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Gerhardt Tersteegen

1697 - 1769 Person Name: Gerhard Tersteegen Hymnal Number: 134 Author of "Ich bete an die Macht der Liebe" in Sonntagsschul-Gesangbuch der Reformirten Kirche in den Vereinigten Staaten Tersteegen, Gerhard, a pious and useful mystic of the eighteenth century, was born at Mörs, Germany, November 25, 1697. He was carefully educated in his childhood, and then apprenticed (1715) to his older brother, a shopkeeper. He was religiously inclined from his youth, and upon coming of age he secured a humble cottage near Mühlheim, where he led a life of seclusion and self-denial for many years. At about thirty years of age he began to exhort and preach in private and public gatherings. His influence became very great, such was his reputation for piety and his success in talking, preaching, and writing concerning spiritual religion. He wrote one hundred and eleven hymns, most of which appeared in his Spiritual Flower Garden (1731). He died April 3, 1769. Hymn Writers of the Church by Charles S. Nutter and Wilbur F. Tillett, 1911 ==================================================== Gerhardt Tersteegen or ter Stegen, was born at Moers, Netherlands [sic. Germany] , November 25, 1697. He was destined for the Reformed ministry, but after his father's death when the boy was only six, his mother was unable to send him to the university. He studied at the Gymnasium in Moers, and then earned a meager living as a silk weaver, sharing his frugal daily fare with the poor. Malnutrition and privation undermined his health to such an extent that he suffered a serious depression for some five years, following which he wrote a new covenant with God, signing it in his own blood. A strong mystic, he did not attend the services of the Reformed Church after 1719. Although forming no sect of his own, he became well known as a religious teacher and leader. His house was known as "The Pilgrim's Cottage" -- a retreat for men seeking a way of life, while he himself was known as "the physician of the poor and forsaken." Barred from preaching in his own country until 1750, he visited Holland annually from 1732 to 1755, holding meetings. In addition to his other labors he carried on a tremendous correspondence. Overwork resulted in physical breakdown, so that during the latter years of his life he could speak only to small gatherings. He died at Muhlheim on April 3, 1769. One of the three most important of Reformed hymn writers, he is also regarded as the chief representative of the mystics. He wrote 111 hymns. His important Geisliches Blumengartlein was published in 1729. H.E. Govan published The Life of Gerhard Tersteegen, with selctions from his writings, in 1902. --The Hymnal 1940 Companion =========================== Tersteegen, Gerhard, son of Heinrich Tersteegen (otherwise ter Stegen or zur Stiege), merchant at Mörs (Meurs), in Rhenish Prussia, was born at Mors, Nov. 25, 1697. His parents intended that he should become a minister of the Reformed Church in Germany. His father however died in 1703, and his mother found that after giving him a thorough classical training in the Latin school at Mörs she was unable to afford the cost of his University course. He was accordingly apprenticed, in 1713, to his brother-in-law, a merchant at Mühlheim on the Ruhr, and in 1717 started in business on his own account, at Mühlheim. As he found his time much broken up, and his opportunities of meditation few, he gave up his business in 1719; and, after a short trial of linen weaving, took up the easier and much more lucrative occupation of weaving silk ribbons. During the years 1719-24 he passed through a period of spiritual depression, at the end of which his faith in the reconciling grace of Christ became assured (see No. xxxiv. below), and on Maundy Thursday, 1724, he wrote out a solemn covenant with God which he signed with his own blood. Previous to this, even before 1719, he had ceased to attend the ordinary services of the Reformed Church; and also absented himself from Holy Communion on the ground that he could not in conscience communicate along with open sinners. About the beginning of 1725 he began to speak at the prayer meetings which had been held at Mühlheim, since 1710, by Wilhelm Hoffmann, who was a candidate of theology (licensed preacher) of the Reformed Church. Tersteegen soon became known as a religious teacher among the "Stillen im Lande," as the attenders on these meetings were called, and in 1728 gave up his handicraft in order to devote himself entirely to the translation of works by medieval and recent Mystics and Quietists, including Madame Guyon and others, and the composition of devotional books, to correspondence on religious subjects, and to the work of a spiritual director of the "awakened souls." From this date to his death he was supported by a small regular income which was subscribed by his admirers and friends. About 1727 a house at Otterbeck, between Mühlheim and Elberfeld, was set apart as a "Pilgerhütte," where the "awakened souls" could go into a spiritual retreat, under the direction of Tersteegen. This house, with accommodation for eight persons, was retained until about 1800. Tersteegen, however, did not confine himself to Mühlheim, but travelled over the district, addressing gatherings of like-minded Christians, giving special attention to Elberfeld, Barmen, Solingen, and Crefeld. From 1732 to 1755 he also went regularly every year to Holland, to visit his spiritual kinsfolk at Amsterdam and elsewhere. From 1730 to 1750 a law against conventicles was strictly enforced, and Tersteegen could not hold meetings except on his visits to Holland. During this period he removed to a house which had been Wilhelm Hoffmann's, where he preached, and provided food and simple medicines for the poor. After 1750 he resumed his public speaking until 1756, when he overstrained himself, and had to confine himself to the smallest gatherings absolutely. In 1769, dropsy set in, and after patient endurance for a season he died on April 3, 1769, at Mühlheim (Koch, vi. 46). Up to the end of his life Tersteegen remained outside the Reformed Church, but never set up a sect of his own. After his death his followers as a rule reunited themselves with it, especially when a less formal type of religion began to prevail therein. Tersteegen's most important hymnological work was his Geistliches Blümen-Gärtlein, of which many editions were published. Tersteegen ranks as one of the three most important hymnwriters associated with the Reformed Church in Germany, the other two being F. A. Lampe and Joachim Neander. He is however more closely allied, both as a Mystic and as a Poet, with Johann Scheffler than with either of his co-religionists. He almost equals Scheffler in power of expression and beauty of form, and if Scheffler has more pictorial grace, and a more vivid imagination, Tersteegen has more definiteness of teaching, a firmer grasp of the Christian verities, and a greater clearness in exposition. Inner union of the soul with God and Christ, the childlike simplicity and trust which this brings, renunciation of the world and of self, and daily endeavour to live as in the presence of God and in preparation for the vision of God, are the keynotes of his hymns. To his intense power of realising the unseen, his clear and simple diction, and the evident sincerity with which he sets forth his own Christian experience, his hymns owe much of their attractiveness and influence. During his lifetime they did not come much into use except through the Harfenspiel, as above, and they did not meet the taste of compilers during the Rationalistic period. But since Bunsen in his Yersuch, 1833, and Knapp in his Evangelischer Lieder-Schatz, 1837, brought his hymns once more into notice they have been received in greater or less measure into almost all the German hymnbooks, among the Lutherans as well as among the Reformed, the most popular of all being his “Gott ist gegenwärtig". A number of Tersteegen's hymns are noted under their own first lines. They appeared, almost all for the first time, in the successive editions of his Geistliches Blümen-Gärtlein, viz., in the 1st ed., 1729; 2nd ed., 1735; 3rd ed., 1738; 4th ed., 1745; 5th ed., 1751; 6th ed., 1757; 7th ed., 1768; and in each case (after 1729) in the Third Book of that work. Those which have passed into English are as follows:— i. Freue dich, du Kinder-Orden. Christmas. Translated as:— Little children, God above, 1858, p. 78. Another tr. is: "Children rejoice, for God is come to earth." By Miss Dunn, 1857, p. 30. ii. Jedes Herz will etwas lieben. Love to Christ. In the 4th ed., 1745, as above, Bk. iii., No. 70, in 8 stanzas of 4 lines, entitled "The Soul wishes to take Jesus as her best Beloved." Translated as:— 1. The heart of man must something love. A cento beginning with st. ii. “Though all the world my choice deride," is in Spurgeon's Our Own Hymn Book, 1866, and also in the Plymouth Collection, 1855, and other American hymnals. 2. Something every heart is loving. A full and good translation by Mrs. Bevan, in her Songs of Eternal Life, 1858, p. 58. iii. Jesu, der du bist alleine. Communion of Saints. In the 2nd ed., 1735, in 11 stanzas of 6 lines, entitled "Prayer on behalf of the brethren." Translated as:— Jesus, whom Thy Church doth own. By Miss Winkworth, omitting st. iii., in her Lyra Germanica, 2nd Ser., 1858, p. 99. iv. Jesu, mein Erbarmer! höre. Lent or Penitence. In the 2nd ed., 1735, in 12 stanzas of 6 lines, entitled "In outward and inward sufferings and Temptations." Translated as:— Jesus, pitying Saviour, hear me. In full, by Miss Winkworth, in her Lyra Germanica, 2nd Ser., 1858, p. 133. In her Christian Singer, 1869, p. 298, she gave st. ii., v., vi., beginning "Lost in darkness, girt with dangers." v. Nun so will ich denn mein Leben. Self-Surrender. Translated (omitting st. ii., iii., vi., x.) as:— 1. Lo! my choice is now decided. By Miss Cox, in her Sacred Hymns from the German, 1841, p. 125. Her translations of st. viii., ix., vii., altered and beginning, "One thing first and only knowing," are repeated in Hedge & Huntington's Hymns for the Church of Christ, Boston, U.S., 1853. 2. Now at last I end the strife. By Miss Winkworth, in herLyra Germanica, 2nd Ser., 1858. vi. 0 liebe Seele! könntst du werden. The Childlike Spirit. Translated as:— Soul! couldst thou, while on earth remaining. In Miss Cox'sHymns from German, 1864, p. 197, it begins "Soul, while on earth thou still remainest." Other trs. are: (1) "Wouldst thou, my soul, the secret find." By Lady E. Fortescue, 1843, p. 47. (2) “Dear soul, couldst thou become a child." By Miss Winkworth, 1855, p. 22. vii. Siegesfürste, Ehrenkönig. Ascension. Translated as:— Conquering Prince and Lord of Glory, By Miss Winkworth, omitting st. ii., in her Lyra Germanica, 2nd Ser., 1858, p. 48. viii. Wie gut ists, wenn man abgespehnt. Lent or Self-Renunciation. In the first edition, entitled "Of the sweetness of the hidden life of Christians." Translated as:— How sweet it is, when, wean'd from all. This is a good and full translation by S. Jackson, in his Life of Tersteegen, 1832 (1837, p. 417). Other hymns by Tersteegen which have been rendered into English are:— ix. Ach Gott, es taugt doch draussen nicht. On the Vanity of Earthly Things. Tr. as, "Ah God! the world has nought to please." By Miss Winkworth, 1869, p. 304. x. Ach, könnt ich stille sein. Peace in God. Translated as (1) "Oh! could I but be still." By Mrs. Bevan, 1859, p. 134. (2) "Ah, could I but be still." By Lady Durand, 1873, p. 77. xi. Allgenugsam Wesen. God's All-sufficiency . The trs. are (1) "Thou All-sufficient One! Who art." By Miss Warner, 1858, p. 601, repeated in Hymns of the Ages, Boston, U.S., 1865, p. 163. (2) "Thou, whose love unshaken." xii. Bald endet sich mein Pilgerweg. Eternal Life. Translated as “Weary heart, be not desponding." By Lady Durand, 1873, p. 84. xiii. Berufne Seelen! schlafet nicht. Lent. The translations are (1) "Ye sleeping souls, awake From dreams of carnal ease." By S. Jackson, in his Life of Tersteegen, 1832 (1837, p, 413). (2) "Sleep not, 0 Soul by God awakened." By Lady Durand, 1873, p. 98. xiv. Das äussre Sonnenlicht ist da. Morning. Tr. as (1) "The World's bright Sun is risen on high." By H. J. Buckoll, 1842, p. 51. (2) "The outer sunlight now is there." By Lady Durand, 1873, p. 75. xv. Das Kreuz ist dennoch gut. Cross and Consolation. Translated as "The Cross is ever good." By Mrs. Findlater in Hymns from the Land of Luther, 1862, p. 72 (1884, p. 234). xvi. Die Blümlein klein und gross in meines Herren Garten. On the Graces of the New Testament. The trs. are (l) "Flowers that in Jesu's garden have a place." By Miss Dunn in her translation of Tholuck's Stunden, 1853, p. 114. (2) "Full many flowers, in my Lord's garden blooming." By Dr. R. Menzies in his translation of Tholuck's Stunden, 1870, p. 182. xvii. Die Liebe will was gauzes haben.Entire Consecration. Tr. as "Love doth the whole—not part—desire." By Miss Warner, 1869, p. 12. xviii. Für dich sei ganz mein Herz und Leben. Consecration to Christ. The trs. are (1) "Constrain'd by love so warm and tender." By R. Massie in the British Herald, April, 1865, p. 55. (2) "My soul adores the might of loving." By Mrs. Edmund Ashley in the British Herald, Sept., 1867, p. 136, repeated in Reid's Praise Book, 1872, No. 582. xix. Grosser Gott, in dem ich schwebe. God's Presence. Translated as "God, in Whom I have my being." By Lady Durand, 1873, p. 81. xx. Jauchzet ihr Himmel! frohlocket ihr englische Chören. Christmas. Tr. as "Triumph, ye heavens! rejoice ye with high adoration." xxi. Jesu, den ich meine. Life in Christ. Tr. as ”Jesus, whom I long for." By Lady Durand, 1873, p. 92. xxii. Jesus-Nam, du höchster Name. The Name of Jesus. Translated as "Jesu's name, thou highest name." By S. Jackson in his Life of Tersteegen, 1832 (1837, p. 415). xxiii. Liebwerther, süsser Gottes-Wille. Resignation to the Will of God. The translations are (1) "Thou sweet beloved Will of God." By Mrs. Bevan, 1858, p. 14. (2) “Will of God, all sweet and perfect." By Lady Durand, 1873, p. 96. xxiv. Mein ganzer Sin. Lent. Turning to God. Tr. as "My whole desire Doth deeply turn away." By Miss Warner, 1869, p. 30. xxv. Mein Gott, mein Gott, mein wahres Leben. Self-Dedication. Tr. as "My God, my God, my life divine!" By S. Jackson in his Life of Tersteegen, 1832 (1837, p. 414). xxvi. Mein Herz, ein Eisen grob und alt. Cross and Consolation. Tr. as "A rough and shapeless block of iron is my heart." By Lady Durand, 1873, p. 79. xxvii. Mein'n ersten Augenblick. Morning. Tr. as "Each moment I turn me." xxviii. Nun lobet alle Gottes Sohn. Praise to Christ. Tr. as "Give glory to the Son of God." By Mrs. Bevan, 1858, p. 75. xxix. 0 Jesu, König, hoch zu ehren. Self-surrender. Tr. as “0 Jesus, Lord of majesty." By Miss Winkworth, 1858, p. 136. xxx. So gehts von Schritt zu Schritt. For the Dying. Tr. as "Thus, step by step, my journey to the Infinite." By Lady Durand, 1873, p. 105. xxxi. So ist denn doch nun abermal ein Jahr. New Year. Tr. as "Thus, then another year of pilgrim-life." By Lady Durand, 1873, p. 73. xxxii. Sollt ich nicht gelassen sein. Cross and Consolation. Tr. as “Should I not be meek and still." By Mrs. Bevan, 1858, p. 45. xxxiii. Von allen Singen ab. Turning to God. Tr. as "From all created things." By Lady Durand, 1873, p. 100. xxxiv. Wie bist du mir so innig gut. The Grace of Christ. Written in 1724 at the close of his time of spiritual despondency. “This state of spiritual darkness continued five years; until at length whilst on a journey to a neighbouring town, the day-spring from on high again visited him; and the atoning mercy of Jesus Christ was made so deeply and convincingly apparent to him, that his heart was set entirely at rest. On this occasion he composed that beautiful hymn, &c." Translated as “How gracious, kind, and good, My great High Priest art Thou" (st. i.-v.), No. 74 in Dr. Leifchild's Original Hymns, 1842. xxxv. Wiederun ein Augenblick. The Flight of Time. Tr. as: (1) “Of my Time one Minute more." (2) "One more flying moment." By Lady Durand, 1873, p. 26. xxxvi. Willkomm'n, verklarter Gottes Sohn. Easter. This is translated as "O Glorious Head, Thou livest now." By Miss Winkworth, 1855, p. 89. Repeated in Schaff’s Christ in Song, 1870. The first Book of the Blumen-Gärtlein contains short poems, more of the nature of aphorisms than of hymns. In the ed. of I76S there are in all 568 pieces in Book i., and of these Miss Winkworth has translated Nos. 429, 474, 565, 573, 575, 577 in her Christian Singers, 1869. Others are tr. by Lady Durand, in her Imitations from the German of Spitta and Terstsegen, 1873, as above, and by S. Jackson, in his Life of Tersteegen, 1832. [Rev. James Mearns, M.A.] -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== See also in: Hymn Writers of the Church

Sarah Flower Adams

1805 - 1848 Person Name: Sarah F. Adams Hymnal Number: 182 Author of "Näher, mein Gott, zu Dir, N'her zu Dir" in Sonntagsschul-Gesangbuch der Reformirten Kirche in den Vereinigten Staaten Adams, Sarah, nee Flower. born at Harlow, Essex, Feb. 22nd, 1805; died in London, Aug. 14, 1848, and was buried at Harlow, Aug. 21,1848. She was the younger daughter of Mr. Benjamin Flower, editor and proprietor, of The Cambridge Intelligencer; and was married, in 1834, to William B. Adams, a civil engineer. In 1841 she published Vivia Perpetua, a dramatic poem dealing with the conflict of heathenism and Christianity, in which Vivia Perpetua suffered martyrdom; and in 1845, The Flock at the Fountain; a catechism and hymns for children. As a member of the congregation of the Rev. W. J. Fox, an Unitarian minister in London, she contributed 13 hymns to the Hymns and Anthems, published by C. Fox, Lond., in 1841, for use in his chapel. Of these hymns the most widely known are— "Nearer,my God,to Thee," and "He sendeth sun, He sendeth shower." The remaining eleven, most of which have come into common use, more especially in America, are:— Creator Spirit! Thou the first. Holy Spirit. Darkness shrouded Calvary. Good Friday. Gently fall the dews of eve. Evening. Go, and watch the Autumn leaves. Autumn. O hallowed memories of the past. Memories. O human heart! thou hast a song. Praise. O I would sing a song of praise. Praise. O Love! thou makest all things even. Love. Part in Peace! is day before us? Close of Service. Sing to the Lord! for His mercies are sure. Praise. The mourners came at break of day. Easter. Mrs. Adams also contributed to Novello's musical edition of Songs for the Months, n. d. Nearly all of the above hymns are found in the Unitarian collections of Great Britain, and America. In Martineau's Hymns of Praise & Prayer, 1873, No. 389, there is a rendering by her from Fenelon: —" Living or dying, Lord, I would be Thine." It appeared in the Hymns and Anthems, 1841. -John Julian, Dictionary of Hymnology (1907)

Gottfried Arnold

1666 - 1714 Hymnal Number: 138 Author of "Wer ueberwindet, soll vom Holz geniessen" in Sonntagsschul-Gesangbuch der Reformirten Kirche in den Vereinigten Staaten Arnold, Gottfried, son of Gottfried Arnold, sixth master of the Town School of Annaberg in the Saxon Harz, born at Annaberg Sept. 5, 1666. His life was varied and eventful, and although much of it had little to do with hymnody from an English point of view, yet his position in German Hymnology is such as to necessitate an extended notice, which, through pressure of space, must be (typographically) compressed. After passing through the Town School and the Gymnasium at Gera, he matriculated in 1685 at the University of Wittenberg—where he found the strictest Lutheran orthodoxy in doctrine combined with the loosest of living. Preserved by his enthusiasm for study from the grosser vices of his fellows, turning to contemplate the lives of the first Christians, he began those investigations in Church History on which his fame principally rests, and thought of preparing himself to become a lecturer and professor, the worldly spirit which pervaded the Church repelling him from seeking to become one of her ministers. Accepting in 1689 an appointment as family tutor at Dresden, he became a disciple of Spener, then Court Preacher. Seeing and testifying against the ill-living of those around him, he lost his appointment in 1693, but by Spener's recommendation obtained a similar post at Quedlinburg, the centre of a recent religious Revival, one of the leaders in which was the Senior Court diaconus, J. H. Sprogel. While at Quedlinburg he wrote and pub. his first work of importance: The First Love, i.e., a true Picture of the First Christians in their Living Faith, and Holy Life, 1696, a book glowing with faith and earnestness, which gained a rapid circulation (5th ed. 1727) and was very greatly valued by P. J. Spener. Being thus brought into notice he was in 1697 appointed by the Landgrave Ernst Ludwig of Hesse-Darmstadt as Professor of History at Giessen. Accepting the post in a hopeful spirit, he did not find himself at home in his surroundings, and, unable to work as he wished, was constrained to resign in 1698. Returning to Quedlinburg he found leisure in the house of his friend SprSgel to pursue the investigations for his Unparteiische Kirchen- und Ketzer-Historie (Frankfurt-am-Main, 1699-1700). This epoch-making work, the most important of all his publications, a monument of gigantic industry and based on the original sources, sought with impartiality to bring out clearly the most prominent and most beautiful features of the Church life of bygone ages, while the more important works that preceded it had been largely partisan. It was dedicated to the King of Prussia, who, Jan., 1702, named him Historiographer; it gained for him the King's help, but by the favourable views taken of the heretics, and the unfavourable light in which the action of the Church towards them was often regarded, a storm of indignation was raised against him throughout the Church. About this time he joined the "New Angel Brotherhood " (S. Matt. xxii. 30), of the followers of the mystic Jakob Bohine, wrote in 1700 his Mystery of the Wisdom of God (see below), in which Heavenly Wisdom was represented as a pure Virgin, union with whom would preclude any earthly marriage, and ceased to partake of Holy Communion in public. Thereupon the ecclesiastical authorities took action, and would have banished him from Quedlinburg had not the King of Prussia interfered and sent two commissions in 1700 and 1701 on Arnold's behalf. Now came the turning point in his life. A thief who had broken into the house of the Sprogels was appre¬hended at Allstedt, about 40 miles south. To bring the thief to justice, Sprogel's wife and her youngest daughter, Anna Maria, went thither under Arnold's care. Preaching before the widowed Duchess of Sachsen-Eisenach, Arnold was summoned by her to become preacher at her Court at Allstedt, and before entering on his duties was, on Sept. 5, 1701, married in Church at Quedlinburg to Anna Maria Sprogel—a union productive of the happiest results, and which in great measure cured him of his Separatist tendencies, but which brought the ridicule of his enemies upon him, and caused his expulsion from the Angel Brotherhood. Entering upon his duties at Allstedt in 1702, he encountered much opposition, and thus, in 1705, gladly accepted from the King of Prussia an appointment as pastor and inspector of Werben in the Altmark (near the junction of the Elbe and Havel), as successor to his father-in-law, who had removed thence from Quedlinburg. As his persecutors gave him no rest, he accepted from the magistrates of Perleberg, a few miles farther north, the pastorate there, to which the King added the inspectorate of the district, beginning his labours on the 22nd Sunday after Trinity, 1707, by a sermon on St. Matt, xiii. 45. Unwearied in word and work, by preaching, by household visitation, and by the composition of devotional manuals (one of which, entitled Paradiesischer Lustgarten, 1709, reached a 7th ed. in 1746), he sought the good of his flock and won universal love and esteem. His excessive devotion to study (publishing no less than 58 works, some being folios, within 20 years) and his sedentary habits, brought on a severe attack of scurvy. On Whit-Sunday, 1714, when barely recovered from his illness, a recruiting party burst into the church and impressed some of the young men who were in the act of receiving Holy Communion. This outrage was his death-blow. On the next day, May 21, as pre-arranged, he preached a funeral sermon, but had to be supported by the sexton to enable him to finish it, ' like a faithful soldier keeping his post till bis last gasp." Three days he lay in an armchair, and was then removed to bed. In earnest exhortation to his friends to full renunciation of self and of the world and complete dedication to God, in peaceful communion with God not unmingled with the bitterness of an early end, the days passed, till on May 30, 1714, after he had raised himself in bed and exclaimed "Frisch auf, frisch auf! Die Wagen her und fort," his spirit peacefully passed away, his mortal body being consigned to the grave on June 1—accompanied by a weeping multitude comprising nearly all the inhabitants of the place. As a poet Arnold holds a high place, though but few of his hymns (mostly written at Quedlinburg) are entirely fitted for use in public worship. Ehmann characterises his poems as full of originality, as pervaded with a deep zeal for sanctification and the fear of God, and with glowing devotion and intensity of love for Christ. All are tinged, some very deeply, with his mysticism, dealing largely in theosophic language with the marriage of the soul to God. They found admission into the hymn-books of the Separatists and the Pietists, and many of them in modern times are included in Knapp's Ev. L. S. They appeared in the following works:— (1) Gottliche Liebes-Funcken. Aus dem grossen Feuer der Liebt Gottes in Christo Jesu entsprungen. Frankfurt am Main, 1698. Containing 145 pieces, including his best hymns. (2) Anderer Theil der gottlichen Liebes-Funcken. Frankfurt, 1701. 36 pieces. (3) Das Geheimniss der gottlidien Sophia, der Weisheit, beschrieben und besungen. Leipzig, 1700. The poetical portion of this work is in two parts:—i. Poetische Lob- und Liebes-Spriiche (100); ii. Neue gottlicJie Liebes Funcken (133). (4) Das eheliche und unverehelichte Leben der ersten Christen, &c. Frankfurt, 1702, with an appendix of 19 poems. (5) Neuer Kern wahrer Geistesgebete, &c. Leipzig, 1703, with a collection of hymns appended, entitled Ein neuer Kern recht geistlicher lieblicher Lieder—211 in all. As these works contain a good many hymns by other authors, the task of discrimination is not easy, and thus it comes to pass that in the collected editions by Albert Knapp (Stuttgart, 1845) and by K. C. E. Ehmann (Stuttgart, 185G) a number of pieces are included which are not really by Arnold. Somewhat curiously, Miss Winkworth, in her Christian Singers of Germany, 1869, has selected three pieces, and only three, as favourable specimens of Arnold, and as it happens, not one is really by him. Knapp frequently abridges and alters, while Ehmann gives a valuable introduction, the unaltered text of 139 hymns, and, as an appendix, a selection from the poems not in regular form (Koch, vi. 138-159; Ehmann's Introduction, Allg. Deutsche Biographie., i. 587-588). The hymns here noted are arranged thus: I. Probably by Arnold; II. Possibly by Arnold; III. Not by Arnold, but not found earlier than in the works mentioned above. Of these the following have been rendered into English:— I. Hymns probably by Arnold, 1-9. 1. Ew'ge Weisheit, Jesu Christ. [Love to Christ.] Founded on Canticles viii. 6, and 1st pub. 1700 as above, No. 68 (Ehmann's ed. 1856, p. 128), in 18 stanzas of 4 lines, and included as No. 504 in Freylinghausen's G. B. 1704. Translated as "Christ, thou'rt Wisdom unto me," No. 685 in pt. i. of the Moravian Hymn Book. 1754. 2. Holdseligs Gottes-Lamm. [Victory of Love.] 1701 p. 61, as above Ehmann's ed. 1856, p. 173), in 11 stanzas of 8 lines, and thence as No. 484 in Freylinghausen's G. B. 1704. Translated as "Thou, God's beloved Lamb," as No. 629 in pt. i. of the Moravian Hymn Book. 1754. In 1789 altered to "Thou, God's most holy Lamb," and in 1801 and later eds. to "Jehovah! holy Lamb." 3. Ihr Sions-Tochter die ihr nicht [Love to Christ.] Founded on Canticles iii. 11, and 1st pub. 1700 as above, No. 41 (Ehmann's cd. 1856, p. 107), in 13 stanzas of 4 lines. Included as No. 716 in the Herrnhut G. B. 1735. Translated as "Daughters of Zion, who're no more," No. 695 in pt. i. of the Moravian Hymn Book. 1754. 4. Komm beag' dich tief, mein Hcrz and Sinn. [Thanksgiving to Christ] 1st pub. 1702 as above, p. 549 (Ehmann's ed. 1856, p. 194), in 9 stanzas of 6 lines. Included as No. 744 in Freylinghausen's G. B. 1705. Translated as "Ourselves, dear Lord, we now resign," from stanzas vil., ix., as st. iii., iv.of No. 695 in the Moravian Hymn Book. 1801, (ed. 1849, No. 826). 5. Mein Eonig, schreib mir dein Gesetz. [Brotherly Love.] Founded on Ps. exxxiii. and James ii. 8, and 1st pub. 1698, No. 125, as above (Ehmann's ed. 1856, p. 51, Knapp, 1845, p. 119), in 16 stanzas of 6 lines. Included as No. 387 in Freylinghausen's G. B. 1704. Translated as "Thy law, O Lord, be my delight," as No. 451 in the Moravian Hymn Book 1789, and repeated in later eds. 6. 0 Durchbrecher aller Bande (q.v.) 7. O stillcs Lamm, ich such dein sanftes Wesen. [Love to Christ.] A poem 1st pub. 1698, No. 34, as above (Ehmann's ed. 1856, p. 270), in 21 lines, entitled " They are virgins. These are they which follow the Lamb," Rev. xiv. 4. In pt. ii. 1714, of Freylinghausen's G. B., a recast beginning "O stilles Gottes-Lamm," in 5 stanzas of 8 lines, was included as No. 429. The translations are from the second form: (1) "Meek, patient Lamb of God, to Thee," by J. Wesley, in Psalms & Hymns, 1741 (P. Works, 1868-72, vol. ii. p. 14), repeated as No. 545 in pt. i. of the Moravian Hymn Book. 1754; (2) "Meek, patient Lamb of God, impart," as No. 434 in the Moravian Hymn Book. 1789, and later eds. 8. So ftihrst da docli recht selig, Herr, di; Deinen. [Trust in God.] 1st pub. 1698, No. 138, as above (Ehmann's ed. 1856, p. 69), in 13 stanzas of 8 lines, entitled "The best Guide." Included as No. 210 in Freyling¬hausen's G. B. 1704, and recently as No. 428 in the Unv. L. S. 1851. Dr. Schaff, in his Deutsches G. B., 1860, says of it: "It was the favourite hymn of the philosopher Schelling. It is, however, more suited for private use than for Public Worship." It is a beautiful hymn, marked by profundity of thought and depth of Christian experience. The only translation in common use is "How well, O Lord! art thou thy People leading," in full as No. 60l in pt. i. of the Moravian Hymn Book. 1751, and repeated, abridged and altered to " Well art Thou leading, Guide supreme," in 1826 (1849, No. 195). The translation of stanzas i., iii., xi. from the 1826 were included in J. A. Latrobe's Collection, 1841, No. 329. Another translation is "How blest to all Thy followers, Lord, the road," by Miss Winkworth, 1855, p. 115 (ed. 1876, p. 177). 9. Wie fdion ist unsers Kdnigs Braut. [Heaven.] 1st pub. 1698, No. 139, as above (Ehmann's ed. 1856, p. 72, Knapp, 1845, p. 217), in 14 stanzas of 6 lines. Included as No. 584 in Freylinghausen's G. B. 1704. The translation are-beginning with st. x.:—" Wie freuet sich mein gamer Sinn," (1) "I'm glad, yea, sinner—likely bold," as No. 548 in pt. i. of the Moravian Hymn Book 1754. (2) “How doth my needy soul rejoice," as No. 882 in the Moravian Hymn Book. 1789. In 1801 altered to " How greatly doth my soul rejoice," (1849, No. 1230). II. Hymns possibly by Arnold, 10-11. 10. Erschein, du Morgenstern. [Morning.] 1st pub. 1703, p. 8 (Ehmann's ed. 1856, p. 196), in 4 stanzas of 8 lines. Included as No. 751 in Freylinghausews G. B. 1705, and No. 628 in Porst's G. B. ed. 1855. Fischer, i. 174, thinks A.'s authorship very doubtful. Translated as "Thou Morning-Star appear," by H. J. Buckoll, 1842, p. 42. 11. O der alles hattf verloren. [The Heavenly Spirit.] This beautiful hymn on Self-Renunciation appeared in 1703, p. 132 (ed. Ehmann, 1856, p. 210), in 8 stanzas of 4 lines, but both Koch, vi. 159, and Fischer, ii. 138, regard A.'s authorship as very doubtful. Included as No. 719 in Freylinghausen's G. B. 1705, and recently as No. 614 in the Unv. L. S. 1851. In Knapp's ed. 1845, p. 8, beginning “O wer alles hatt' verloren," in 7 stanzas. The only translation in common use is, "Well for him who all things losing," a very good translation omitting st. iii. by Miss Winkworth, in the 1st Series of her Lyra Ger. 1855, p. 134 (ed. 1876, p. 135), and repeated in her C. B. for England, 1863, No. 132, omitting the translation of stanzas. vi. Included as No. 451 in the Pennsylvanian Luth. Ch. Bk. 1868, and, with the omission of stanzas vi.-vii., in the American Meth. Episcopal Hymnal, 1878. Other translations are: (1) "O were all things perishable," as No. 682 in pt. i. of the Moravian Hymn Book. 1754. (2) “Ah! the heart that has forsaken," by Mrs. Findlater, in the Family Treasury, 1859, pt. ii. p. 208, and thence (quoting the German as "Ach das Herz verlassend alles") in the 4th Series, 1862, of the Hymns from the Land of Luther (ed. 1862, p. 284, 1884, p. 209). (3) "O how blest who, all resigning," by Mrs. L. C. Smith, in the Sunday Magazine, 1865, p. 94C. III. Hymns wrongly attributed to Arnold, 12-14. Seven hymns of this class have been tr. into English. Of these, two are noted under Lodenstein, one under Scheffler, and one under J. L. Faber. The others are:— 12. Es gehet maticlier Weg und Bahn. [Life's Voyage.] 1st pub. in Der Weisiteit Gartengewdchs, 1703, edited by Arnold. Ehmann, 1856, p. 245, includes it in 7 stanzas of 4 lines, but says it is certainly not by Arnold. Knapp, 1845, p. 173, quotes it, beginning, "Gar mancher Wegr, gar manche Balm," as from a us. dated 1734, and included it in his Ev. L. S. 1850, No. 1583 (ed. 1865, No. 1652). Translated as "Full many a way, full many a path," by Miss Winkworth, 1869, p. 295. 13. O du sussa Lust. [Communion with Christ.] Appeared in 1698, No. 140, as above; but distinctly marked as " by another." In Knapp, 1845, p. 78. Included in 9 stanzas of 6 lines, as No. 458, in Freylinghausen's G. B. 1704, and as No. 398 in Porst's G. B., ed. 1855. The trs. are: (1) "O thou Pleasure blest," as No. 690 in pt. i. of the Moravian Hymn Book. 1754; (2) "Bliss beyond compare," founded on the 1751, as No. 283 in the Moravian Hymn Book 1789. In full as No. 68 in the Bible Hymn Book 1845, and as No. 672 in Reid's Praise Book 1872. 14. Salb' uns mit deiner Lieba. [The Kingdom of God.] 1st pub. 1702, p. 526, but distinctly marked as " by another." In Knapp, 1845, p. 19. included as No. 746 in Freylingliausen's G. B. 1705, and recently, as No. 198, in Knapp's Ev. L. S. 1850 (ed. 1865, No. 209). Translated as "Anoint us with Thy blessed love," by Miss Winkworth, 1869, p. 293. Dr. Franz Dibelius in his elaborate biography (Gottfried Arnold, Berlin, 1873) at pp. 180-183, 246-248, quotes four hymns not included by Ehmann which he thinks may possibly be by Arnold. One of these is “Zum Leben ftthrt ein schmaler Weg " (q. v.). -- John Julian, Dictionary of Hymnology (1907)

Luise Hensel

1798 - 1876 Hymnal Number: 101 Author of "Immer muss ich wieder lesen" in Sonntagsschul-Gesangbuch der Reformirten Kirche in den Vereinigten Staaten Text of "Müde bin ich geh zur Ruh" is printed in Lutheran Service Book, 2006 #887 ============= Hensel, Luise, daughter of J. J. L. Hensel, Lutheran pastor at Linum, near Fehrbellin, Brandenburg, was born at Linum, March 30, 1798, Though confirmed as a Lutheran in her fifteenth year, she gradually approximated to Roman Catholicism, and was formally received into that Communion, Dec. 7, 1818. During the remaining years of her life, she devoted herself mainly to the education of the young and the care of the sick. In 1874 she entered the Union of Daughters of Christian Love at Paderborn, and died at Paderborn, Dec. 18, 1876. (O. Kraus, 1879, pp. 204-211; Allgemeine Deutsche Biographie, xii. 1-3, &c.) Her best hymns were written before she was 23, and in proportion as she became an Ultramontane the poetical value of her productions declined. Her finest productions are distinguished by childlike simplicity, humility, resignation, and deep Christian love. They have won wide acceptance in Germany. The first two of those noted may be regarded as nursery classics. A number of her hymns came into Clemens Brentano's hands as early as 1819, and were by mistake included as his in his posthumous works. A few were printed in F. Förster's Sängerfahrt, 1818, and a good many more in M. Diepenbrock's Geistlicher Blumenstrauss, Sulzbach, 1829. A complete edition of her hymns was published by Professor C. Schlüter of Münster as her Lieder at Paderborn, 1870 (4th ed., 1879). i. Hymns in English common use: i. Immer muss ich wieder lesen. [Holy Scripture.] This beautiful children's hymn on the Life of Christ as narrated in the Gospels, appeared in Diepenbrock, 1829, p. 265, in 7 stanzas of 4 lines (entitled "On the reading of Holy Scripture "); and in her Lieder, 1870, is dated Berlin, 1815. It is repeated in Knapp's Evangelischer Lieder-Schlatz, &, 1837, the Württemberg Gesang-Buch, 1842, &c. Translated as:— Ever would I fain be reading. A good and full translation by Miss Winkworth in her Lyra Germanica, 2nd Ser., 1858, p. 24. It has been included in full in Psalms & Hymns, Bedford, 1859; Kennedy, 1863; Book of Praise for Children, 1881; and in America in Hatfield's Church Hymn Book, 1872, and others. In some collections it is abridged; and in the Unitarian South Place Collection, 1873, it begins, "Ever find I joy in reading." Other translations are:— (1) “O how sweet the wondrous story," by Mrs. Bevan, 1859, p. 142. (2) "In that book so old and holy," in Dr. H. W. Dulcken's Golden Harp, 1864, p. 25. (3) "Still I read, and weary never," by “A. M. A," in the British Herald, Feb. 1868, p. 211. ii. Müde bin ich, geh' zur Ruh. [Evening.] This beautiful child's evening prayer, the most popular of all her hymns, appeared in Diepenbrock, 1829, p. 270, in 4 stanzas of 4 lines. In her Lieder, 1870, p. 54, dated Berlin, Autumn, 1816. Included in the Unverfälscher Liedersegen, 1851, No. 528. Translated as:— 1. Now that o'er each weary head. A free translation of stanzas i.-iii. as No. 22 in C. H. Bateman's Children's Hymns, 1872. 2. Weary now I go to rest. A good translation of stanzas i.-iii. by E. Cronenwett as No. 324 in the Ohio Lutheran Hymnal 1880. Other translations are:— (1) "Now I close my tired eyes," by Mrs. Bevan, 1859, p. 147. (2) "I am tir'd, and so I seek," by Miss Manington, 1863, p. 126. (3) "Weary now I go to bed," in Dr. H. W. Dulcken's Golden Harp, 1864, p. 40. (4) “Now with weariness opprest," a second translation by Dr. Dulcken, p. 72. (5) “Wearied now I seek repose," by J. Kelly, 1885, p. 111. ii. Hymns not in English common use: iii. Ich liebe einen Königs Sohn. [Love to Christ.] In Diepenbrock, 1829, p. 304, in 9 stanzas, and in her Lieder, 1870, p. 67, dated Berlin, 1817. Translated as "I love a royal only Son," by E. Massie, 1867, p. 174. jv. 0 Sonne, wenn von deinem Licht. [Love to Christ.] In Diepenbrock, 1829, p. 257, in 6 stanzas, and in her Lieder, 1870, p. 128, dated Söndermühlen, 1823. Translated as "O Sun, if from thy light a ray," in J. D. Burns's Memoir and Remains, 1869, p. 270. v. 0 Sorge, die mien niederdrückt. [Encouragement.] In Diepenbrock, 1829, p. 271, in 6 stanzas, and in her Lieder, 1870, p. 13, dated Berlin, 1815. The translations are:—(1l) "O anxious care that weighs me down," by Miss Burlingham, in the British Herald, Sept. 1865, p. 144. (2) "Begone, O load of care, begone," by J. Kelly, 1885, p. 80. vi. Was verlangst du, warumbangst du. [Cross and Consolation.] In Diepenbrock, 1829, p. 261, in 6 stanzas entitled "Suraum corda." In her Lieder, 1870, p. 43, it is dated Berlin, 1816. Translated as "What seekest thou! Why fearest thou," by C. T. Astley, 1860, p. 28. vii. Zu dir, zu dir, hinweg von mir. [Consecration to Christ.] In Diepenbrock, 1829, p. 267, in 5 stanzas In her Lieder, 1870, p. 31, dated Berlin, 1816. Translated as "To Thee, to Thee, away from self," by J. Kelly, 1885, p. 72. [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology ===================== Hensel, Luise, p. 510, ii., No. v. "O Sorge," &c, appeared in Förster's Sängerfahrt, 1818, p. 266. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

J. G. Aschenberg

Hymnal Number: 179 Author of "Gott, ich trete hin und bete" in Sonntagsschul-Gesangbuch der Reformirten Kirche in den Vereinigten Staaten

Charles Wesley

1707 - 1788 Person Name: Charles Wesley, 1707-1788 Hymnal Number: 84 Author of "Jesu, meiner Seele Freund, Bleibe stets mit mir" in Sonntagsschul-Gesangbuch der Reformirten Kirche in den Vereinigten Staaten Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

Anna Bartlett Warner

1824 - 1915 Person Name: Anna B. Warner Hymnal Number: 241 Author of "O, Jesus liebt mich" in Sonntagsschul-Gesangbuch der Reformirten Kirche in den Vereinigten Staaten Warner, Anna, daughter of Henry W. Warner, and sister of Sarah Warner, author of Queechy, and other novels, was born near New York City about 1822. She is the author of the novel, Say and Seal, 1859, and others of a like kind. She also edited Hymns of the Church Militant, 1858; and published Wayfaring Hymns, Original and Translated, 1869. Her original hymns in common use include:— l. Jesus loves me, this I know. The love of Jesus. In Say and Seal. 1859. 2. 0 little child, lie still and sleep. A Mother's Evening Hymn. In Temple Choir. 1867. 3. One more day's work for Jesus. Evening. From Wayfaring Hymns. 1869. 4. The world looks very beautiful. A Child Pilgrim, circa 1860. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907) Pseudonym: Amy Lothrop ================ See also in: Hymn Writers of the Church

Martin Rinkart

1586 - 1649 Hymnal Number: 198 Author of "Nun danket Alle Gott mit Herzen" in Sonntagsschul-Gesangbuch der Reformirten Kirche in den Vereinigten Staaten Rinkart, Martin, son of Georg Rinkart or Rinckart, cooper at Eilenburg on the Mulde, Saxony, was born at Eilenburg, April 23, 1586.* After passing through the Latin school at Eilenburg, he became, in Nov., 1601, a foundation scholar and chorister of the St. Thomas's School at Leipzig. This scholarship also allowed him to proceed to the University of Leipzig, where he matriculated for the summer session of 1602, as a student of Theology; and after the completion of his course he remained for some time in Leipzig (he did not take his M.A. till 1616). In March 1610 he offered himself as a candidate for the post of diaconus at Eilenburg, and was presented by the Town Council, but the Superintendent refused to sanction this arrangement, nominally on the ground that Rinkart was a better musician than theologian, but really because he was unwilling to have a colleague who was a native of Eilenburg, and who appeared to have a will of his own. Rinkart, not wishing to contest the matter, applied for a vacant mastership in the gymnasium at Eisleben, and entered on his duties there in the beginning of June, 1610, as sixth master, and also cantor of the St. Nicholas Church. After holding this appointment for a few months, he became diaconus of St. Anne's Church, in the Neustadt of Eisleben, and began his work there May 28, 1611; and then became pastor at Erdeborn and Lyttichendorf (Lütjendorf), near Eisleben, entering on his duties there on Dec. 5, 1613. Finally he was invited by the Town Council of Eilenburg to become archidiaconus there, and in Nov. 1617 came into residence at Eilenburg. He died at Eilenburg, Dec. 8, 1649. A memorial tablet to his memory, affixed to the house where he lived, was unveiled at Eilenburg on Easter Monday, April 26, 1886. (Martin Rinkart’s Geistliche Lieder, ed., with a biographical introduction, and an extensive bibliography, by Heinrich Rembe and Johannes Linke, D.D., Gotha, F. A. Perthes, 1886; K. Goedeke's Grundris, vol. iii., 1887, pp. 169, 211, &c.) The greater part of Rinkart's professional life was passed amid the horrors of the Thirty Years War. Eilenburg being a walled town became a refuge for fugitives from all around, and being so overcrowded, not unnaturally suffered from pestilence and famine. During the great pestilence of 1637 the Superintendent went away for change of air, and could not be persuaded to return; and on Aug. 7 Rinkart had to officiate at the funerals of two of the town clergy and two who had had to leave their livings in the country. Rinkart thus for some time was the only clergyman in the place, and often read the service over some 40 to 50 persons a day, and in all over about 4,480. At last the refugees had to be buried in trenches without service, and during the whole epidemic some 8,000 persons died, including Rinkart's first wife, who died May 8, 1637. The next year he had an epidemic of marriages to encounter, and himself fell a victim on June 24. Immediately thereafter came a most severe famine, during which Rinkart's resources were strained to the uttermost to help his people. Twice also he saved Eilenburg from the Swedes, once in the beginning of 1637, and again in 1639 (see p. 319, i.). Unfortunately the services he rendered to the place seemed to have made those in authority the more ungrateful, and in his latter years he was much harassed by them in financial and other matters, and by the time that the long-looked-for peace came (Oct. 24, 1648) he was a worn-out and prematurely aged man. Rinkart was a voluminous writer and a good musician, but a considerable number of his books seem to have perished, and others survive only in single copies. He early began to write poetry, and was crowned as a poet apparently in 1614. Among other things he wrote a cycle of seven so-called "Comedies," or rather dramas, on the Reformation Period, suggested by the centenary of the Reformation in 1617. Three of these were printed respectively in 1613, 1618, and 1625, and two of them were acted in public. Rinkart's hymns appeared principally in the following works:— (1) Jesu Hertz-Büchlein. This was completed in 1630, and first published at Leipzig in 1636. No copy is now known. The second edition, published at Leipzig, 1663, is in the Royal Library at Hannover. (2) Der Meissnische Thränen Saat, Leipzig, 1637. In the Royal Library at Berlin. (3) xlv. Epithalami Salomoneo—Sulamitici cantica canticorum . . . Leibliche Geistliche und Uimmlische Braut Messe, Leipzig, 1642. In Wolfenbüttel Library. (4) Catechismus-wolthaten, und Catechismus-Lieder, Leipzig, 1645. In the Berlin Library. Dr. Linke, 1886, as above, gives a list of the first lines of all the hymns in the works of Rinkart which have come under his notice, and prints a selection from them, including 66 in all. The best of them are characterised by a true patriotism, a childlike devotion to God, and a firm confidence in God's mercy, and His promised help and grace. A few passed into the German hymn-books. Those which have been translated into English are:— 1. Alleluja, Lob, Preis und Ehr. This hymn… seems to be based on two hymns, beginning with the same first line, and both found in Rinkart's Braut Messe, 1642. Dr. Linke does not print the full text. (See Blätter für Hymnologie, 1886, p. 91.) ii. Nun danket alle Gott. Thanksgiving. The oldest text now accessible is in J. Crüger's Praxis, 1648, No. 183, in 3 stanzas of 8 lines; also in the Crüger-Runge Gesang-Buch, 1653, No. 187. It is also in Rinkart's Jesu Hertz-Büchlein, 1663, where the text slightly varies, and is entitled "Grace" ("Tisch-Gebetlein," i.e. a short prayer at table). There does not seem any good reason for supposing that it did not appear in the first ed., 1636, of the Hertz-Büchlein, and in any case it has no connection with the Peace of Westphalia. (A good specimen of the way in which stories of hymns are manufactured is in the Sunday at Home, Aug., 1888, p. 539, where a full and particular account is given of its legendary origin in Nov. 1648.) It is founded on Ecclesiasticus 1. 22-24; and st. i., ii. are indeed little more than a paraphrase of these verses, st. iii. being a version of the Gloria Patri. The fact that the regimental chaplains, when holding the special service of thanksgiving for the conclusion of the peace, were commanded to preach from this passage, may have suggested the theory that Rinkart's hymn was written for the same occasion. It gradually came into general use, successfully survived the period of Rationalism, and is now to be found in every German hymnbook, e.g. in the Berlin Geistliche Lieder, ed. 1863, No. 1022. It may be called the German Te Deum, and as such is used at all national festivals or special occasions of thanksgiving. It was recently used at the festal celebration of the completion of Cologne Cathedral, on Aug. 14, 1880, at the laying of the foundation stone of the new Reichstags building in Berlin, by the Emperor William, June 9, 1884, &c. The fine melody (set to the hymn in Hymns Ancient & Modern and most recent English collections) appears in the Praxis, 1648 (Crüger's Kirchenmelodien, 1649, No. 94), and in the Crüger-Runge Gesang-Buch, 1653, is marked with Crüger's initials. It has been described as adapted from a melody by Lucas Marenzo (choirmaster at Rome, who died 1598), or as adapted from a motet by Rinkart; but to prove either statement, very little evidence is forthcoming. The translations of the hymn into English are:— 1. Let all men praise the Lord. This is a tr. of st. i., iii., by Alfred Novello, as part of his version of the word-book to Mendelssohn's Lobgesang, or Hymn of Praise, 1843, p. 89. This form has passed into a number of hymnals, including the New Congregational Hymn Book, 1859; Dale's English Hymn Book 1874, and others. In the Baptist Hymnal, 1879, a tr. of st. ii. is added, of which 11. 1—4 are from Miss Winkworth's translation. 2. Now praise the Lord on high. In full as No. 53 in the Dalston Hospital Hymn Book, 1848. This appears to be the version which Kübler, in his Historical Notes to the Lyra Germanica, 1865, p. 247, says was made by Baron C. K. J. von Bunsen, for the opening of the German Hospital at Dalston, on Oct. 15, 1845. 3. Now let us all to God. In full, by A. T. Russell, as No. 201, in his Psalms & Hymns, 1851. 4. 0 let us praise the Lord, From hearts by true love guided. This is No. 240 in the Winchester Church Hymn Book, 1857, and seems to be intended as a paraphrase of the German. 5. Now thank we all our God. A full and very good translation by Miss Winkworth, in her Lyra Germanica, 2nd Serv. 1858, p. 145, repeated in her Chorale Book for England, 1863, No. 11, and her Christian Singers, 1869, p. 181. It has been included in many recent English and American hymnals, e. g. Hymns Ancient & Modern, 1861; People's Hymnal, 1867; Congregational Hymnal, 1887, &c, and in America in the Episcopal Hymnal, 1871; Presbyterian Hymnal, 1874, and many others, generally in full and unaltered. 6. Now all give thanks to God. In full as No. 264 in the Anglican Hymn Book, 1868 (1871, No. 307), marked as a versification by R. C. Singleton. Repeated in J. L. Porter's Collection, 1876. 7. Now all men thank ye God. In full by T. E. Brown, as No. 37 in the Clifton College Hymn Book, 1872. Other translations are:— (l) "Now let us praise the Lord." In full by J. C. Jacobi, 1722, p. 85 (1732, p. 144), repeated, altered, in the Moravian Hymn Book, 1754 to 1886. (2) "Now all, to God give thanks." By Dr. H. Mills, in the Evangelical Review, Gettysburg, 1851, p. 293, and his Horae Germanica, 1856, p. 14. (3) "Lift heart, and hands, and voice." By Miss Cox, 1864, p. 239. (4) “Now all give thanks to God." By J. D. Burns, 1869, p. 252. (5) “All hearts and tongues and hands." By N. L. Frothingham, 1870, p. 212. iii. So fahr ich hin mit Freuden. For the Dying. In his Meissnische Thränen-Saat, 1637, No. 24, p. 19, in 5 st.anzas of 8 lines, entitled "Even the same, and her soul-rejoicing Farewell Hymn. On May 8." St. i. is, "So fahr ich hin mit Frewden Aus diesem Jammerthal, Aus Angst, Gefahr und Leiden In Himmels-Frewden Saal, Da wir und alle Frommen Durch Gottes Wundermacht Zusaminen wiederkominen: In des zu guter Nacht." The title refers to the preceding hymn, which is in 19 stanzas, the initials of the stanzas forming the acrostic Christina Rinckardi. Dr. Linke abridges it and misprints the title, which is:— "Die Teutsche Jobs-Schwester (Christina M. Rinckart's Hertzgetrewe Ehe- und Creutz-genossin) und ihr Tagliches und behägliches Trost Lied. Aus ihrem längst erwählten und am 10. [not 30] Tage des Trosthühlen Meyen dieses 1637. Jahres zum letzten Ehrengedächtniss abgehandelten Leich-Text: des 77. Psalms." From this it is clear that both hymns are in memory of his wife, that she died on May 8, 1637, and that her funeral sermon was preached by her husband on May 10, 1637. The form translation into English is the greatly altered, or rather practically new text. [Rev. James Mearns, M.A.] * His own statement was that he “was born Anno 1586, Jubilate Sunday, on St. George's day, which was the 23rd of April, between 6 and 7 a.m." In 1586 however Jubilate S. (3rd Sunday after Easter) fell on April 24, while St. George's day is April 23. The entry in the Registers at Eilenburg says that he was baptised "Monday after Jubilate, the 25th of April," which is quite correct. --John Julian, Dictionary of Hymnology (1907)

Francis Scott Key

1779 - 1843 Hymnal Number: 273 Author of "O sagt, koennt ihr seh'n in des Morgenroths Strahl" in Sonntagsschul-Gesangbuch der Reformirten Kirche in den Vereinigten Staaten Frances Scott Key USA 1779-1843. Born in Frederick County, MD, and educated at St. John’s College, Annapolis, MD, a devout Episcopalian, he practiced law in Washington, DC for four decades. He was U.S. District Attorney for the District of Columbia until his death. He argued some of his cases at the Supreme Court. Key served briefly in a Georgetown militia unit. He married Mary Tayloe Lloyd in 1802, and they had eleven children: Elizabeth, Maria, Francis, John, Anna. Edward, Daniel, Philip, Ellen, Maria, and Charles. He also wrote a few hymn lyrics. During the War of 1812, which Key was against, the British invaded the U.S. and burned the White House, Capitol Building, and Library of Congress. One of Key’s friends, Dr. William Beanes, accused of helping in the arrest of British soldiers, was taken prisoner by the British. With the permission of President James Madison, Keys went to Baltimore to try to secure his release with a prisoner exchange. Sailing on a sloup flying a flag of truce for several miles at sea, they found the Tonnant, the ship Beanes was held on, and finally negotiated the release, After showing the British letters from grateful wounded British troups that had been treated by Dr. Beanes. They tried to leave the area, but were temporarily prevented, as the British were bombarding Fort McHenry. Major George Armistead, Commander of Ft. McHenry, had asked that a large flag be made so British vessels could see it over the fort from a great distance. The flag made of cotton bunting was 24 x30 feet in size. When hoisted, it looked huge. Detained, and watching from a ship about eight miles away, Key saw the British fail to destroy the Fort, or even the flag flying over it. The British could not move in cfloser with their ships, as close-range bombardment from Americans had already sunk 22 vessels. After firing 1500 bomb shells, each weighing as much as 220 lbs. from a distance of several miles out the British gave up trying. Key penned his famous lines about the incident, then finished the poem in a hotel room later. The poem was printed in newspapers, and soon a popular drinking tune, “Anacreon in Heaven”, by John Stafford Smith, was chosen to accompany it, and people began referring to the song as “the star-spangled banner”. Four stanzas were written, but usually only one verse, the first, is sung. Key’s brother-in-law, Joseph Nicholson, noted that Key’s words fit the song, so he took the poem to a printer in Baltimore and had it printed. Two known copies of the printing have survived. His famous song was sung in 1897 at baseball opening day ceremonies in Philadelphia. In 1899 the U.S. Navy adopted the song. In 1916, President Woodrow Wilson announced that it should be played at all official events. In 1918 it was sung during the 7th inning of the World Series . It was adopted as the National Anthem in March 1931. During WWII it was sung at every baseball game. Key was a slave owner for years, but an opponent of slave trafficking. He eventually became a leader of the American Colonization Society which sent freed slaves to Africa, and he freed his slaves, even giving free legal representation to some seeking their freedom. He also represented owners of run-away slaves. In 1841 Key became a member of President Andrew Jackson’s “kitchen cabinet” a group of informal close advisors that did not hold public office but met with the president from time to time. In 1823 Key helped found the Virginia Theological Seminary. He supported the Episcopal Church for decades, taking an active roll in Christ Church and St. John’s Church in Georgetown, and Trinity Church in Washington, DC. He served as a lay rector for many years, leading services and visiting the sick. Of his many poems, religious themes were frequent, and most of his works were printed, collected and published in New York as “Poems” in 1857. Key died in Baltimore, MD, of pleurisy. Honors include: two bridges names after him (in Arlington, VA & Baltimore, MD), St. John’s College auditorium, Inducted in Songwriter’s Hall of Fame, Key Hall at University of MD, a residence hall at George Washington U, a high school in rural MD, a middle school in Houston, TX, elementary schools in several states, a mall in MD, a Baltimore minor league baseball team, A San Francisco monument (torn down in 2020 by a radical group after a $140,000 renovation), a WWII Liberty ship, and a U.S. Navy submarine. Special note: In 2001, after the 9/11 catastrophe in New York, Queen Elizabeth II allowed her guards at Buckingham Palace to play the song, and the next day, at St. Paul’s Cathedral, she joined in the singing of it at a memorial service. John Perry ================= Key, Francis Scott, was born in Frederick County, Maryland, 1779, and educated at St. John's College, Annapolis. He practised as a lawyer in Washington, District of Columbia, and was the United States District Attorney there till his death on Jan. 11, 1843. His poetical pieces, which were printed in various works, were collected and published in New York as Poems in 1857. His hymns in common use include:— 1. Before the lord we bow. National Thanksgiving. This Thanksgiving hymn for the 4th July was published in 1832, and was probably written for the celebration of that year. It is in use in Great Britain and America. 2. If life's pleasures charm [cheer] thee. The heart for God only. Appeared in The Christian Lyre, 1830. 3. Faith is the Christian's evidence. Faith. 4. Lord, with glowing heart I'll praise Thee. Praise for Pardon and Peace. Published in Dr. Mühlenberg's Church Poetry, 1823, the Prayer Book Collection, 1826, &c.; and altered as "Lord, with fervor I would praise Thee," in the Unitarian Hymns for the Church of Christ, Boston, 1853. In the Oberlin, Ohio, Manual of Praise, 1880, it begins with st. ii., "Praise, my soul, the God that sought thee." Of these hymns Nos. 1, 2, and 4 are in the Lyra Sacra Americana, 1868, together with the following:— 5. Behold the grant the King of kings. All things in Christ. 6. My God, my Father, may I dare. God, the Father. 7. When troubles, wave on wave, assail'd. Efficacy of Prayer. F. S. Key was also the author of "The Star Spangled Banner" (1814). For original text of his pieces see the Poems, 1857. [Rev. F. M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)

Christian Fürchtegott Gellert

1715 - 1769 Person Name: Christian Fuerchtegott Gellert Hymnal Number: 305 Author of "Mein erst Gefuehl sei Preis und Dank" in Sonntagsschul-Gesangbuch der Reformirten Kirche in den Vereinigten Staaten Gellert, Christian Fürchtegott, son of Christian Gellert, pastor at Hainichen in the Saxon Harz, near Freiberg, was born at Hainichen, July 4, 1715. In 1734 he entered the University of Leipzig as a student of theology, and after completing his course acted for some time as assistant to his father. But then, as now, sermons preached from manuscript were not tolerated in the Lutheran Church, and as his memory was treacherous, he found himself compelled to try some other profession. In 1739 he became domestic tutor to the sons of Herr von Lüttichau, near Dresden, and in 1741 returned to Leipzig to superintend the studies of a nephew at the University. He also resumed his own studies. He graduated M.A. 1744; became in 1745 private tutor or lecturer in the philosophical faculty; and was in 1751 appointed extraordinary professor of philosophy, lecturing on poetry and rhetoric, and then on moral philosophy. An ordinary professorship offered to him in 1761 he refused, as he did not feel strong enough to fulfil its duties, having been delicate from a child, and after 1752 suffering very greatly from hypochondria. He died at Leipzig, Dec. 13, 1769 (Koch, vi. 263-277; Allgemeine Deutsche Biographie, viii. 544-549, &c). As a professor, Gellert was most popular, numbering Goethe and Lessing among his pupils, and won from his students extraordinary reverence and affection, due partly to the warm interest he took in their personal conduct and welfare. In his early life he was one of the contributors to the Bremer Beiträge; and was one of the leaders in the revolt against the domination of Gottsched and the writers of the French school. His Fables (1st Ser. 1746; 2nd 1748), by their charm of style, spirit, humour and point, may justly be characterised as epoch-making, won for him universal esteem and influence among his contemporaries of all classes, and still rank among the classics of German literature. As a hymnwriter he also marks an epoch; and while in the revival of churchly feeling the hymns of the Rationalistic period of 1760 to 1820 have been ignored by many recent compilers, yet the greatest admirers of the old standard hymns have been fain to stretch their area of selection from Luther to Gellert. He prepared himself by prayer for their composition, and selected the moments when his mental horizon was most unclouded. He was distinguished by deep and sincere piety, blameless life, and regularity in attendance on the services of the Church. His hymns are the utterances of a sincere Christian morality, not very elevated or enthusiastic, but genuine expressions of his own feelings and experiences; and what in them he preached he also put in practice in his daily life. Many are too didactic in tone, reading like versifications of portions of his lectures on morals, and are only suited for private use. But in regard to his best hymns, it may safely be said that their rational piety and good taste, combined with a certain earnestness and pathos, entitle them to a place among the classics of German hymnody. They exactly met the requirements of the time, won universal admiration, and speedily passed into the hymnbooks in use over all Germany, Roman Catholic as well as Lutheran. Two of Gellert's hymns are noted under their own first lines, viz., "Jesus lebt, mit ihm auch ich," and "Wie gross ist des All-mächtgen Güte." The following have also passed into English, almost all being taken from his Geistliche Oden und Lieder, a collection of 54 hymns first published at Leipzig, 1757, and which has passed through very numerous editions:— I. Hymns in English common use: i. An dir allein, an dir hab ich gesündigt. Lent. 1757, p. 102, in 6 stanzas of 4 lines, entitled "Hymn of Penitence." In Zollikofer's Gesange-Buch, 1766, and the Berlin Geistliche Lieder S., ed. 1863, No. 499. Translated as:— Against Thee only have I sinn'd, I own it. A good and full version, by Miss Wink worth, as No. 42 in her Chorale Book for England, 1863. Another translation is:— "Against Thee, Lord, Thee only my transgression," by N. L. Frothingham, 1870, p. 241. ii. Dies ist der Tag, den Gott gemacht. Christmas. One of his best and most popular hymns. 1757, p. 72, in 11 stanzas of 4 lines, repeated in the Berlin Gesang-Buch, 1765, No. 55, and the Berlin Geistliche Lieder S. ed. 1863, No. 154. Translated as:— This is the day the Lord hath made, O'er all the earth. A translation of stanzas i.-iii., x., by Miss Borthwick, as No. 22 in Dr. Pagenstecher's Collection, 1864, and included in Hymns from the Land of Luther, 1884, p. 256. Other trs. are:—(1) "This is the day which God ordains," by Dr. G. Walker, 1860, p. 27. (2) "This day shall yet by God's command," in the Family Treasury, 1811, p. 278. iii. Für alle Güte sei gepreist. Evening. 1757, p. 85, in 4 stanzas of 6 lines, included in Zollikofer's Gesang-Buch 1766, No. 78, and the Berlin Geistliche Lieder S., ed. 1863, No. 1160. Translated as:— To Father, Son, and Spirit praise. A good and full translation by A. T. Russell, as No. 7 in his Psalms & Hymns, 1851. Another translation is: — "For all Thy kindness laud I Thee," by H. J. Buckoll, 1842, p. 96. iv. Gott ist mein Lied. Praise. On God's Might and Providence. 1757, p. 78, in 15 st. of 5 1. In the Berlin Geistliche Lieder S.., ed. 1863, No. 24. Translated as:— God is my song, His praises I'll repeat, A free translation of stanzas i.-v., as No. 94 in Sir John Bowring's Hymns, 1825. Repeated, omitting stanza ii., as No. 114 in Dale's English Hymn Book, 1875. Other translations are:— (1) “Of God I sing," by Dr. H. Mills, 1856, p. 11. (2) "God is my song, With sovereign," by N. L. Frothingham, 1870, p. 243. v. Wenn ich, o Schöpfer, deine Macht. Praise. This fine hymn of Praise for Creation and Providence was first published 1757, p. 62, in 6 stanzas of 7 lines. In the Berlin Gesang-Buch, 1765, No. 25, and Berlin Geistliche Lieder S.ed. 1863, No. 72. Translated as:—- Thou Great First Cause! when of Thy skill. In full in Dr. H. Mills's Horae Germanicae, 1845 (1856, p. 5). Stanzas ii., iii., v., vi., altered and beginning, "The earth, where'er I turn mine eye," are in the American Lutheran General Synod's Collection, 1852. Other trs. are:— (1) "When, O my dearest Lord, I prove," by Miss Dunn, 1857, p. 80. (2) "Creator! when I see Thy might," in Madame de Pontes's Poets and Poetry of Germany, 1858, v. i. p. 472. (3) "When I, Creator, view Thy might," by Miss Manington, 1863. vi. Wer Gottes Wort nicht halt, und spricht. Faith in Works. This didactic hymn on Faith proved by Works, was first published 1757, p. 49, in 5 stanzas of 6 lines. In Zollikofer's Gesang-Buch, 1766, and the Berlin Geistliche Lieder S. ed. 1863, No. 72. Translated as:— Who keepeth not God's Word, yet saith. A good and full translation by Miss Winkworth, in her Lyra Germanica, 2nd Ser., 1858, p. 161. A greatly altered version of stanzas ii.—v., beginning, "True faith in holy life will shine," was included as No. 418 in Kennedy, 1863, and repeated in the Ibrox Hymnal 1871, J. L. Porter's Collection 1876, and others. II. Hymns not in English common use: vii. Auf Gott, und nicht auf meinen Rath. Trust in God's Providence. 1757, p. 134, in 6 stanzas. Translated as: (1) "Rule Thou my portion, Lord, my skill," by Dr. H. Mills, 1845 (1856, p. 164). (2) "On God and on no earthly trust," by J. D. Burns, in his Remains, 1869. viii. Auf, schicke dich. Christmas. 1757, p. 109, in 1 stanza. Translated as, "Come, tune your heart," by Miss Cox, 1841, p. 17 (1864, p. 39). ix. Dein Heil, o Christ! nicht zu verscherzen. Prayer. 1757, p. 6, in 14 stanzas of 8 lines. In J. A. Schlegel's Geistliche Gesänge, 3rd Ser., 1772, p. 193, recast as "Zu deinem Gotte beten," in 5 stanzas of 12 lines; and this in the Kaiserwerth Lieder-Buch für Kleinkinderschulen, 1842, No. 208, appears "Zu Gott im Himmel beten," in 8 stanzas of 4 lines. The 1842 was translated as, "O how sweet it is to pray," by Mrs. Bevan, 1859, p. 148. x. Der Tag ist wieder hin, und diesen Theil des Lebens. Evening. 1757, p. 13, in 10 stanzas, as "Self-Examination at Eventide." Translated as,"Another day is ended," by Miss Warner, 1869 (1871, p. 9). xi. Du klagst, und fühlest die Beschwerden. Contentment. 1757, p. 91, in 8 stanzas. Translated as "Thy wounded spirit feels its pain," by Dr. B. Maguire, 1883, p. 153. xii. Erinnre dich, mein Geist, erfreut. Easter. 1757, p. 27, in 13 stanzas. Translated as, "Awake, my soul, and hail the day," in Dr. J. D. Lang's Aurora Australis, Sydney, 1826, p. 43. xiii. Er ruft der Sonn, und schafft den Mond. New Year. 1757, p. 154, in 6 stanzas. In the Berlin Gesang-Buch, 1765, No. 233, as "Gott ruft." Translated as, “Lord, Thou that ever wast and art," in the British Magazine, Jan., 1838, p. 36. xiv. Gott, deine Güte reicht so weit. Supplication. 1757, p. 1, in 4 stanzas, founded on 1 Kings iii. 5-14. The translations are: (1) "O God, Thy goodness doth extend, Far as," by Dr. J. D. Lang, 1826, p. 10. (2) "Behold! Thy goodness, oh my God," by Miss Fry, 1845, p. 78. xv. Gott ist mein Hort. Holy Scripture. 1757, p. 70, in 8 stanzas. Translated as, "I trust the Lord, Upon His word," by Dr. H. Mills, 1845 (1856, p. 23). xvi. Herr, der du mir das Leben. Evening. 1757, p. 121, in 5 stanzas. Translated as, "By Thee, Thou Lord of Heaven," by H. J. Buckoll, 1842, p. 97. xvii. Herr, starke mich, dein Leiden su bedenken. Passiontide. 1757, p. 123, in 22 stanzas. Translated as, "Clothe me, oh Lord, with strength! that I may dwell” by Miss Fry, 1859, p. 153. xviii. Ich hab in guten Stunden. For the Sick. 1757, p. 128, in 6 stanzas. [See the Story of a Hymn, in the Sunday at Home for Sept., 1865.] Translated as: (1) “I have had my days of blessing," by Mrs. Findlater, in Hymns from the Land of Luther, 1855, p. 60. (2) "Once, happy hours with blessings crowned," by A. B. H., in the Day of Rest, 1877, p. 405. xix. Ich komme, Herr, und suche dich. Holy Communion. 1757, p. 89, in 5 stanzas. The translations are: (1) "I come, 0 Lord, and seek for Thee," by Miss Manington, 1863, p. 14. (2) “Weary and laden with my load, I come," by Dr. B. Maguire, 1872, p. 178. xx. Ich komme vor dein Angesicht. Supplication. 1757, p. 140. in 13 stanzas. The translations are: (1) "Great God, I bow before Thy face," by Dr. J. D. Lang, 1826, p. 23. (2) “Now in Thy presence I appear," by Dr. H. Mills, 1845 (1856, p. 137). xxi. Mein erst Gefühl sei Preis und Dank. Morning. 1757, p. 55, in 12 stanzas. Translated as, "I bless Thee, Lord, Thou God of might," beginning with st. vi., by H. J. Buckoll, 1842, p. 56. xxii. Nach einer Prüfung kurzer Tage. Eternal Life. 1757, p. 158, in 12 stanzas, as "The Consolation of Eternal Life." Though hardly a hymn for congregational use and too individualised, it has been a very great favourite in Germany. In the Berlin Gesang-Buch, 1765, 132, and the Berlin Geistliche Liedersegen, ed. 1863, No. 1483. The translations are: (1) "A few short days of trial past," in Miss Knight's Prayers and Hymns from the German, 1812 (1832, p. 107). (2) "A few short hours of transient joy," by Dr. J. D. Lang, 1826, p. 123. (3) “When these brief trial-days are past," by J. Sheppard, 1857, p. 98. (4) “A few short days of trial here,” by Miss Burlingham, in the British Herald, July 1865, p. 98. (5) "Our few short years of trial o'er," by Dr. J. Guthrie, 1869, d. 124. (6) “When these brief trial-days are spent," by Miss Winkworth, 1869, p. 318. (7) "A few more days, a few more years," by Dr. R. Maguire, 1883, p. 165. xxiii 0 Herr, mein Gott! durch den ich bin und lebe. Resignation to the will of God. 1757, p. 152. in 7 st. Translated as, "In Thee, my God, I live and move," by Dr. R. Maguire, 1883, p. 113. xxiv. So hoff’ ich denn mit festem Muth . Assurance of the Grace of God. 1757, p. 115, in 4 stanzas. The translations are: (1) "Firm is my hope of future good," by Dr. H. Mills, 1845 (1856, p. 188). (2) “In Thee, O Lord, my hope hath stood," by Dr. R. Maguire, 1872. zzv. Was ists dast ich mich quäle. Patience. 1757, p. 17, in 7 stanzas. The translations are: (1) "O foolish heart, be still," by Miss Warner, 1858 (1861, p. 452), repeated in Bishop Ryle's Collection, 1860, No. 181 (2) “What billows these that o'er thee roll," by Dr. R. Maguire, 1872. xxvi. Wie sicher lebt der Mensch, der Staub. For the Dying. 1757, p. 149, in 14 stanzas. Translated as, "How heedless, how secure is man!" by Dr. H. Mills, 1845 (1856, p. 238). One or two recasts from Gellert's Lehrgedichte und Erzählungen, Leipzig, 1754, came into German common use, and one has passed into English, viz.:— xxvii. Mensch, der du Christus schmähst, was ist in ihrer Lehre. Love to Mankind. 1754, pp. 27-56, being a poem entitled “The Christian." A recast from portions of this made by J. S. Diterich, beginning "Gieb mir, O Gott, ein Herz," in 9 stanzas, appears as No. 219 in the Berlin Gesang-Buch, 1765; and has been translated as "Grant me, O God! a tender heart," by Miss Knight, 1812 (1832, p. 97). [Rev. James Mearns, M.A.] -- John Julian, Dictionary of Hymnology (1907)