Search Results

Text Identifier:"^as_it_fell_out_upon_one_day$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
Text

Dives and Lazarus

Meter: 8.6.8.6 Appears in 4 hymnals Hymnal Title: Calvin Hymnary Project First Line: As it fell out upon one day Lyrics: 1. As it fell out upon one day, Rich Divès made a feast, And he invited all his friends, And gentry of the best. 2. Then Lazarus laid him down and down And down at Divès’ door: Some meat and drink, brother, Diverus, Bestow upon the poor. 3. Thou’rt none of my brothers, Lazarus, That liest begging at my door; No meat, nor drink will I give thee, Nor bestow upon the poor. 4. Then Lazarus laid him down and down, All under Divès’ wall: Some meat, some drink, brother Diverus, For hunger starve I shall. 5. Thou’rt none of my brothers, Lazarus, That liest begging at my gate; No meat, no drink will I give thee, For Jesus Christ His sake. 6. Then Divès sent out his hungry dogs, To bite him as he lay; They hadn’t the power to bite one bite, But licked his sores away. 7. Then Divès sent to his merry men, To worry poor Lazarus away; They’d not the power to strike one stroke, But flung their whips away. 8. As it fell out upon one day, Poor Lazarus sickened and died; There came two angels out of Heaven, His soul therein to guide. 9. Rise up! rise up! brother Lazarus, And go along with me; For you’ve a place prepared in Heaven, To sit on an angel’s knee. 10. As it fell out upon one day, Rich Divès sickened and died; There came two serpents out of hell, His soul therein to guide. 11. Rise up! rise up! brother Diverus, And come along with me; There is a place provided in hell For wicked men like thee. 12. Then Divès looked up with his eyes And saw poor Lazarus blest; Give me one drop of water, brother Lazarus, To quench my flaming thirst. 13. O, was I now but alive again The space of one half hour! O, that I had my peace again Then the devil should have no power. Used With Tune: [As it fell out upon one day] Text Sources: Traditional English carol, possibly from Herefordshire

Tunes

tune icon
Tune authorities
Audio

[As it fell out upon one day]

Meter: 8.6.8.6 Appears in 2 hymnals Hymnal Title: Calvin Hymnary Project Used With Text: Dives and Lazarus
Audio

DILWYN

Meter: 8.6.8.6 Appears in 1 hymnal Composer and/or Arranger: Anonymous; Ralph Vaughan Williams Hymnal Title: The Cyber Hymnal Tune Key: F Major Incipit: 11555 43221 55553 Used With Text: Dives and Lazarus

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Page scanAudio

Dives and Lazarus

Hymnal: Christmas Carols New and Old #39 (1871) Hymnal Title: Christmas Carols New and Old First Line: As it fell out upon one day Tune Title: [As it fell out upon one day]
Page scan

Dives and Lazarus

Hymnal: Christmas Carols New and Old #39 (1878) Hymnal Title: Christmas Carols New and Old First Line: As it fell out upon one day Languages: English Tune Title: [As it fell out upon one day]

Dives and Lazarus

Hymnal: Oxford Book of Carols #57 (1928) Hymnal Title: Oxford Book of Carols First Line: As it fell our upon one day

People

person icon
Authors, composers, editors, etc.

Anonymous

Hymnal Title: The Cyber Hymnal Composer of "DILWYN" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Ralph Vaughan Williams

1872 - 1958 Hymnal Title: The Cyber Hymnal Arranger of "DILWYN" in The Cyber Hymnal Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman