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Author: T. J. Potter Meter: 6.5.6.5 D with refrain Appears in 413 hymnals Scripture: Psalm 20:5 Topics: The Christian Life Pilgrimage and Rest Used With Tune: ST. THERESA
Brightly gleams our banner
Be Still and Know
Author: Anonymous Appears in 43 hymnals Scripture: Psalm 20:7 First Line: Be still and know that I am God Lyrics: 1 Be still and know that I am God,
be still and know that I am God,
be still and know that I am God.
2 The Lord Almighty is our God,
the Lord Almighty is our God,
the Lord Almighty is our God.
3 In you, O Lord, we put our trust.
In you, O Lord, we put our trust.
In you, O Lord, we put our trust. Used With Tune: [Be still and know that I am God]
Be Still and Know
BATTLE HYMN
Meter: 15.15.15.6 Appears in 442 hymnals Scripture: Psalm 20:7 Tune Sources: Trad. American Folk Melody Tune Key: B Flat Major Incipit: 55554 35123 33211 Used With Text: Mine Eyes Have Seen the Glory (Battle Hymn of the Republic)
BATTLE HYMN
[Be still and know that I am God]
Appears in 34 hymnals Composer and/or Arranger: Anonymous; Jack Schrader, 1942- Scripture: Psalm 20:7 Tune Key: C Major Incipit: 55365 55243 33456 Used With Text: Be Still and Know
[Be still and know that I am God]
[Blessed Spirit, for the asking]
Appears in 5 hymnals Composer and/or Arranger: H. R. Jeffrey Scripture: Psalm 20:6 Tune Key: B Flat Major Incipit: 55661 66554 35117 Used With Text: Anointed
[Blessed Spirit, for the asking]
Brightly gleams our banner
Author: T. J. Potter Hymnal: The Presbyterian Book of Praise #304 (1897) Meter: 6.5.6.5 D with refrain Scripture: Psalm 20:5 Topics: The Christian Life Pilgrimage and Rest Languages: English Tune Title: ST. THERESA
Brightly gleams our banner
Be Still and Know
Author: Anonymous Hymnal: Worship and Rejoice #450 (2003) Scripture: Psalm 20:7 First Line: Be still and know that I am God Lyrics: 1 Be still and know that I am God,
be still and know that I am God,
be still and know that I am God.
2 The Lord Almighty is our God,
the Lord Almighty is our God,
the Lord Almighty is our God.
3 In you, O Lord, we put our trust.
In you, O Lord, we put our trust.
In you, O Lord, we put our trust. Languages: English Tune Title: [Be still and know that I am God]
Be Still and Know
Robert Bridges
1844 - 1930 Person Name: Robert Bridges (1844-1930) Scripture: Psalm 20:7-8 Paraphraser of "All my hope on God is founded" in Church Hymnary (4th ed.) Robert S. Bridges (b. Walmer, Kent, England, 1844; d. Boar's Hill, Abingdon, Berkshire, England, 1930) In a modern listing of important poets Bridges' name is often omitted, but in his generation he was considered a great poet and fine scholar. He studied medicine and practiced as a physician until 1881, when he moved to the village of Yattendon. He had already written some poetry, but after 1881 his literary career became a full-time occupation, and in 1913 he was awarded the position of poet laureate in England. Bridges published The Yattendon Hymnal (1899), a collection of one hundred hymns (forty-four written or translated by him with settings mainly from the Genevan psalter, arranged for unaccompanied singing. In addition to volumes of poetry, Bridges also published A Practical Discourse on Some Principles of Hymn-Singing (1899) and About Hymns (1911).
Bert Polman
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Bridges, Robert Seymour, M.A., son of J. J. Bridges, of Walmer, Kent, was b. Oct. 23, 1844, and educated at Eton and at Corpus Christi College, Oxford (B.A. 1867, M.A. 1874). He took his M.A. in 1874, but retired from practice in 1882, and now (1906) resides at Yattendon, Berks. He is the author of many poems and plays. He edition and contributed to the Yattendon Hymnal, 1899 (originally printed at the Oxford Univ. Press in parts—Nos. 1-25, 1895; 26-50, 1897; 51-75, 1898; 76-100, 1899). [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Robert Bridges
S. Baring-Gould
1834 - 1924 Person Name: Sabine Baring-Gould (1834-1924) Scripture: Psalm 20:5 Author of "Onward! Christian soldiers" in Church Hymnary (4th ed.) Baring-Gould, Sabine, M.A., eldest son of Mr. Edward Baring-Gould, of Lew Trenchard, Devon, b. at Exeter, Jan. 28, 1834, and educated at Clare College, Cambridge, B.A. 1857, M.A. 1860. Taking Holy Orders in 1864, he held the curacy of Horbury, near Wakefield, until 1867, when he was preferred to the incumbency of Dalton, Yorks. In 1871 he became rector of East Mersea, Essex, and in 1881 rector of Lew Trenchard, Devon. His works are numerous, the most important of which are, Lives of the Saints, 15 vols., 1872-77; Curious Myths of the Middle Ages, 2 series, 1866-68; The Origin and Development of Religious Belief, 2 vols., 1869-1870; and various volumes of sermons. His hymns, original and translated, appeared in the Church Times; Hymns Ancient & Modern, 1868 and 1875; The People's Hymnal, 1867, and other collections, the most popular being "Onward, Christian soldiers," "Daily, daily sing the praises," the translation "Through the night of doubt and sorrow," and the exquisite Easter hymn, "On the Resurrection Morning."
His latest effort in hymnology is the publication of original Church Songs, 1884, of which two series have been already issued. In the Sacristy for Nov. 1871, he also contributed nine carols to an article on "The Noels and Carols of French Flanders.” These have been partially transferred to Chope's and Staniforth's Carol Books, and also to his Church Songs.
--John Julian, Dictionary of Hymnology (1907)
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Baring-Gould, S., p. 114, i. Other hymns in common use are:—
1. Forward! said the Prophet. Processional. Appeared in the New Mitre Hymnal, 1874.
2. My Lord, in glory reigning. Christ in Glory. In Mrs. Brock's Children's Hymn Book, 1881.
3. Now severed is Jordan. Processional. Appeared in the S. Mary, Aberdeen, Hymnal, 1866, the People's Hymnal, 1867, &c.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
S. Baring-Gould
William B. Bradbury
1816 - 1868 Scripture: Psalm 20 Composer of "OLIVE'S BROW" in Psalms and Hymns to the Living God William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life.
John Perry
William B. Bradbury
