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Text Identifier:"^o_savior_where_shall_guilty_man$"

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O Saviour, where shall guilty man

Author: Caroline E. May Meter: 8.6.8.8.6 Appears in 21 hymnals Hymnal Title: The Hymnal Topics: Atonement Necessary; Christ Passion and Crucifixion; Christ Substitute; Evangelistic Services; Grace Justifying; Imputation Used With Tune: NEWCASTLE

Tunes

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NAUMANN

Appears in 58 hymnals Composer and/or Arranger: Naumann Hymnal Title: Laudes Domini Incipit: 55551 13223 42343 Used With Text: O Saviour, where shall guilty man
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ENGEDI

Meter: 8.6.8.8.6 Appears in 3 hymnals Composer and/or Arranger: S. S. Wesley Hymnal Title: The Book of Common Praise Tune Key: F Major Incipit: 12532 12171 25321 Used With Text: O Saviour, where shall guilty man
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NEWCASTLE

Meter: 8.6.8.8.6 Appears in 66 hymnals Composer and/or Arranger: H. K. Morley Hymnal Title: The Book of Common Praise Tune Key: G Major Incipit: 11772 21135 4123 Used With Text: O Saviour, where shall guilty man

Instances

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Published text-tune combinations (hymns) from specific hymnals
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O Saviour, Where Shall Guilty Man

Author: Mrs. Caroline E. May Hymnal: Church Hymnal, Mennonite #269 (1927) Meter: 8.6.8.8.6 Hymnal Title: Church Hymnal, Mennonite Scripture: Isaiah 53:5 Languages: English Tune Title: NEWCASTLE

O Saviour, Where Shall Guilty Man

Author: Mrs. Caroline E. May Hymnal: Church Hymnal, Mennonite #269 (2017) Meter: 8.6.8.8.6 Hymnal Title: Church Hymnal, Mennonite Scripture: Isaiah 53:5 Languages: English Tune Title: NEWCASTLE

O Savior, where shall guilty man

Author: Caroline E. May Hymnal: Church Hymnal, Mennonite #d404 (1940) Hymnal Title: Church Hymnal, Mennonite Languages: English

People

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Authors, composers, editors, etc.

Johann G. Naumann

1741 - 1801 Person Name: Naumann Hymnal Title: Laudes Domini Composer of "NAUMANN" in Laudes Domini Johann Gottlieb Naumann; b. near Dresden, 1741; d. Dresden, 1801 Evangelical Lutheran Hymnal, 1908 ========================== Born: April 7, 1741, Blasewitz, Dresden, Germany. Died: October 23, 1801, Dresden, Germany. Buried: Eliasfriedhof, Dresden, Germany. Naumann received his musical training in his town school, where he learned piano and organ. Later, he studied at the Kreuzschule in Dresden and was a member of the Dresden Kreuzchor. In Dresden, he learned from the organist and cantor of the Kreuzschule, Gottfried August Homilius, a student of Bach. In May 1757, he traveled to Italy with Swedish violinist Anders Wesström. Composer Giuseppe Tartini encountered Naumann in 1762 and took an interest in his work. Later that year, Naumann made his debut as an opera composer in Venice with Il Tesoro Insidiato. After his successful 1764 production of Li Creduti Spiriti, he was engaged as the second church composer at the Dresden court, on the recommendation of composer Johann Adolf Hasse. In 1777, as a result of negotiations by Swedish diplomat Count Löwenhjelm, Naumann was appointed to reform the Stockholm Hovkapell and help King Gustavus III in his opera plans. His work in Sweden led to the 1782 production of his opera Cora och Alonzo at the inauguration of the new opera house in Stockholm, and the 1786 production of Gustaf Wasa, based on an idea of the king for a Royal Swedish Opera. After a period as guest composer in Copenhagen (1785-56), he returned to Dresden, where he became Oberkapellmeister. In 1792, Naumann married Catarina von Grodtschilling, daughter of a Danish vice-admiral. His grandson was composer Ernst Naumann (1832–1910). http://www.hymntime.com/tch/bio/n/a/u/naumann_jg.htm ============================== http://en.wikipedia.org/wiki/Johann_Gottlieb_Naumann

Samuel Sebastian Wesley

1810 - 1876 Person Name: S. S. Wesley Hymnal Title: The Book of Common Praise Composer of "ENGEDI" in The Book of Common Praise Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

Henry Killick Morley

b. 1855 Person Name: H. K. Morley Hymnal Title: The Book of Common Praise Composer of "NEWCASTLE" in The Book of Common Praise