethlehem Did Go)" in The New Century Hymnal

Carolyn Jennings

b. 1936 Author (English version) of "Los magos que llegaron a Belén (The Magi Who to Bethlehem Did Go)" in The New Century Hymnal Carolyn Jennings (born August 16, 1936) is a Professor Emerita of Music at St. Olaf College where she taught for many years and also served in administrative roles, including Chair of the Music Department and Associate Dean for the Fine Arts. Carolyn Jennings is a graduate of the University of Iowa with a Bachelor of Arts degree in music magna cum laude and the University of Michigan where she received her Master of Music degree as a Woodrow Wilson Fellow. She also served as a church musician for over thirty years, at St. John's Lutheran Church in Northfield, Minnesota. Over many years she has served on arts advisory panels, as a workshop presenter, and in leadership roles in several professional organizations. She has been active in promoting the use of inclusive language in texts for singing, and has worked to heighten awareness of how language shapes as well as expresses thought. Her compositions and arrangements include works for voices, orchestra, and piano. She particularly enjoys composing for voices. Among her many commissioned works are a children's musical, a choral song cycle, a composition for the Minnesota Aids Quilt Songbook, and many compositions for church, school and community choirs. She has received major grants from the Composers Commissioning Program through the Minnesota Composers Forum. Choral compositions and arrangements by Carolyn Jennings are widely sung by church, community, college and school choirs. Her publications include over a hundred choral compositions and arrangements, a number of text translations, contributions to several hymnals, and articles for professional journals. She has been active in the American Choral Directors Association, the Music Teachers National Association, the Minnesota Composers Forum, the Association of Lutheran Church Musicians, and as a guest conductor and workshop leader. --apimusic.org/composers