Search Results

Text Identifier:"^brother_though_from_yonder_sky$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
Page scans

Brother, though from yonder sky

Author: Rev. James Henry Bancrosft (1819-1844) Appears in 52 hymnals Hymnal Title: Carmina for the Sunday School and Social Worship Topics: Life and Death Used With Tune: VIENNA

Tunes

tune icon
Tune authorities
Page scansAudio

VIENNA

Appears in 189 hymnals Composer and/or Arranger: Rev. William Henry Havergal (1793-1870) Hymnal Title: Carmina for the Sunday School and Social Worship Incipit: 32135 43671 27654 Used With Text: Brother, though from yonder sky
Page scansAudio

GLEBE FIELD

Appears in 41 hymnals Composer and/or Arranger: Rev. John Bacchus Dykes (1823-1876) Hymnal Title: Carmina Sanctorum Incipit: 11123 44353 45622 Used With Text: Brother, though from yonder sky
Page scansAudio

FULTON

Appears in 37 hymnals Hymnal Title: Songs for the Sanctuary Incipit: 32167 15132 32167 Used With Text: Brother, though from yonder sky

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
Text

The Christian’s Burial

Author: J. H. Bancroft Hymnal: A Book of Hymns for Public and Private Devotion (15th ed.) #405 (1866) Hymnal Title: A Book of Hymns for Public and Private Devotion (15th ed.) First Line: Brother, though from yonder sky Lyrics: Brother, though from yonder sky Cometh neither voice nor cry, Yet we know for thee to-day Every pain hath passed away. Not for thee shall tears be given, Child of God, and heir of heaven; For he gave thee sweet release; Thine the Christian’s death of peace. Well we know thy living faith Had the power to conquer death; As a living rose may bloom By the border of the tomb. Brother, in that solemn trust, We commend thy dust to dust; In that faith we wait, till, risen, Thou shalt meet us all in heaven. While we weep as Jesus wept, Thou shalt sleep as Jesus slept; Then with Jesus thou shalt rest, Crowned, and glorified, and blest. Languages: English
Page scan

Brother, though from yonder sky

Author: J. H. Bancroft Hymnal: A Book of Hymns for Public and Private Devotion. (10th ed.) #405 (1848) Hymnal Title: A Book of Hymns for Public and Private Devotion. (10th ed.) Languages: English
Page scan

Brother, though from yonder sky

Author: J. H. Bancroft Hymnal: A Choice Selection of Hymns and Spiritual Songs for the use of the Baptist Church and all lovers of song #300 (1877) Hymnal Title: A Choice Selection of Hymns and Spiritual Songs for the use of the Baptist Church and all lovers of song Languages: English

People

person icon
Authors, composers, editors, etc.

James Henry Bancroft

1819 - 1844 Person Name: Rev. James Henry Bancrosft (1819-1844) Hymnal Title: Carmina for the Sunday School and Social Worship Author of "Brother, though from yonder sky" in Carmina for the Sunday School and Social Worship Bancroft, James Henry, born at Boston, 1819, graduated at Amherst College, 1839, and Andover, 1812. Ill health prevented his ordination as a Congregational minister. He died in Boston, Aug. 25,1844. His hymn— Brother, though from yonder sky. [Burial], was written in 1842, for the funeral of Dudley Leavitt, a classmate at Andover, who died there suddenly Jan., 7, 1842. It was given in The Psalmist: a New Collection of Hymns for the Use of Baptist Churches, Boston, 1843, No. 1098, and has won considerable acceptance in America, but is unknown in England. [Rev. F. M. Bird, M. A.] -- John Julian, Dictionary of Hymnology (1907)

W. H. Havergal

1793 - 1870 Person Name: Rev. William Henry Havergal (1793-1870) Hymnal Title: Carmina for the Sunday School and Social Worship Composer of "VIENNA" in Carmina for the Sunday School and Social Worship Havergal, William Henry, M.A, son of William Havergal, was born at High Wycombe, Buckinghamshire, 1793, and was educated at St. Edmund's Hall, Oxford (B.A. 1815, M.A. 1819). On taking Holy Orders he became in 1829 Rector of Astley, Worcestershire; in 1842, Rector of St. Nicholas, Worcester; and in 1860, Rector of Shareshill, near Wolverhampton. He was also Hon. Canon in Worcester Cathedral from 1845. He died April 18, 1870. His hymns, about 100 in all, were in many instances written for special services in his own church, and printed as leaflets. Several were included in W. Carus Wilson's Book of General Psalmody, 1840 (2nd ed., 1842); and in Metrical Psalms & Hymns for Singing in Churches, Worcester, Deighton, 1849, commonly known as the Worcester Diocesan Hymn Book, and of which he was the Editor. In Life Echoes, 1883, his hymns are given with those of Miss Havergal. Of those in common use the greater part are in Mercer, and Snepp's Songs of Grace & Glory. Although his hymns are all good, and two or three are excellent, it is not as a hymnwriter but as a musician that Canon Havergal is best known. His musical works and compositions included, in addition to numerous individual hymn tunes and chants, the Gresham Prize Service, 1836; the Gresham Prize Anthem, 1845; Old Church Psalmody, 1849; History of the Old 100th Psalm tune, 1854, &c. He also reprinted Ravenscroft’s Psalter of 1611. His hymns in common use include:— 1. Blessed Jesus, lord and Brother. School Festivals, 1833. Published in Life Echoes, 1883. 2. Brighter than meridian splendour. Christ the glory of His Church. 1830. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849, &c. 3. Christians, awake to joy and praise. Christmas Carol, c. 1860. Printed on broadsheet, with music by the author, and sold on behalf of the Lancashire Cotton Distress Fund. 4. Come, Shepherds, come, 'tis just a year. Christmas Carol. 1860. Published in Snepp's Songs of Grace & Glory, 5. For ever and for ever, Lord. Missions, 1866, for the Church Mission Society. Published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 6. Hallelujah, Lord, our voices. Sunday. 1828. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 7. Heralds of the Lord of glory. Missions. First sung in Astley Church, Sep. 23, 1827. Published in Miss Havergal's Starlight through the Shadows, 1880; Snepp's Songs of Grace & Glory, 1872, &c. 8. Hosanna, raise the pealing hymn. Praise to Christ, 1833, and first sung in Astley Church, June 9, 1833. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes 1883, &c. 9. How vast the field of souls. Missions. 1858. Printed for Shareshill Church Miss. Anniversary, 1863, and published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 10. In doubt and dread dismay. Missions. Written in 1837, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849, &c. 11. Jerusalem the golden, The home of saints shall be. Heaven. Published in Life Echoes, 1883. 12. My times are in Thy hand, Their best, &c. 1860. Published in Snepp's Songs of Grace & Glory, 1872, the Records of the author's life and work, and Life Echoes, 1883. The editor of the Records says (p. 159) "this hymn has been much appreciated, and well illustrates the devotional and cheerful spirit of the writer." 13. No dawn of holy light. Sunday. 1825. Printed in 1831 on a leaflet, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 14. Our faithful God hath sent us. Harvest. Written at Shareshill in 1863, for a Harvest Festival. Published in Snepp's Songs of Grace & Glory 1872, and Life Echoes, 1883. 15. Shout, 0 earth! from silence waking. Praise to Jesus for Redemption. 1841. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. 16. So happy all the day. Christmas Carol, c. 1834. Published in Snepp's Songs of Grace & Glory, 1872. 17. Soon the trumpet of salvation. Missions. 1826. Published in Snepp's Songs of Grace & Glory, 1872. 18. To praise our Shepherd's [Saviour's] care. The Good Shepherd. Written after witnessing the death of Elizabeth Edwards, aged 12, of St. Nicholas, Worcester, and printed as a leaflet. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, &c, 1883. The author also published a Memoir of the child. 19. Widely 'midst the slumbering nations. Missions. 1828. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. In addition to these hymns, his carols, "How grand, and how bright," "Our festal morn is come," and others are annotated under their respective first lines. Most of these carols and hymns were reprinted in Christmas Carols & Sacred Songs, Chiefly by the Rev. W. H. Havergal, London, Nisbet, 1869. --John Julian, Dictionary of Hymnology (1907) ===================== Havergal, W. H., p. 498, i. Other hymns are: — 1. Lord, if judgments now are waking. Second Advent. Published in W. Carus Wilson's Book of General Psalmody, 1840; in Kennedy, 1863, &c. 2. Remember, Lord, Thy word of old displayed. Missions. "Composed for a special prayer-meeting for missionary labourers, held in the author's schoolroom, in the parish of St. Nicholas's, Worcester." (W. F. Stevenson's Hymns for Church and Home, 1873, where the original text is also given.) It must be noted that No. 17, at p. 498, ii., "Soon the trumpet of salvation," was first published in A Collection of Original Airs adapted to Hymns, &c, 1826. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

John Bacchus Dykes

1823 - 1876 Person Name: Rev. John Bacchus Dykes (1823-1876) Hymnal Title: Carmina Sanctorum, a selection of hymns and songs of praise with tunes Composer of "GLEBE FIELD" in Carmina Sanctorum, a selection of hymns and songs of praise with tunes As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman