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Dust to Dust, the Mortal Dies
Author: Anonymous Meter: 7.7.7.7 D Appears in 5 hymnals Matching Instances: 5 Lyrics: 1. Dust to dust, the mortal dies,
Both the foolish and the wise;
None forever can remain,
Each must leave his hoarded gain.
Yet within their heart they say
That their houses are for aye,
That their dwelling places grand
Shall for generations stand.
2. To their lands they give their name
In the hope of lasting fame,
But man’s honor quickly flies,
Like the lowly beast he dies.
Though such folly mark their way,
Men approve of what they say;
Death their shepherd, they the sheep,
He within his fold will keep.
3. O’er them soon shall rule the just,
All their beauty turn to dust;
God my waiting soul shall save,
He will raise me from the grave.
Let no fear disturb your peace
Though one’s house and wealth increase;
Death shall end his fleeting day,
He shall carry naught away.
4. Though in life he wealth attained,
Though the praise of men he gained,
He shall join those gone before,
Where the light shall shine no more.
Crowned with honor though he be,
Highly gifted, strong and free,
If he be not truly wise,
Man is like the beast that dies. Scripture: Psalm 49 Used With Tune: BENEVENTO Text Sources: The Psalter (Pittsburgh, Pennsylvania: The United Presbyterian Board of Publication, 1912), number 136
Dust to Dust, the Mortal Dies
Dust to Dust, the Mortal Dies
Author: Anonymous Hymnal: The Cyber Hymnal #1279 Meter: 7.7.7.7 D Lyrics: 1. Dust to dust, the mortal dies,
Both the foolish and the wise;
None forever can remain,
Each must leave his hoarded gain.
Yet within their heart they say
That their houses are for aye,
That their dwelling places grand
Shall for generations stand.
2. To their lands they give their name
In the hope of lasting fame,
But man’s honor quickly flies,
Like the lowly beast he dies.
Though such folly mark their way,
Men approve of what they say;
Death their shepherd, they the sheep,
He within his fold will keep.
3. O’er them soon shall rule the just,
All their beauty turn to dust;
God my waiting soul shall save,
He will raise me from the grave.
Let no fear disturb your peace
Though one’s house and wealth increase;
Death shall end his fleeting day,
He shall carry naught away.
4. Though in life he wealth attained,
Though the praise of men he gained,
He shall join those gone before,
Where the light shall shine no more.
Crowned with honor though he be,
Highly gifted, strong and free,
If he be not truly wise,
Man is like the beast that dies. Scripture: Psalm 49 Languages: English Tune Title: BENEVENTO
Dust to Dust, the Mortal Dies
The Issues of Life
Hymnal: The Psalter #136 (1912) Meter: 7.7.7.7 First Line: Dust to dust, the mortal dies Lyrics: 1 Dust to dust, the mortal dies,
Both the foolish and the wise;
None forever can remain,
Each must leave his hoarded gain.
Yet within their heart they say
That their houses are for aye,
That their dwelling places grand
Shall for generations stand.
2 To their lands they give their name
In the hope of lasting fame,
But man's honor quickly flies,
Like the lowly beast he dies.
Tho' such folly mark their way,
Men approve of what they say;
Death their shepherd, they the sheep
He within his fold will keep.
3 O'er them soon shall rule the just,
All their beauty turn to dust;
God my waiting soul shall save,
He will raise me from the grave.
Let no fear disturb your peace
Tho' one's house and wealth increase;
Death shall end his fleeting day,
He shall carry naught away.
4 Though in life he wealth attained,
Tho' the praise of men he gained,
He shall join those gone before,
Where the light shall shine no more.
Crowned with honor tho' he be,
Highly gifted, strong and free,
If he be not truly wise,
Man is like the beast that dies.
Topics: Christians Heirs of Heaven; Death Deprecated; Death Of the Wicked; Hell; Immortality; Man Mortal and Frail; Pride; Prosperity Without God's Blessing; Riches; Royalty of Christ Judgment the Prerogative of; Vanity Of Men and Riches Scripture: Psalm 49 Languages: English Tune Title: WATCHMAN
The Issues of Life
Dust to Dust, the Mortal Dies
Hymnal: Psalter Hymnal (Red) #97 (1934) Meter: 7.7.7.7 D Lyrics: 1 Dust to dust, the mortal dies,
Both the foolish and the wise;
None forever can remain,
Each must leave his hoarded gain.
Yet within their heart they say
That their houses are for aye,
That their dwelling places grand
Shall for generations stand.
2 To their lands they give their name
In the hope of lasting fame;
But man's honor quickly flies,
Like the lowly beast he dies.
Though such folly mark their way,
Men approve of what they say;
Death their shepherd, they the sheep,
He within his fold will keep.
3 O'er them soon shall rule the just,
All their beauty turn to dust;
God my waiting soul shall save,
He will raise me from the grave.
Let no fear disturb your peace
Though one's house and wealth increase;
Death shall end his fleeting day,
He shall carry naught away.
4 Though in life he wealth attained,
Though the praise of men he gained,
He shall join those gone before,
Where the light shall shine no more.
Crowned with honor though he be,
Highly gifted, strong and free,
If he be not truly wise,
Man is like the beast that dies. Topics: Brevity And Frailty Of Life; Death; Resurrection Of The Body; Vanity Of Riches; Wisdom Of Man Scripture: Psalm 49 Languages: English Tune Title: WATCHMAN
Dust to Dust, the Mortal Dies
Lowell Mason
1792 - 1872 Composer of "WATCHMAN (Mason)" in Psalter Hymnal (Blue) Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man.
Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit.
The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank.
In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious.
Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them."
The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging.
Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage.
Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals.
As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 19G9. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced.
Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College.
--Hall, J. H. (c1914). Biographies of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.
Lowell Mason
Anonymous
Author of "Dust to Dust, the Mortal Dies" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Samuel Webbe
1740 - 1816 Person Name: Samuel Webbe, Sr. Composer of "BENEVENTO" in The Cyber Hymnal Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinetmaker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprenticeship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818).
Bert Polman
Samuel Webbe
