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O come and let us sing to God
Appears in 13 hymnals Hymnal Title: Bible Songs Used With Tune: PETERSBURG
O come and let us sing to God
[O come and let us sing to God]
Appears in 6 hymnals Composer and/or Arranger: E. R. Kroeger Hymnal Title: Bible Songs Incipit: 35516 53556 62171 Used With Text: Adoration and Submission
[O come and let us sing to God]
PETERSBURG
Appears in 349 hymnals Composer and/or Arranger: Dimitri Bortnianski Hymnal Title: Bible Songs Incipit: 53451 21715 61653 Used With Text: O come and let us sing to God
PETERSBURG
O COME, LET US SING
Appears in 3 hymnals Composer and/or Arranger: W. T. Wiley Hymnal Title: Bible Songs Incipit: 55653 23123 23353 Used With Text: O come and let us sing to God
O COME, LET US SING
Adoration and Submission
Hymnal: Bible Songs #191a (1901) Hymnal Title: Bible Songs First Line: O come and let us sing to God Topics: Anger of God Righteous; Christ Glorying in; Christ The Savior; Christians Duties of; Church Unfaithful; God Adored and Exalted; God Attributes of; God Creator; God King; God Supremacy of; Gospel Invitations of ; Gospel Time of Acceptance; Heart Evil, Hard, and Stubborn; Praise A Part of Public Worship; Praise Calls to; Praise For God's Power; Praise For Works of Creation; Praise For Works of Providence; Procrastination; Retribution Inflicted; The Sabbath; Salvation Accepted Time of; Salvation Thanksgiving for; The Wicked Warned; Worship Acts of; Worship Only as God Appoints Scripture: Psalm 95 Languages: English Tune Title: [O come and let us sing to God]
Adoration and Submission
O come and let us sing to God
Hymnal: Bible Songs #191b (1901) Hymnal Title: Bible Songs Languages: English Tune Title: PETERSBURG
O come and let us sing to God
O come and let us sing to God
Hymnal: Bible Songs #130 (1891) Hymnal Title: Bible Songs Languages: English Tune Title: O COME, LET US SING
O come and let us sing to God
Ernest R. Kroeger
1862 - 1934 Person Name: E. R. Kroeger Hymnal Title: Bible Songs Composer of "[O come and let us sing to God]" in Bible Songs Born: August 10, 1862, St. Louis, Missouri.
Died: April 7, 1934, St. Louis, Missouri.
Buried: Bellefontaine Cemetery, St. Louis, Missouri.
Kroeger was a charter member of the American Guild of Organists; member the National Institute of Arts of Letters; conductor of the Amphion Male Chorus in St. Louis (1883-84); organist at the Unitarian Church of the Messiah, St. Louis (1886); director of the College of Music at Forest Park University (1887); president of the Music Teachers’ National Association (1896-97); president of the Missouri State Music Teachers’ Association (1897-99); instrumental adjudicator at the annual Kansas Jubilee (1900-03); master of programs in the Bureau of Music at the St. Louis World’s Fair, 1904; adjudicator at the Welsh Eisteddfod in Canton, Ohio (1906); and director of the music department at Washington University, St. Louis (1925-34). He also ran the Kroeger School of Music in St. Louis (1904-34).
--www.hymntime.com/tch/
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Successful American composer and teacher; born at St. Louis, Mo. He began studying violin and piano when he was five years old, and received his entire musical education in this country, principally in St. Louis, where he is located at present, and holds a prominent position as a teacher, pianist and composer. He is director of the College of Music at the Forest Park University for Women and is concert pianist of the Kroeger School of Music. Was president of the Music Teachers' National Association from 1895 to 1896, and of the Missouri State Music Teachers' Association from 1897 to 1899. Is a fellow of the American Guild of Organists and was master of programs of the Bureau of Music at the St. Louis Exposition in 1904. He has written a great many different kinds of music, and is one of a very few Americans who have published fugues. Mr. Kroeger says that some of his ideas are entirely musical, while others are attempts to illustrate poems in tones, such as his symphony, a suite, and overtures on Endymion, Thanatopis, Sardanapalus and Hiawatha. He has also published a very clever group of sonnets, on various themes; Twelve Concert Studies, which Hughes says "show the influence of Chopin upon a composer who writes with a strong German accent;" an etude, Castor and Pollux; a Romanze; and other studies. A Danse Negre and Caprice Negre resemble similar works of Gottschalk; and his Dance of the Elves is dedicated to Mme. Rive-King.
--grandemusica.net/musical-biographies
Ernest R. Kroeger
Dmitri Stepanovich Bortnianski
1751 - 1825 Person Name: Dimitri Bortnianski Hymnal Title: Bible Songs Composer of "PETERSBURG" in Bible Songs Dimitri Stepanovitch Bortniansky (1751-1825) Ukraine 1751-1825
Born in Glukhov, Ukraine, he joined the imperial choir at age 8 and studied with Galuppi, who later took the lad with him to Italy, where he studied for 10 years, becoming a composer, harpsichordist, and conductor. While in Italy he composed several operas and other instrumental music, composing more operas and music later in Russia. In 1779 he returned to Russia, where he was appointed Director to the Imperial Chapel Choir, the first as a native citizen. In 1796 he was appointed music director. With such a great instrument at his disposal, he produced many compositions, 100+ religious works, sacred concertos, cantatas, and hymns. He influenced Rachmaninoff and Tchaikovshy, the latter editing Bortniansky's sacred work, amassing 10 volumnes. He died in St. Petersburg. He was so popular in Russia that a bronze statue was erected in his honor in the Novgorod Kremlin. He composed in different musical styles, including choral works in French, Italian, Latin, German, and Church Slavonic.
John Perry
Dmitri Stepanovich Bortnianski
William B. Bradbury
1816 - 1868 Person Name: Wm. B. Bradbury Hymnal Title: Bible Songs Composer of "SALOME" in Bible Songs William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life.
John Perry
William B. Bradbury
