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Canticle of Mary (Luke 1:46-55)
Appears in 12 hymnals Matching Instances: 12 First Line: My soul glorifies the Lord Topics: Psalter Scripture: Luke 1:46-55 Used With Tune: [My soul glorifies the Lord]
Canticle of Mary (Luke 1:46-55)
[My soul glorifies the Lord]
Appears in 6 hymnals Matching Instances: 4 Composer and/or Arranger: JG Tune Key: A Major Incipit: 13321 Used With Text: Canticle of Mary (Luke 1:46-55)
[My soul glorifies the Lord]
[My soul rejoices in my God]
Appears in 1 hymnal Matching Instances: 1 Composer and/or Arranger: DV Tune Key: C Major Incipit: 51355 Used With Text: My soul rejoices in my God
[My soul rejoices in my God]
[The Lord has done marvels for me]
Appears in 1 hymnal Matching Instances: 1 Composer and/or Arranger: A. Gregory Murray Tune Key: g minor Incipit: 13135 434 Used With Text: Canticle of Our Lady
[The Lord has done marvels for me]
Canticle of Our Lady
Author: Grail Hymnal: Catholic Book of Worship III #674 (1994) First Line: My soul glorifies the Lord Refrain First Line: The Lord has done marvels for me Topics: Covenant/Law; Humility; Mary, Mother of God; Canticles Mary; Liturgy of the Hours Canticle of Our Lady Scripture: Luke 1:47-55 Languages: English Tune Title: [The Lord has done marvels for me]
Canticle of Our Lady
Magnificat
Author: The Grail Hymnal: The Australian Hymn Book with Catholic Supplement #210a (1977) Meter: Irregular First Line: My soul glorifies the Lord Refrain First Line: The Lord has done marvels for me Tune Title: MAGNIFICAT (FERIAL TONE)
Magnificat
Magnificat
Author: The Grail Hymnal: The Australian Hymn Book with Catholic Supplement #210b (1977) Meter: Irregular First Line: My soul glorifies the Lord Refrain First Line: The Lord has done marvels for me Tune Title: MAGNIFICAT (FESTAL TONE)
Magnificat
Joseph Gelineau
1920 - 2008 Composer (Gelineau tone) of "[My soul glorifies the Lord]" in Gather Comprehensive Joseph Gelineau (1920-2008)
Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953.
The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody.
Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals.
His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California.
--www.giamusic.com
Joseph Gelineau
Robert J. Batastini
b. 1942 Author of "Canticle of Mary/Luke 1:46-55" in Gather Comprehensive Robert J. Batastini is the retired vice president and senior editor of GIA Publications, Inc., Chicago. Bob has over fifty-five years of service in pastoral music ministry, having served several parishes in the Archdiocese of Chicago and one in the Diocese of Joliet. He served as executive editor and project director for the Worship hymnals (three editions), Gather hymnals (three editions), Catholic Community Hymnal, and as executive editor of RitualSong.
In 1993 he became the first recipient of the Father Lawrence Heimann Citation for lifetime contribution to church music and liturgy in the U.S., awarded by St. Joseph's College, Rensselaer, Indiana, and was named "Pastoral Musician of the Year-2000" by the National Association of Pastoral Musicians (NPM). At its 2006 conference, he was named a Fellow of the Hymn society in the United States and Canada.
In his retirement he is active in the music ministry of St. Francis de Sales Parish, Holland, MI.
Nancy Naber, from www.giamusic.com/bios/
Robert J. Batastini
