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Hymnal, Number:ld1888

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Laudes Domini

Publication Date: 1888 Publisher: Century Co. Publication Place: New York Editors: Chas S. Robinson; Century Co.

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Bearing the Cross

Author: Henry F. Lyte Appears in 1,304 hymnals First Line: Jesus, I my cross have taken Lyrics: 1 Jesus, I my cross have taken, All to leave, and follow thee; Naked, poor, despised, forsaken, Thou, from hence, my all shalt be! Perish, every fond ambition, All I've sought, or hoped, or known, Yet how rich is my condition, God and heaven are still my own! 2 Let the world despise and leave me, They have left my Saviour, too; Human hearts and looks deceive me-- Thou art not, like them, untrue; Oh, while thou dost smile upon me, God of wisdom, love, and might, Foes may hate, and friends disown me, Show thy fact, and all is bright. 3 Man may trouble and distress me, 'Twill but drive me to thy breast; Life with trials hard may press me; Heaven will bring me sweeter rest! Oh, tis not in grief to harm me, While thy love is left to me; Oh, 'twere not in joy to charm me, Were that joy unmixed with thee. 4 Go, then, earthly fame and treasure! Come, disaster, scorn, and pain! In thy service, pain is pleasure, With thy favor, loss is gain. I have called thee--Abba, Father! I have stayed my heart on thee! Storms may howl, and clouds may gather, All must work for good to me. Topics: Abba, Father; Ashamed of Jesus; Church Ordinances of; Church Uniting with; Communion of Saints At Lord's Table; Consecration Of Self; Covenant Christian; Cross of Christ Taking; Cross of Christ Glorying in Scripture: Matthew 10:32 Used With Tune: ELLESDIE
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Prayer for the Seamen

Author: William Whiting Appears in 425 hymnals First Line: Eternal Father! strong to save Lyrics: 1 Eternal Father! strong to save, Whose arm doth bind the restless wave, Who bid'st the mighty ocean deep Its own appointed limits keep: Oh, hear us when we cry to thee For those in peril on the sea! 2 O Saviour! whose almighty word The winds and waves submissive heard, Who walkedst on the foaming deep, And calm amid its rage did sleep: Oh, hear us when we cry to thee For those in peril on the sea! 3 O Sacred Spirit! who didst brood Upon the chaos dark and rude, Who bad'st its angry tumult cease, And gavest light and life and peace: Oh, hear us when we cry to thee For those in peril on the sea! 4 O Trinity of love and power! Our brethren shield in danger's hour; From rock and tempest, fire and foe, Protect them wheresoe'er they go; And ever let there rise to thee Glad hymns of praise from land and sea. Scripture: Psalm 107:23 Used With Tune: MELITA
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"The throne of grace"

Author: John Newton Appears in 306 hymnals First Line: Behold the throne of grace! Lyrics: 1 Behold the throne of grace! The promise calls me near; There Jesus shows a smiling face, And waits to answer prayer. 2 That rich atoning blood, Which sprinkled round I see, Provides for those who come to God An all-prevailing plea. 3 My soul! ask what thou wilt; Thou canst not be too bold; Since his own blood for thee he spilt, What else can he withhold? 4 Thine image, Lord, bestow, Thy presence and thy love; I ask to serve thee here below, And reign with thee above. 5 Teach me to live by faith; Conform my will to thine: Let me victorious be in death, And then in glory shine. Topics: Blessing sought; Christ Blood of; Prayer and Invocation Scripture: Ezekiel 36:37 Used With Tune: SHIRLAND

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DUKE STREET

Appears in 1,443 hymnals Composer and/or Arranger: J. Hatton Tune Key: E Flat Major Incipit: 13456 71765 55565 Used With Text: Contentment
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BETHANY

Appears in 975 hymnals Composer and/or Arranger: Lowell Mason Tune Key: G Major or modal Incipit: 32116 65132 32116 Used With Text: Genesis 28:10-22
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EVENTIDE

Appears in 976 hymnals Composer and/or Arranger: W. H. Monk Tune Key: E Major Incipit: 33215 65543 34565 Used With Text: Evening of the Day

Instances

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Doxologies

Hymnal: LD1888 #D1 (1888) First Line: Praise God, from whom all blessings flow! Lyrics: 1 Praise God, from whom all blessings flow! Praise him, all creatures here below! Praise him above, ye heavenly host! Praise Father, Son, and Holy Ghost! Languages: English
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Doxologies

Hymnal: LD1888 #D2 (1888) First Line: To God the Father, God the Son Lyrics: 1 To God the Father, God the Son, And God the Spirit, three in one, Be honor, praise, and glory given, By all on earth, and all in heaven. As was through ages heretofore, Is now, and shall be evermore. Languages: English
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Eternal Father, throned above

Hymnal: LD1888 #D3 (1888) Lyrics: 1 Eternal Father, throned above, Thou fountain of redeeming love! Eternal Word! who left thy throne For man's rebellion to atone; Eternal Spirit, who dost give That grace whereby our spirits live: Thou God of our salvation, be Eternal praises paid to thee! Languages: English

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Edward Caswall

1814 - 1878 Person Name: E. Caswall Hymnal Number: 1 Translator of "Praise to Christ" in Laudes Domini Edward Caswall was born in 1814, at Yately, in Hampshire, where his father was a clergyman. In 1832, he went to Brasenose College, Oxford, and in 1836, took a second-class in classics. His humorous work, "The Art of Pluck," was published in 1835; it is still selling at Oxford, having passed through many editions. In 1838, he was ordained Deacon, and in 1839, Priest. He became perpetural Curate of Stratford-sub-Castle in 1840. In 1841, he resigned his incumbency and visited Ireland. In 1847, he joined the Church of Rome. In 1850, he was admitted into the Congregation of the Oratory at Birmingham, where he has since remained. He has published several works in prose and poetry. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872 ===================== Caswall, Edward, M.A., son of the Rev. R. C. Caswall, sometime Vicar of Yately, Hampshire, born at Yately, July 15, 1814, and educated at Brasenose College, Oxford, graduating in honours in 1836. Taking Holy Orders in 1838, he became in 1840 Incumbent of Stratford-sub-Castle, near Salisbury, and resigned the same in 1847. In 1850 (Mrs. Caswall having died in 1849) he was received into the Roman Catholic communion, and joined Dr. Newman at the Oratory, Edgbaston. His life thenceforth, although void of stirring incidents, was marked by earnest devotion to his clerical duties and a loving interest in the poor, the sick, and in little children. His original poems and hymns were mostly written at the Oratory. He died at Edgbaston, Jan. 2, 1878, and was buried on Jan. 7 at Redwall, near Bromsgrove, by his leader and friend Cardinal Newman. Caswall's translations of Latin hymns from the Roman Breviary and other sources have a wider circulation in modern hymnals than those of any other translator, Dr. Neale alone excepted. This is owing to his general faithfulness to the originals, and the purity of his rhythm, the latter feature specially adapting his hymns to music, and for congregational purposes. His original compositions, although marked by considerable poetical ability, are not extensive in their use, their doctrinal teaching being against their general adoption outside the Roman communion. His hymns appeared in:— (1) Lyra Catholica, which contained 197 translations from the Roman Breviary, Missal, and other sources. First ed. London, James Burns, 1849. This was reprinted in New York in 1851, with several hymns from other sources added thereto. This edition is quoted in the indices to some American hymn-books as Lyra Cath., as in Beecher's Plymouth Collection, 1855, and others. (2) Masque of Mary, and Other Poems, having in addition to the opening poem and a few miscellaneous pieces, 53 translations, and 51 hymns. 1st ed. Lon., Burns and Lambert, 1858. (3) A May Pageant and Other Poems, including 10 original hymns. Lon., Burns and Lambert, 1865. (4) Hymns and Poems, being the three preceding volumes embodied in one, with many of the hymns rewritten or revised, together with elaborate indices. 1st ed. Lon., Burns, Oates & Co., 1873. Of his original hymns about 20 are given in the Roman Catholic Crown of Jesus Hymn Book, N.D; there are also several in the Hymns for the Year, N.D., and other Roman Catholic collections. --John Julian, Dictionary of Hymnology (1907) ====================== Caswall, E. , p. 214, ii. Additional original hymns by Caswall are in the Arundel Hymns, 1902, and other collections. The following are from the Masque of Mary, &c, 1858:— 1. Christian soul, dost thou desire. After Holy Communion. 2. Come, let me for a moment cast. Holy Communion. 3. O Jesu Christ [Lord], remember. Holy Communion. 4. Oft, my soul, thyself remind. Man's Chief End. 5. Sleep, Holy Babe. Christmas. Appeared in the Rambler, June 1850, p. 528. Sometimes given as "Sleep, Jesus, sleep." 6. The glory of summer. Autumn. 7. This is the image of the queen. B. V. M. His "See! amid the winter's snow,” p. 1037, i., was published in Easy Hymn Tunes, 1851, p. 36. In addition the following, mainly altered texts or centos of his translations are also in common use:— 1. A regal throne, for Christ's dear sake. From "Riches and regal throne," p. 870, ii. 2. Come, Holy Ghost, Thy grace inspire. From "Spirit of grace and union," p. 945, i. 3. Hail! ocean star, p. 99, ii,, as 1873. In the Birmingham Oratory Hymn Book, 1850, p. 158. 4. Lovely flow'rs of martyrs, hail. This is the 1849 text. His 1873 text is "Flowers of martyrdom," p. 947, i. 5. None of all the noble cities. From "Bethlehem! of noblest cities," p. 946, ii. 6. O Jesu, Saviour of the World. From “Jesu, Redeemer of the world," p. 228, ii. 7. 0 Lady, high in glory raised. From "O Lady, high in glory, Whose," p. 945, i. The Parochial Hymn Book, 1880, has also the following original hymns by Caswall. As their use is confined to this collection, we give the numbers only:— IS os. 1, 2, 3, 159 (Poems, 1873, p. 453), 209 (1873, p. 288), 299, 324 (1873, p. 323), 357, 402, 554, 555, 558, 569 (1873, p. 334). These are from his Masque of Mary 1858. Nos. 156, 207 (1873, p. 296), 208 (1873, p. 297), 518. These are from his May Pageant, 1865. As several of these hymns do not begin with the original first lines, the original texts are indicated as found in his Poems, 1873. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)

William Kethe

? - 1594 Hymnal Number: 87 Author of "Psalm 100" in Laudes Domini William Kethe (b. Scotland [?], d. Dorset England, c. 1594). Although both the time and place of Kethe's birth and death are unknown, scholars think he was a Scotsman. A Protestant, he fled to the continent during Queen Mary's persecution in the late 1550s. He lived in Geneva for some time but traveled to Basel and Strasbourg to maintain contact with other English refugees. Kethe is thought to be one of the scholars who translated and published the English-language Geneva Bible (1560), a version favored over the King James Bible by the Pilgrim fathers. The twenty-five psalm versifications Kethe prepared for the Anglo-Genevan Psalter of 1561 were also adopted into the Scottish Psalter of 1565. His versification of Psalm 100 (All People that on Earth do Dwell) is the only one that found its way into modern psalmody. Bert Polman ======================== Kethe, William, is said by Thomas Warton in his History of English Poetry, and by John Strype in his Annals of the Reformation, to have been a Scotsman. Where he was born, or whether he held any preferment in England in the time of Edward VI., we have been unable to discover. In the Brieff discours off the troubles begonne at Franckford, 1575, he is mentioned as in exile at Frankfurt in 1555, at Geneva in 1557; as being sent on a mission to the exiles in Basel, Strassburg, &c, in 1558; and as returning with their answers to Geneva in 1559. Whether he was one of those left behind in 1559 to "finishe the bible, and the psalmes bothe in meeter and prose," does not appear. The Discours further mentions him as being with the Earl of Warwick and the Queen's forces at Newhaven [Havre] in 1563, and in the north in 1569. John Hutchins in his County history of Dorset, 1774, vol. ii. p. 316, says that he was instituted in 1561 as Rector of Childe Okeford, near Blandford. But as there were two Rectors and only one church, leave of absence might easily be extended. His connection with Okeford seems to have ceased by death or otherwise about 1593. The Rev. Sir Talbot H. B. Baker, Bart., of Ranston, Blandford, who very kindly made researches on the spot, has informed me that the Registers at Childe Okeford begin with 1652-53, that the copies kept in Blandford date only from 1732 (the earlier having probably perished in the great fire there in 1731), that no will can be found in the district Probate Court, and that no monument or tablet is now to be found at Childe Okeford. By a communication to me from the Diocesan Registrar of Bristol, it appears that in a book professing to contain a list of Presentations deposited in the Consistory Court, Kethe is said to have been presented in 1565 by Henry Capel, the Patron of Childe Okeford Inferior. In the 1813 edition of Hutchins, vol. iii. pp. 355-6, William Watkinson is said to have been presented to this moiety by Arthur Capel in 1593. Twenty-five Psalm versions by Kethe are included in the Anglo-Genevan Psalter of 1561, viz. Ps. 27, 36, 47, 54, 58, 62, 70, 85, 88, 90, 91, 94, 100, 101, 104, 107, 111, 112, 113, 122, 125, 126, 134, 138, 142,—the whole of which were adopted in the Scottish Psalter of 1564-65. Only nine, viz. Ps. 104, 107, 111, 112, 113, 122, 125, 126, 134, were included in the English Psalter of 1562; Ps. 100 being however added in 1565. Being mostly in peculiar metres, only one, Ps. 100, was transferred to the Scottish Psalter of 1650. The version of Ps. 104, "My soul, praise the Lord," is found, in a greatly altered form, in some modern hymnals. Warton calls him ”a Scotch divine, no unready rhymer," says he had seen a moralisation of some of Ovid by him, and also mentions verses by him prefixed to a pamphlet by Christopher Goodman, printed at Geneva in 1558; a version of Ps. 93 added to Knox's Appellation to the Scottish Bishops, also printed at Geneva in 1558; and an anti-papal ballad, "Tye the mare Tom-boy." A sermon he preached before the Sessions at Blandford on Jan. 17, 1571, was printed by John Daye in 1571 (preface dated Childe Okeford, Jan. 29,157?), and dedicated to Ambrose Earl of Warwick. [Rev James Mearns, M.A]. -- John Julian, Dictionary of Hymnology (1907) ==================== Kethe, William, p. 624, i., line 30. The version which Warton describes as of Psalm 93 is really of Psalm 94, and is that noted under Scottish Hymnody, p. 1022, ii., as the version of Psalms 94 by W. Kethe. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Felix Mendelssohn-Bartholdy

1809 - 1847 Person Name: fr. Mendelssohn Hymnal Number: 185 Arranger of "HERALD ANGELS " in Laudes Domini Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes. Bert Polman