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The Son of God Goes Forth to War
Author: Reginald Heber Meter: 8.6.8.6 D Appears in 837 hymnals Scripture: Acts 7:59-60 Lyrics: 1 The Son of God goes forth to war,
a kingly crown to gain;
his blood-red banner streams afar:
who follows in his train?
Who best can drink his cup of woe,
triumphant over pain,
who patient bears his cross below,
he follows in his train.
2 The martyr first, whose eagle eye
could pierce beyond the grave,
who saw his Master in the sky,
and called on him to save;
like him, with pardon on his tongue
in midst of mortal pain,
he prayed for them that did the wrong:
who follows in his train?
3 A glorious band, the chosen few
on whom the Spirit came,
twelve valiant saints, their hope they knew,
and mocked the cross and flame:
they met the tyrant's brandished steel,
the lion's gory mane;
they bowed their necks the death to feel:
who follows in their train?
4 A noble army, men and boys,
the matron and the maid,
around the Savior's throne rejoice,
in robes of light arrayed:
they climbed the steep ascent of heav'n
through peril, toil, and pain:
O God, to us may grace be giv'n
to follow in their train.
Topics: The Christian Life Christian Warfare; Christ Example of; The Nation; Patience of Christians; Rewards Used With Tune: ALL SAINTS NEW
The Son of God Goes Forth to War
God, We Praise You!
Author: Christopher Idle, 1938- Meter: 8.7.8.7 D Appears in 30 hymnals Scripture: Acts 7:55 First Line: God, we praise you! God we bless you! Lyrics: 1 God, we praise you! God, we bless you!
God, we name you sovereign Lord!
Mighty King whom angels worship,
Father, by your church adored:
all creation shows your glory,
heaven and earth draw near your throne
singing "Holy, holy, holy,
Lord of hosts, and God alone!"
2 True apostles, faithful prophets,
saints who set their world ablaze,
martyrs, once unknown, unheeded,
join one growing song of praise,
while your church on earth confesses
one majestic Trinity:
Father, Son, and Holy Spirit,
God, our hope eternally.
3 Jesus Christ, the King of glory,
everlasting Son of God,
humble was your virgin mother,
hard the lonely path you trod.
By your cross is sin defeated,
hell confronted face to face,
heaven opened to believers,
sinners justified by grace.
4 Christ, at God's right hand victorious,
you will judge the world you made;
Lord, in mercy help your servants
for whose freedom you have paid.
Raise us up from dust to glory,
guard us from all sin today;
King enthroned above all praises,
save your people, God, we pray. Topics: Adoration Used With Tune: RUSTINGTON Text Sources: Te Deum Laudamus, para.
God, We Praise You!
Glory, glory, Hallelujah
Author: Julia Ward Howe (1819-1910) Meter: Irregular Appears in 553 hymnals Scripture: Acts 7:49 First Line: Mine eyes have seen the glory of the coming of the Lord Lyrics: 1 Mine eyes have seen the glory of the coming of the Lord:
he is trampling out the vintage where the grapes of wrath are stored;
he hath loosed the fatal lightning of his terrible swift sword:
his truth is marching on.
Glory, glory, Hallelujah,
glory, glory, Hallelujah,
glory, glory, Hallelujah,
his truth is marching on.
2 He hath sounded forth the trumpet that shall never call retreat;
he is sifting out all human hearts before his judgment seat;
O, be swift, my soul, to answer him; be jubilant, my feet!
Our God is marching on.
Glory, glory, Hallelujah,
glory, glory, Hallelujah,
glory, glory, Hallelujah,
our God is marching on.
3 In the beauty of the lilies Christ was born across the sea,
with a glory in his bosom that transfigures you and me:
as he died to make us holy, let us die to make all free,
while God is marching on.
Glory, glory, Hallelujah,
glory, glory, Hallelujah,
glory, glory, Hallelujah,
while God is marching on.
4 He is coming like the glory of the morning on the wave;
he is wisdom to the mighty; he is succour to the brave;
so the world shall be his footstool, and the soul of time his slave:
our God is marching on.
Glory, glory, Hallelujah,
glory, glory, Hallelujah,
glory, glory, Hallelujah,
our God is marching on. Topics: Life in Christ Christ Risen - Coming Again; God in judgement and justice Used With Tune: BATTLE HYMN OF THE REPUBLIC
Glory, glory, Hallelujah
ALL SAINTS NEW
Meter: 8.6.8.6 D Appears in 536 hymnals Composer and/or Arranger: Henry S. Cutler Scripture: Acts 7:59-60 Tune Key: B Flat Major Incipit: 53451 17712 34322 Used With Text: The Son of God Goes Forth to War
ALL SAINTS NEW
BATTLE HYMN OF THE REPUBLIC
Meter: Irregular Appears in 445 hymnals Composer and/or Arranger: William Steffe Scripture: Acts 7:49 Tune Key: B Flat Major Incipit: 55554 35123 33211 Used With Text: Glory, glory, Hallelujah
BATTLE HYMN OF THE REPUBLIC
KIRKEN DEN ER ET
Meter: 8.8.8.8.8.8.8 Appears in 64 hymnals Composer and/or Arranger: Ludvig M. Lindeman Scripture: Acts 7:48 Tune Key: c minor Incipit: 11531 34556 75342 Used With Text: Built on the Rock
KIRKEN DEN ER ET
Jesus, lover of my soul
Author: Charles Wesley, 1707-1788 Hymnal: Singing the Faith #355a (2011) Meter: 7.7.7.7 D Scripture: Acts 7:59 Topics: Jesus Christ the Saviour: Lord of All Languages: English Tune Title: ABERYSTWYTH
Jesus, lover of my soul
Jesus, lover of my soul
Author: Charles Wesley, 1707-1788 Hymnal: Singing the Faith #355b (2011) Meter: 7.7.7.7 D Scripture: Acts 7:59 Topics: Jesus Christ the Saviour: Lord of All Languages: English Tune Title: HOLLINGSIDE
Jesus, lover of my soul
Jesus, lover of my soul
Author: Charles Wesley, 1707-1788 Hymnal: The Book of Praise #676 (1997) Meter: 7.7.7.7 D Scripture: Acts 7:59 Lyrics: 1 Jesus, lover of my soul,
let me to thy bosom fly,
while the nearer waters roll,
while the tempest still is high:
hide me, O my Saviour, hide,
till the storm of life is past,
safe into the haven guide;
oh receive my soul at last.
2 Other refuge have I none;
hangs my helpless soul on thee.
Leave, ah! leave me not alone;
still support and comfort me.
All my trust on thee is stayed;
all my help from thee I bring;
cover my defenceless head
with the shadow of thy wing.
3 Thou, O Christ, art all I want;
more than all in thee I find:
raise the fallen, cheer the faint,
heal the sick and lead the blind.
Just and holy is thy name;
I am all unrighteousness:
false and full of sin I am;
thou art full of truth and grace.
4 Plenteous grace with thee is found,
grace to cover all my sin;
let the healing streams abound;
make and keep me pure within:
thou of life the fountain art,
freely let me take of thee;
spring thou up within my heart,
rise to all eternity. Topics: Comfort / Consolation; Grace; Jesus Christ Name of; Jesus Christ Healer and Teacher; Lent; One Life in Christ Faith; Sin / Sinner; Storm Languages: English Tune Title: ABERYSTWYTH
Jesus, lover of my soul
Reginald Heber
1783 - 1826 Scripture: Acts 7:59-60 Author of "The Son of God Goes Forth to War" in Trinity Hymnal (Rev. ed.) Reginald Heber was born in 1783 into a wealthy, educated family. He was a bright youth, translating a Latin classic into English verse by the time he was seven, entering Oxford at 17, and winning two awards for his poetry during his time there. After his graduation he became rector of his father's church in the village of Hodnet near Shrewsbury in the west of England where he remained for 16 years. He was appointed Bishop of Calcutta in 1823 and worked tirelessly for three years until the weather and travel took its toll on his health and he died of a stroke. Most of his 57 hymns, which include "Holy, Holy, Holy," are still in use today.
-- Greg Scheer, 1995
====================
Heber, Reginald, D.D. Born at Malpas, April 21, 1783, educated at Brasenose College, Oxford; Vicar of Hodnet, 1807; Bishop of Calcutta, 1823; died at Trichinopoly, India, April 3, 1826. The gift of versification shewed itself in Heber's childhood; and his Newdigate prize poem Palestine, which was read to Scott at breakfast in his rooms at Brazenose, Oxford, and owed one of its most striking passages to Scott's suggestion, is almost the only prize poem that has won a permanent place in poetical literature. His sixteen years at Hodnet, where he held a halfway position between a parson and a squire, were marked not only by his devoted care of his people, as a parish priest, but by literary work. He was the friend of Milman, Gifford, Southey, and others, in the world of letters, endeared to them by his candour, gentleness, "salient playfulness," as well as learning and culture. He was on the original staff of The Quarterly Review; Bampton Lecturer (1815); and Preacher at Lincoln's Inn (1822). His edition of Jeremy Taylor is still the classic edition. During this portion of his life he had often had a lurking fondness for India, had traced on the map Indian journeys, and had been tempted to wish himself Bishop of Calcutta. When he was forty years old the literary life was closed by his call to the Episcopate. No memory of Indian annals is holier than that of the three years of ceaseless travel, splendid administration, and saintly enthusiasm, of his tenure of the see of Calcutta. He ordained the first Christian native—Christian David. His first visitation ranged through Bengal, Bombay, and Ceylon; and at Delhi and Lucknow he was prostrated with fever. His second visitation took him through the scenes of Schwartz's labours in Madras Presidency to Trichinopoly, where on April 3,1826, he confirmed forty-two persons, and he was deeply moved by the impression of the struggling mission, so much so that “he showed no appearance of bodily exhaus¬tion." On his return from the service
”He retired into his own room, and according to his invariable custom, wrote on the back of the address on Confirmation 'Trichinopoly, April 3, 1826.' This was his last act, for immediately on taking off his clothes, he went into a large cold bath, where he had bathed the two preceding mornings, but which was now the destined agent of his removal to Paradise. Half an hour after, his servant, alarmed at his long absence, entered the room and found him a lifeless corpse." Life, &c, 1830, vol. ii. p. 437.
Heber's hymns were all written during the Hodnet period. Even the great missionary hymn, "From Greenland's icy mountains," notwithstanding the Indian allusions ("India's coral strand," "Ceylon's isle"), was written before he received the offer of Calcutta. The touching funeral hymn, "Thou art gone to the grave," was written on the loss of his first babe, which was a deep grief to him. Some of the hymns were published (1811-16) in the Christian Observer, the rest were not published till after his death. They formed part of a ms. collection made for Hodnet (but not published), which contained, besides a few hymns from older and special sources, contributions by Milman. The first idea of the collection appears in a letter in 1809 asking for a copy of the Olney Hymns, which he "admired very much." The plan was to compose hymns connected with the Epistles and Gospels, to be sung after the Nicene Creed. He was the first to publish sermons on the Sunday services (1822), and a writer in The Guardian has pointed out that these efforts of Heber were the germs of the now familiar practice, developed through the Christian Year (perhaps following Ken's Hymns on the Festivals), and by Augustus Hare, of welding together sermon, hymnal, and liturgy. Heber tried to obtain from Archbishop Manners Sutton and the Bishop of London (1820) authorization of his ms. collection of hymns by the Church, enlarging on the "powerful engine" which hymns were among Dissenters, and the irregular use of them in the church, which it was impossible to suppress, and better to regulate. The authorization was not granted. The lyric spirit of Scott and Byron passed into our hymns in Heber's verse; imparting a fuller rhythm to the older measures, as illustrated by "Oh, Saviour, is Thy promise fled," or the martial hymn, "The Son of God goes forth to war;" pressing into sacred service the freer rhythms of contemporary poetry (e.g. "Brightest and best of the sons of the morning"; "God that madest earth and heaven"); and aiming at consistent grace of literary expression.. Their beauties and faults spring from this modern spirit. They have not the scriptural strength of our best early hymns, nor the dogmatic force of the best Latin ones. They are too flowing and florid, and the conditions of hymn composition are not sufficiently understood. But as pure and graceful devotional poetry, always true and reverent, they are an unfailing pleasure. The finest of them is that majestic anthem, founded on the rhythm of the English Bible, "Holy, Holy, Holy, Lord God Almighty." The greatest evidence of Heber's popularity as a hymnwriter, and his refined taste as a compiler, is found in the fact that the total contents of his ms. collection which were given in his posthumous Hymns written and adapted to the Weekly Church Service of the Year. London, J. Murray, 1827; which included 57 hymns by Heber, 12 by Milman, and 29 by other writers, are in common in Great Britain and America at the present time. [Rev. H. Leigh Bennett, M.A.]
Of Bishop Heber's hymns, about one half are annotated under their respective first lines. Those given below were published in Heber's posthumous Hymns, &c, 1827. Some of them are in extensive use in Great Britain and America; but as they possess no special histories they are grouped together as from the Hymns, &c, 1827:—
1. Beneath our feet, and o'er our head. Burial.
2. Creator of the rolling flood. St. Peter's Day, or, Gospel for 6th Sunday after Trinity.
3. Lo, the lilies of the field. Teachings of Nature: or, Gospel for 15th Sunday after Trinity.
4. 0 God, by Whom the seed is given. Sexagesima.
6. 0 God, my sins are manifold. Forgiveness, or,
Gospel for 22nd S. after Trinity.
6. 0 hand of bounty, largely spread. Water into Wine, or, Gospel for 2nd S. after Epiphany.
7. 0 King of earth, and air, and sea. Feeding the Multitude; or, Gospel for 4th S. in Lent.
8. 0 more than merciful, Whose bounty gave. Good Friday.
9. 0 most merciful! 0 most bountiful. Introit Holy Communion.
10. 0 Thou, Whom neither time nor space. God unsearchable, or, Gospel for 5th Sunday in Lent.
11. 0 weep not o'er thy children's tomb. Innocents Day.
12. Room for the proud! Ye sons of clay. Dives and Lazarus, or, Gospel for 1st Sunday after Trinity.
13. Sit thou on my right hand, my Son, saith the Lord. Ascension.
14. Spirit of truth, on this thy day. Whit-Sunday.
15. The feeble pulse, the gasping breath. Burial, or, Gospel for 1st S. after Trinity.
16. The God of glory walks His round. Septuagesima, or, the Labourers in the Marketplace.
17. The sound of war in earth and air. Wrestling against Principalities and Powers, or, Epistle for 2lst Sunday after Trinity.
18. The world is grown old, her pleasures are past. Advent; or, Epistle for 4th Sunday in Advent.
19. There was joy in heaven. The Lost Sheep; or, Gospel for 3rd S. after Trinity.
20. Though sorrows rise and dangers roll. St. James's Day.
21. To conquer and to save, the Son of God. Christ the Conqueror.
22. Virgin-born, we bow before Thee. The Virgin Mary. Blessed amongst women, or, Gospel for 3rd S. in Lent.
23. Wake not, 0 mother, sounds of lamentation. Raising the Widow's Son, or, Gospel for 16th S. after Trinity.
24. When on her Maker's bosom. Holy Matrimony, or, Gospel for 2nd S. after Epiphany.
25. When through the torn sail the wild tempest is streaming. Stilling the Sea, or, Gospel for 4th Sunday after Epiphany.
26. Who yonder on the desert heath. The Good Samaritan, or, Gospel for 13th Sunday after Trinity.
This list is a good index of the subjects treated of in those of Heber's hymns which are given under their first lines, and shows that he used the Gospels far more than the Epistles in his work.
--John Julian, Dictionary of Hymnology (1907)
Reginald Heber
H. S. Cutler
1825 - 1902 Person Name: Henry S. Cutler Scripture: Acts 7:59-60 Composer of "ALL SAINTS NEW" in Trinity Hymnal (Rev. ed.) Henry Stephen Cutler (b. Boston, MA, 1824; d. Boston, 1902) studied music in Frankfurt, Germany, in 1844. He moved to England, where he listened with interest to the cathedral choirs and came under the influence of the Oxford Movement. Returning to Boston in 1846, Cutler became organist of the Episcopal Church of the Advent and formed a choir of men and boys, to whom he introduced the wearing of liturgical robes. When he took a position at Trinity Church in New York City, he removed women from the choir and used the occasion of a visit by the Prince of Wales to the church to introduce his newly vested men and boys' choir. He also moved the choir from the gallery to the chancel and initiated the chanting of the psalms and the singing of part of the worship service. Cutler compiled The Psalter, with Chants (1858) and published The Trinity Psalter (1864) and Trinity Anthems (1865).
Bert Polman
H. S. Cutler
Christopher M. Idle
b. 1938 Person Name: Christopher Idle, 1938- Scripture: Acts 7:55 Paraphraser of "God, We Praise You!" in Worship and Rejoice Christopher Martin Idle (b. Bromley, Kent, England, 1938) was educated at Elthan College, St. Peter's College, Oxford, and Clifton Theological College in Bristol, and was ordained in the Church of England. He served churches in Barrow-in-Furness, Cumbria; London; and Oakley, Suffolk; and recently returned to London, where he is involved in various hymnal projects. A prolific author of articles on the Christian's public responsibilities, Idle has also published The Lion Book of Favorite Hymns (1980) and at least one hundred of his own hymns and biblical paraphrases. Some of his texts first appeared in hymnals published by the Jubilate Group, with which he is associated. He was also editor of Anglican Praise (1987). In 1998 Hope Publishing released Light Upon the River, a collection of 279 of his psalm and hymn texts, along with suggested tunes, scripture references, and commentary.
Bert Polman
Christopher M. Idle
