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God be with You
Author: J. E. Rankin, D. D. Appears in 1,166 hymnals Scripture: Romans 16:20 First Line: God be with you till we meet again Refrain First Line: Till we meet, till we meet Lyrics: 1. God be with you till we meet again,
By his counsels guide, uphold you,
With his sheep securely fold you,
God be with you till we meet again.
Chorus:
Till we meet, till we meet,
Till we meet at Jesus' feet,
Till we meet, till we meet,
God be with you till we meet again.
2. God be with you till we meet again,
'Neath his wings protecting, hide you,
Daily manna still divide you,
God be with you till we meet again. [Chorus]
3. God be with you till we meet again,
When life's perils thick confound you,
Put his arms unfailing round you,
God be with you till we meet again. [Chorus]
4. God be with you till we meet again,
Keep love's banner floating o'er you,
Smite death's threat'ning wave before you,
God be with you till we meet again. [Chorus] Used With Tune: [God be with you till we meet again]
God be with You
Thanks to God whose Word was spoken
Author: Reginald Thomas Brooks (1918-1985) Meter: 8.7.8.7.8.7 Appears in 38 hymnals Scripture: Romans 16:25-26 Lyrics: 1 Thanks to God whose word was spoken
in the making of the earth.
His the voice that called a nation,
fired her vision, tried her worth.
God has spoken, God has spoken:
praise him for his open word.
2 Thanks to God whose word incarnate
came to save our human race.
Deeds and words and death and rising
testify to heaven's grace.
God has spoken, God has spoken:
praise him for his open word.
3 Thanks to God whose word was written
in the Bible's sacred page,
record of the revelation
showing God to every age.
God has spoken, God has spoken:
praise him for his open word.
4 Thanks to God whose word is published
in the tongues of every race.
See its glory undiminished
by the change of time and place.
God has spoken, God has spoken:
praise him for his open word.
5 Thanks to God whose word is answered
by the Spirit's voice within.
Here we drink of joy unmeasured,
life redeemed from death and sin.
God is speaking, God is speaking:
praise him for his open word. Topics: The Holy Spirit The Holy Spirit in the Church - Illumination of God's Word; God In Creation; Jesus incarnation; Jesus Word of God; Scripture; Word of God Used With Tune: ST. HELEN
Thanks to God whose Word was spoken
Victory Is Mine
Author: Dorothy Norwood; Alvin Darling Meter: 5.5.7.8.7 Appears in 6 hymnals Scripture: Romans 16:20 Topics: Renewal and Revival Used With Tune: VICTORY
Victory Is Mine
[God be with you till we meet again]
Appears in 695 hymnals Composer and/or Arranger: W. G. Tomer Scripture: Romans 16:20 Tune Key: D Flat Major Incipit: 33333 35236 66666 Used With Text: God be with You
[God be with you till we meet again]
Abide with me; fast falls the eventide
Author: Henry Francis Lyte, 1793-1847 Hymnal: Singing the Faith #141 (2011) Meter: 10.10.10.10 Scripture: Romans 16:20 Topics: Morning and Evening; Death, Judgement and Eternal Life Languages: English Tune Title: EVENTIDE
Abide with me; fast falls the eventide
Abide With Me
Author: Henry F. Lyte Hymnal: Lift Up Your Hearts #466 (2013) Meter: 10.10.10.10 Scripture: Romans 16:20 First Line: Abide with me: fast falls the eventide Lyrics: 1 Abide with me: fast falls the eventide;
the darkness deepens; Lord, with me abide.
When other helpers fail and comforts flee,
Help of the helpless, O abide with me.
2 Swift to its close ebbs out life's little day;
earth's joys grow dim, its glories pass away.
Change and decay in all around I see.
O thou who changest not, abide with me.
3 I need thy presence every passing hour.
What but thy grace can foil the tempter's power?
Who like thyself my guide and stay can be?
Through cloud and sunshine, O abide with me.
4 I fear no foe with thee at hand to bless,
ills have no weight, and tears no bitterness.
Where is death's sting? Where, grave, thy victory?
I triumph still, if thou abide with me.
5 Hold thou thy cross before my closing eyes.
Shine through the gloom and point me to the skies.
Heaven's morning breaks and earth's vain shadows flee;
in life, in death, O Lord, abide with me. Topics: Change; The Cross; Daily Prayer Evening; Darkness; Powers of Darkness; Death and Dying; Eternal Life; God's Presence; Jesus Christ Confidence in; New Heaven and Earth; Occasional Services Funeral/Witness to the Resurrection; Spiritual Peace Languages: English Tune Title: EVENTIDE
Abide With Me
Abide with Me (Señor Jesús, la luz del sol)
Author: Henry F. Lyte, 1793-1847; Tomás M. Westrup, 1837-1909 Hymnal: Santo, Santo, Santo #475 (2019) Meter: 10.10.10.10 Scripture: Romans 16:20 First Line: Abide with me: fast falls the eventide (Señor Jesús, la luz del sol se fue) Lyrics: 1 Abide with me: fast falls the eventide;
The darkness deepens; Lord, with me abide.
When other helpers fail and comforts flee,
Help of the helpless, O abide with me.
2 Swift to its close ebbs out life's little day;
Earth's joys grow dim, its glories pass away.
Change and decay in all around I see.
O thou who changest not, abide with me.
3 I need thy presence ev'ry passing hour.
What but thy grace can foil the tempter's pow'r?
Who like thyself my guide and stay can be?
Through cloud and sunshine, O abide with me.
4 I fear no foe with thee at hand to bless,
Ills have no weight, and tears no bitterness.
Where is death's sting? Where, grave, thy victory?
I triumph still, if thou abide with me.
5 Hold thou thy cross before my closing eyes.
Shine through the gloom and point me to the skies.
Heav'n's morning breaks and earth's vain shadows flee;
In life, in death, O Lord, abide with me.
---
1 Señor Jesús, la luz de sol se fue.
La noche cierra; tú conmigo sé.
No hay otro amparo; ten, pues, compasión,
y al desvalido da consolación.
2 Veloz se va la vida con su afán;
su gloria, sus ensueños pasarán.
Mudanza y muerte veo en derredor.
Conmigo sé, bendito Salvador.
3 Siempre tu gracia sea mi sostén.
¿Quién otro puede al tentador vencer?
Tan solo en ti mi guía encontraré.
En sombra sol, Señor, conmigo sé.
4 No temo el mal si tú conmigo vas;
al enemigo tú lo vencerás.
En medio de miseria y de dolor,
Señor Jesús, sé tú mi auxiliador.
5 Cuando mis ojos cierren a la luz,
se alce ante mí la gloria de tu cruz.
Pasen las sombras, triunfe al fin la fe.
Jesús, conmigo, en vida y muerte, sé.
Topics: Death; Muerte; Evening Prayer; Oración Vespertina; Jesucristo Presencia de; Jesus Christ Presence of; Life; Vida; Oracion; Prayer Languages: English; Spanish Tune Title: EVENTIDE
Abide with Me (Señor Jesús, la luz del sol)
Jeremiah Eames Rankin
1828 - 1904 Person Name: J. E. Rankin, D. D. Scripture: Romans 16:20 Author of "God be with You" in The Gospel Awakening Pseudonym: R. E. Jeremy.
Rankin, Jeremiah Eames, D.D., was born at Thornton, New Haven, Jan. 2, 1828, and educated at Middleburg College, Vermont, and at Andover. For two years he resided at Potsdam, U.S. Subsequently he held pastoral charges as a Congregational Minister at New York, St. Albans, Charlestown, Washington ( District of Columbia), &c. In 1878 he edited the Gospel Temperance Hymnal, and later the Gospel Bells. His hymns appeared in these collections, and in D. E. Jones's Songs of the New Life, 1869. His best known hymn is "Labouring and heavy laden" (Seeking Christ). This was "written [in 1855] for a sister who was an inquirer," was first printed in the Boston Recorder, and then included in Nason's Congregational Hymn Book, 1857. Another of his hymns is "Rest, rest, rest, brother rest." He died in 1904. [Rev. F. M. Bird, M.A.]
--John Julian, Dictionary of Hymnology (1907)
========================
Rankin, J. 33., p. 951, ii. Dr. Rankin, b. in N. H. (not New Haven), and received his D.D. 1869, LL.D. 1889 from his Alma Mater. He was President for several years of Howard University, Washington, D.C. His publications included several volumes of Sermons, German-English Lyrics, Sacred and Secular, 1897; 2nd ed. 1898, &c. In addition to his hymns noted on p. 951, ii., he has written and published mainly in sheet form many others, the most important and best-known being:—
1. God be with you till we meet again. [Benediction.] Dr. Rankin's account of this hymn, supplied to us, in common with Mr. Brownlie, for his Hymns and H. Writers of The Church Hymnary, 1899, is: "It was written as a Christian good-bye, and first sung in the First Congregational Church, of which I was minister for fifteen years. We had Gospel meetings on Sunday nights, and our music was intentionally of the popular kind. I wrote the first stanza, and sent it to two gentlemen for music. The music which seemed to me to best suit the words was written by T. G. Tomer, teacher of public schools in New Jersey, at one time on the staff of General 0. 0. Howard. After receiving the music (which was revised by Dr. J. W. Bischoff, the organist of my church), I wrote the other stanzas." The hymn became at once popular, and has been translated into several languages. In America it is in numerous collections; and in Great Britain, in The Church Hymnary, 1898, Horder's Worship Song, 1905, The Methodist Hymn Book, 1904, and others. It was left undated by Dr. Rankin, but I.D. Sankey gives it as 1882.
2. Beautiful the little hands. [Little ones for Jesus.] Given without date in Gloria Deo, New York, 1900.
Dr. Rankin's translations include versions of German, French, Latin, and Welsh hymns. His contributions to the periodical press have been numerous.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Jeremiah Eames Rankin
William G. Tomer
1833 - 1896 Person Name: W. G. Tomer Scripture: Romans 16:20 Composer of "[God be with you till we meet again]" in The Crowning Day Born: October 5, 1833, New Jersey.
Died: September 26, 1896, New Jersey.
Buried: Union Cemetery, Finesville, New Jersey.
Tomer studied singing and sang in the choir in Finesville, New Jersey, and began teaching school at age 17. He served in the Union army during the American civil war, then worked as a clerk in Washington, DC, served as music director for Grace Methodist Episcopal Church, and taught school in New Carpentersville and Greenwich, New Jersey. He was living in Greenwich as of 1880.
--www.cyberhymnal.org/
William G. Tomer
Charles Wesley
1707 - 1788 Scripture: Romans 16:16 Author of "All Praise to Our Redeeming Lord" in Church Hymnal, Mennonite Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
==================
Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
