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Hymnal, Number:clw2001

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찬송과 예배 = Chansong gwa yebae = Come, Let Us Worship

Publication Date: 2001 Publisher: Geneva Press Publication Place: Louisville, KY

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높 은 곳 에 계 신 주 님 (Praise the Lord Who Reigns Above)

Author: Charles Wesley Meter: 7.6.7.6.7.7.7.6 Appears in 124 hymnals Topics: 시 편; 하 나 님; Adoration and Praise; Creation; God; Psalms; 경배와 찬양; 창조 Scripture: Psalm 150 Used With Tune: AMSTERDAM Text Sources: Korean trans. The United Methodist Korean Hymnal Committee

나 주 의 도 움 받 고 자 (Jesus, My Lord, to Thee I Cry)

Author: Eliza H. Hamilton Meter: 8.8.8.6 Appears in 376 hymnals Refrain First Line: 내 모 습 이 대 로 (And take me as I am) Topics: Christian Life; Commitment; Discipleship and Service; 그리스도인의 삶; 헌신; 제자 훈련 와 봉사 Scripture: Luke 5:11 Used With Tune: TAKE ME AS I AM Text Sources: Korean trans. The United Methodist Korean Hymnal Committee
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예 수 사 랑 하 심 은 (Jesus Loves Me)

Author: Anna B. Warner; David Rutherford McGuire Meter: 7.7.7.7 with refrain Appears in 616 hymnals First Line: 예 수 사 랑 하 심 은 (Jesus loves me! This I know) Refrain First Line: 날 사 랑 하 심 (Yes, Jesus loves me!) Topics: 결 혼; 사랑; 어 린 이 합 창 곡; 예 수 그 리 스 도; Affliction and Comfort; Assurance; Biblical Narrative; Children's Choir Selection; Grace and Calmness; Jesus Christ; Jesus Christ Love For; Love; Marriage; 고통과 편안함; 확신; 성경 이야기; 은혜 와 평안; 예수 사랑 Scripture: John 15:9 Used With Tune: JESUS LOVESME Text Sources: Korean trans. The United Methodist Korean Hymnal Committee

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OLD 113TH

Meter: 8.8.8.8.8.8 Appears in 104 hymnals Composer and/or Arranger: Matthäus Greiter; V. Earle Copes Tune Key: D Major Incipit: 11231 34554 32134 Used With Text: 숨 쉬 는 동 안 주 찬 양 (I'll Praise My Maker While I've Breath)
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SEEK YE

Meter: Irregular Appears in 82 hymnals Composer and/or Arranger: Karen Lafferty Tune Key: D Major Incipit: 33453 21612 34543 Used With Text: 너 희 는 먼 저 주 의 나 라 의 (Seek Ye First)
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EUCHARISTIC HYMN

Meter: 9.8.9.8 Appears in 97 hymnals Composer and/or Arranger: John S. B. Hodges Tune Key: E Flat Major Incipit: 55435 43234 55543 Used With Text: 자 1ㅣ 로 그 몸 찢 기 시 고 (Bread of the World)

Instances

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Published text-tune combinations (hymns) from specific hymnals

하늘의새의물고기 (God of the Sparrow God of the Whale)

Author: Jaroslav J. Vajda Hymnal: CLW2001 #59 (2001) Meter: 5.4.6.7.7 First Line: 하늘의새의물고기들 (God of the sparrow God of the whale) Topics: 어 린 이 합 창 곡; 하 나 님; Adoration and Praise; Children's Choir Selection; Creation; God; Grace and Calmness; Gratitude; Holy Communion; Jesus Christ Cross; Nature; 경배와 찬양; 창조; 은혜 와 평안; 감사; 십자가; 자연 Languages: English; Korean Tune Title: ROEDER
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높 이 계 신 주 찬 양 해 (Sing Praise to God who Reigns Above)

Author: Johann J. Schütz; Frances E Cox Hymnal: CLW2001 #60 (2001) Meter: 8.7.8.7.8.8.7 Lyrics: 1 Sing praise to God who reigns above, the God of all creation, the God of power, the God of love, the God of our salvation. With healing balm my soul is filled and every faithless murmur stilled: to God all praise and glory. 2 The Lord is never far away, but through all grief distressing, an ever present help and stay, our peace and joy and blessing. As with a mother's tender hand, God gently leads the chosen band: to God all praise and glory. 3 Thus, all my toilsome way along, I sing aloud thy praises, that earth may hear the grateful song my voice unwearied raises. Be joyful in the Lord, my heart, both soul and body bear your part: to God all praise and glory. 4 Let all who name Christ's holy name give God all praise and glory; let all who own his power proclaim aloud the wondrous story! Cast each false idol from its throne, for Christ is Lord, and Christ alone: to God all praise and glory. Topics: 예 배 시 작; 예 수 의 이 름; 하 나 님; Adoration and Praise; Creation; God; Grief; Jesus Christ Lordship; Jesus Christ Name of; Opening Hymns; Providence; 경배와 찬양; 창조; 예수의 주권; 개 회 찬송; 섭리 Scripture: Deuteronomy 32:3 Languages: English; Korean Tune Title: MIT FREUDEN ZART
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주 하 나 님 지 으 신 모 든 세 졔 (O Lord, My God!)

Author: Stuart K. Hine Hymnal: CLW2001 #61 (2001) Meter: Irregular with refrain First Line: 주 하 나 님 지 으 신 모 든 세 졔 (O Lord my God! When I in awesome wonder) Refrain First Line: 추 님 익 높 고 위 대 하 싱 을 (Then sings my soul, my Savior God to thee) Lyrics: 1 O Lord my God! when I in awesome wonder consider all the worlds thy hands have made, I see the stars, I hear the rolling thunder, thy power throughout the universe displayed. Refrain: Then sings my soul, my Savior God, to thee; how great thou art, how great thou art! Then sings my soul, my Savior God, to thee; how great thou art, How great thou art! 2 When thru the woods and forest glades I wander, and hear the birds sing sweetly in the trees; when I look down from lofty mountain grandeur and hear the brook, and feel the gentle breeze; [Refrain] 3 And when I think that God, his Son not sparing, sent him to die, I scarce can take it in; that on the cross, my burden gladly bearing, he bled and died to take away my sin; [Refrain] 4 When Christ shall come with shout of acclamation and take me home, what joy shall fill my heart. Then I shall bow in humble adoration, and there proclaim: my God, how great thou art! [Refrain] Topics: 증 거; 하 나 님; Adoration and Praise; Creation; God; Testimony and Witness; 경배와 찬양; 창조 Languages: English; Korean Tune Title: HOW GREAT THOU ART

People

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Authors, composers, editors, etc.

Thomas O. Chisholm

1866 - 1960 Hymnal Number: 81 Author of "오 신 실 하 신 주 (Great is Thy Faithfulness)" in 찬송과 예배 = Chansong gwa yebae = Come, Let Us Worship Thomas O. Chisholm was born in Franklin, Kentucky in 1866. His boyhood was spent on a farm and in teaching district schools. He spent five years as editor of the local paper at Franklin. He was converted to Christianity at the age of 26 and soon after was business manager and office editor of the "Pentecostal Herald" of Louisville, Ky. In 1903 he entered the ministry of the M. E. Church South. His aim in writing was to incorporate as much as Scripture as possible and to avoid flippant or sentimental themes. Dianne Shapiro, from "The Singers and Their Songs: sketches of living gospel hymn writers" by Charles Hutchinson Gabriel (Chicago: The Rodeheaver Company, 1916) ============================== Signed letter from Chisholm dated 9 August 1953 located in the DNAH Archives.

William Walsham How

1823 - 1897 Person Name: William W. How Hymnal Number: 388 Author of "안 식 하 는 하 늘 의 상 도 들 (For All the Saints)" in 찬송과 예배 = Chansong gwa yebae = Come, Let Us Worship William W. How (b. Shrewsbury, Shropshire, England, 1823; d. Leenane, County Mayo, Ireland, 1897) studied at Wadham College, Oxford, and Durham University and was ordained in the Church of England in 1847. He served various congregations and became Suffragan Bishop in east London in 1879 and Bishop of Wakefield in 1888. Called both the "poor man's bishop" and "the children's bishop," How was known for his work among the destitute in the London slums and among the factory workers in west Yorkshire. He wrote a number of theological works about controversies surrounding the Oxford Movement and attempted to reconcile biblical creation with the theory of evolution. He was joint editor of Psalms and Hymns (1854) and Church Hymns (1871). While rector in Whittington, How wrote some sixty hymns, including many for chil­dren. His collected Poems and Hymns were published in 1886. Bert Polman =============== How, William Walsham, D.D., son of William Wybergh How, Solicitor, Shrewsbury, was born Dec. 13, 1823, at Shrewsbury, and educated at Shrewsbury School and Wadham College, Oxford (B.A. 1845). Taking Holy Orders in 1846, he became successively Curate of St. George's, Kidderminster, 1846; and of Holy Cross, Shrewsbury, 1848. In 1851 he was preferred to the Rectory of Whittington, Diocese of St. Asaph, becoming Rural Dean in 1853, and Hon. Canon of the Cathedral in 1860. In 1879 he was appointed Rector of St. Andrew's Undershaft, London, and was consecrated Suffragan Bishop for East London, under the title of the Bishop of Bedford, and in 1888 Bishop of Wakefield. Bishop How is the author of the Society for Promoting Christian Knowledge Commentary on the Four Gospels; Plain Words , Four Series; Plain Words for Children; Pastor in Parochia; Lectures on Pastoral Work; Three All Saints Summers, and Other Poems , and numerous Sermons , &c. In 1854 was published Psalms and Hymns, Compiled by the Rev. Thomas Baker Morrell, M.A., . . . and the Rev. William Walsham How, M.A. This was republished in an enlarged form in 1864, and to it was added a Supplement in 1867. To this collection Bishop How contributed several hymns, and also to the S. P. C. K. Church Hymns , of which he was joint editor, in 1871. The Bishop's hymns in common use amount in all to nearly sixty. Combining pure rhythm with great directness and simplicity, Bishop How's compositions arrest attention more through a comprehensive grasp of the subject and the unexpected light thrown upon and warmth infused into facia and details usually shunned by the poet, than through glowing imagery and impassioned rhetoric. He has painted lovely images woven with tender thoughts, but these are few, and found in his least appreciated work. Those compositions which have laid the firmest hold upon the Church, are simple, unadorned, but enthusiastically practical hymns, the most popular of which, "O Jesu, Thou art standing"; "For all the Saints who from their labours rest," and "We give Thee but Thine own," have attained to a foremost rank. His adaptations from other writers as in the case from Bishop Ken, "Behold, the Master passeth by," are good, and his Children's hymns are useful and popular. Without any claims to rank as a poet, in the sense in which Cowper and Montgomery were poets, he has sung us songs which will probably outlive all his other literary works. The more important of Bishop How's hymns, including those already named, and "Lord, Thy children guide and keep"; "O Word of God Incarnate"; "This day at Thy creating word"; "Who is this so weak and helpless"; and others which have some special history or feature of interest, are annotated under their respective first lines. The following are also in common use:— i. From Psalms & Hymns, 1854. 1. Before Thine awful presence, Lord. Confirmation. 2. Jesus, Name of wondrous love [priceless worth]. Circumcision. The Name Jesus . 3. Lord Jesus, when we stand afar. Passiontide. 4. O blessing rich, for sons of men. Members of Christ. 5. 0 Lord of Hosts, the earth is Thine. In time of War. 6. O Lord, Who in Thy wondrous love. Advent. ii. From Psalms & Hymns, enlarged, 1864. 7. Lord, this day Thy children meet. Sunday School Anniversary. iii. From Supplement to the Psalms & Hymns, 1867. 8. Hope of hopes and joy of joys. Resurrection. 9. 0 daughters blest of Galilee. For Associations of Women. 10. O happy feet that tread. Public Worship. 11. With trembling awe the chosen three. Transfiguration. iv. From Parish Magazine, 1871, and Church Hymns, 1871. 12. O Jesu, crucified for man. Friday. 13. Yesterday, with worship blest. Monday. v. From the S. P. C. K. Church Hymns. 1871. 14. Bowed low in supplication. For the Parish. 15. Great Gabriel sped on wings of light. Annunciation, of the Blessed Virgin Mary. 16. O blest was he, whose earlier skill. St. Luke. 17. O God, enshrined in dazzling light. Omnipresence. Divine Worship . 18. O heavenly Fount of Light and Love. Witsuntide. 19. O Lord, it is a blessed thing. Weekdays. 20. 0 One with God the Father. Epiphany. 21. O Thou through suffering perfect made. Hospitals. 22. Rejoice, ye sons of men. Purification of the B. V. M. 23. Summer suns are glowing. Summer. 24. The year is swiftly waning. Autumn. 25. Thou art the Christ, O Lord. St. Peter. 26. To Thee our God we fly. National Hymn. 27. Upon the holy Mount they stood. Transfiguration and Church Guilds. 28. We praise Thy grace, 0 Saviour. St. Mark. vi. From the S. P. C. K. Children's Hymns, 1872. 29. Behold a little child. Jesus the Child's Example. 30. Come, praise your Lord and Saviour. Children's Praises. 31. It is a thing most wonderful. Sunday School Anniversary. 32. On wings of living light. Easter. Bishop How's hymns and sacred and secular pieces were collected and published as Poems and Hymns, 1886. The Hymns, 54 in all, are also published separately. He d. Aug. 10, 1897. --John Julian, Dictionary of Hymnology (1907) =================== How, W. W., p. 540, i. He died Aug. 10, 1897. His Memoir, by F. D. How, was published in 1898. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Richard Redhead

1820 - 1901 Hymnal Number: 187 Composer of "REDHEAD 76" in 찬송과 예배 = Chansong gwa yebae = Come, Let Us Worship Richard Redhead (b. Harrow, Middlesex, England, 1820; d. Hellingley, Sussex, England, 1901) was a chorister at Magdalen College, Oxford. At age nineteen he was invited to become organist at Margaret Chapel (later All Saints Church), London. Greatly influencing the musical tradition of the church, he remained in that position for twenty-five years as organist and an excellent trainer of the boys' choirs. Redhead and the church's rector, Frederick Oakeley, were strongly committed to the Oxford Movement, which favored the introduction of Roman elements into Anglican worship. Together they produced the first Anglican plainsong psalter, Laudes Diurnae (1843). Redhead spent the latter part of his career as organist at St. Mary Magdalene Church in Paddington (1864-1894). Bert Polman