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Scripture:Ezekiel 11

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Texts

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Here I Am, Lord

Author: Dan Schutte, b. 1947 Appears in 63 hymnals Scripture: Ezekiel 11:19 First Line: I, the Lord of sea and sky Refrain First Line: Here I am, Lord. Is it I, Lord? Used With Tune: [I, the Lord of sea and sky]

Ready the Way

Author: Bob Hurd, b. 1950 Appears in 5 hymnals Scripture: Ezekiel 11:19-20 First Line: Ready the way of the Lord! Refrain First Line: Here is your God Topics: The Liturgical Year Advent (Sundasy and Weekdays) Used With Tune: [Ready the way of the Lord]
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O Spirit of the Living God

Author: James Montgomery (1771-1854) Meter: 8.8.8.8 Appears in 373 hymnals Scripture: Ezekiel 11:14-23 Lyrics: 1 O Spirit of the living God, in all the fullness of thy grace, wherever human foot hath trod, descend on our rebellious race. 2 Give tongues of fire and hearts of love to preach the reconciling word; give power and unction from above, whene'er the joyful sound is heard. 3 Be darkness at thy coming light; confusion, order in thy path; souls without strength inspire with might, bid mercy triumph over wrath. 4 O Spirit of the Lord, prepare all the round earth its God to meet; breathe thou abroad like morning air, till hearts of stone begin to beat. 5 Baptize the nations; far and nigh the triumph of the cross record; the name of Jesus glorify, till every kindred call him Lord. Topics: Christian Initiation; Mission; Pentecost; Renewal; Baptism (general) Used With Tune: WAREHAM

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[I, the Lord of sea and sky]

Appears in 63 hymnals Composer and/or Arranger: Dan Schutte, b. 1947; Michael Pope, SJ; John Weissrock Scripture: Ezekiel 11:19 Tune Key: G Major Incipit: 17154 55171 65123 Used With Text: Here I Am, Lord

[Ready the way of the Lord]

Appears in 5 hymnals Composer and/or Arranger: Bob Hurd Scripture: Ezekiel 11:19-20 Tune Key: C Major Incipit: 33332 11666 56545 Used With Text: Ready the Way
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WILD MOUNTAIN THYME

Meter: Irregular Appears in 17 hymnals Composer and/or Arranger: Alfred V. Fedak Scripture: Ezekiel 11:19 Tune Sources: Irish melody Tune Key: F Major Incipit: 16561 13565 65353 Used With Text: Spirit, Open My Heart

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Love divine, all loves excelling

Author: Charles Wesley, 1707-1788 Hymnal: Complete Anglican Hymns Old and New #428a (2000) Meter: 8.7.8.7 Scripture: Ezekiel 11:23 Lyrics: 1 Love divine, all loves excelling, joy of heav'n, to earth come down, fix in us thy humble dwelling, all thy faithful mercies crown. 2 Jesu, thou art all compassion, pure unbounded love thou art; visit us with thy salvation, enter ev'ry trembling heart. 3 Breathe, O breathe thy loving Spirit into ev'ry troubled breast; let us all in thee inherit, let us find thy promised rest. 4 Take away our love of sinning. Alpha and Omega be; end of faith, as its beginning, set our hearts at liberty. 5 Come, almighty to deliver, let us all thy grace receive; suddenly return, and never, nevermore thy temples leave. 6 Thee we would be always blessing, serve thee as thy hosts above; pray, and praise thee, without ceasing, glory in thy perfect love. 7 Finish then thy new creation, pure and spotless let us be; let us see thy great salvation perfectly restored in thee. 8 Changed from glory into glory till in heav'n we take our place, till we cast our crowns before thee, lost in wonder, love, and praise. Topics: Advent; Christian unity; Grace and Providence; Marriage; The Serving Community; Year A Proper 25; Year A Proper 9; Year B Proper 6; Year B Proper 8; Year C Easter 7; Year C Lent 4 Languages: English Tune Title: LOVE DIVINE
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O God, our help in ages past

Author: Isaac Watts, 1674-1748 Hymnal: Common Praise #537 (2000) Meter: 8.6.8.6 Scripture: Ezekiel 11:16 Lyrics: 1 O God, our help in ages past, our hope for years to come, our shelter from the stormy blast, and our eternal home; 2 Under the shadow of thy throne thy saints have dwelt secure; sufficient is thine arm alone, and our defence is sure. 3 Before the hills in order stood, or earth received her frame, from everlasting thou art God, to endless years the same. 4 A thousand ages in thy sight are like an evening gone, short as the watch that ends the night before the rising sun. 5 Time, like an ever-rolling stream, bears all its sons away; they fly forgotten, as a dream dies at the opening day. 6 O God, our help in ages past, our hope for years to come, be thou our guard while troubles last, and our eternal home. Topics: New Year; Remembrance Sunday; Funerals, Commemoration, Remembrance and All Souls; National Languages: English Tune Title: ST ANNE
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Make me a clean Heart

Author: Rev. Charles Wesley (1707-1788) Hymnal: Songs of Praise with Tunes #340 (1889) Scripture: Ezekiel 11:19 First Line: O, for a heart to praise my God Topics: Aspirations For Divine Grace; Aspirations For Holiness; Christians Graces of; Conformity to Christ; Growth in Grace; Heart Clean; Regeneration Sought Tune Title: BEATITUDE

People

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Authors, composers, editors, etc.

Daniel L. Schutte

b. 1947 Person Name: Dan Schutte, b. 1947 Scripture: Ezekiel 11:19 Author of "Here I Am, Lord" in Gather Comprehensive

Charles Wesley

1707 - 1788 Person Name: C. Wesley Scripture: Ezekiel 11:19 Author of "Turn and look upon me, Lord" in The Voice of Praise Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists." In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley. As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream. It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works. The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century. -- Excerpts from John Julian, Dictionary of Hymnology (1907) ================== Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand. --Annotations of the Hymnal, Charles Hutchins, M.A., 1872.

Michael Pope

Person Name: Michael Pope, SJ Scripture: Ezekiel 11:19 Arranger of "[I, the Lord of sea and sky]" in Gather Comprehensive