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Text Identifier:"^o_dios_escucha_con_bondad$"

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Oh Dios, Escucha con Bondad

Author: J. B. Cabrera Appears in 6 hymnals Matching Instances: 6 Topics: La Iglesia Used With Tune: ARLINGTON

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[Oh Dios, escucha con bondad]

Appears in 196 hymnals Matching Instances: 1 Tune Key: C Major Incipit: 51231 67165 51325 Used With Text: Oh Dios, escucha con bondad
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MARTYRDOM (AVON)

Appears in 943 hymnals Matching Instances: 1 Composer and/or Arranger: Hugh Wilson, 1764-1824 Tune Key: A Flat Major Incipit: 51651 23213 53213 Used With Text: Oh Dios, Escucha con Bondad
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ARLINGTON

Appears in 1,017 hymnals Matching Instances: 1 Composer and/or Arranger: Thomas A. Arne Tune Key: G Major or modal Incipit: 13332 11123 54332 Used With Text: Oh Dios, Escucha con Bondad

Instances

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Oh Dios, escucha con bondad

Author: J. B. Cabrera Hymnal: Himnario Adventista #437 (1962) First Line: Oh Dios, escucha con bondad la férvida oración Languages: Spanish Tune Title: [Oh Dios, escucha con bondad la férvida oración]
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Oh Dios, Escucha con Bondad

Author: J. B. Cabrera Hymnal: El Himnario #343 (1964) Topics: La Iglesia Languages: Spanish Tune Title: ARLINGTON
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Oh Dios, escucha con bondad

Author: J. B. Cabrera Hymnal: El Himnario para el uso de las Iglesias Evangelicas de Habla Espanola en Todo el Mundo #280 (1931) Languages: Spanish Tune Title: AVON

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Juan Bautista Cabrera Ivars

1837 - 1916 Person Name: J. B. Cabrera Author of "Oh Dios, Escucha con Bondad" in El Himnario Juan Bautista Cabrera Ivars was born in Benisa, Spain, April 23, 1837. He attended seminary in Valencia, studying Hebrew and Greek, and was ordained as a priest. He fled to Gibraltar in 1863 due to religious persecution where he abandoned Catholicism. He worked as a teacher and as a translator. One of the works he translated was E.H. Brown's work on the thirty-nine articles of the Anglican Church, which was his introduction to Protestantism. He was a leader of a Spanish Reformed Church in Gibraltar. He continued as a leader in this church when he returned to Spain after the government of Isabel II fell, but continued to face legal difficulties. He then organized the Spanish Reformed Episcopal Church and was consecrated as bishop in 1894. He recognized the influence of music and literature on evangelism which led him to write and translate hymns. Dianne Shapiro, from Real Academia de la Historia (https://dbe.rah.es/biografias/39825/juan-bautista-cabrera-ivars) and Himnos Cristanos (https://www.himnos-cristianos.com/biografia-juan-bautista-cabrera/) (accessed 7/30/2021)

Hugh Wilson

1766 - 1824 Person Name: Hugh Wilson, 1764-1824 Composer of "MARTYRDOM (AVON)" in Cántico Nuevo Hugh Wilson (b. Fenwick, Ayrshire, Scotland, c. 1766; d. Duntocher, Scotland, 1824) learned the shoemaker trade from his father. He also studied music and mathematics and became proficient enough in various subjects to become a part-­time teacher to the villagers. Around 1800, he moved to Pollokshaws to work in the cotton mills and later moved to Duntocher, where he became a draftsman in the local mill. He also made sundials and composed hymn tunes as a hobby. Wilson was a member of the Secession Church, which had separated from the Church of Scotland. He served as a manager and precentor in the church in Duntocher and helped found its first Sunday school. It is thought that he composed and adapted a number of psalm tunes, but only two have survived because he gave instructions shortly before his death that all his music manuscripts were to be destroyed. Bert Polman

William B. Bradbury

1816 - 1868 Person Name: Guillermo B. Bradbury Composer of "[Oh Dios, escucha con bondad la férvida oración]" in Himnario Adventista William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry