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None of Self and All of Thee
Author: Theodore Monod Meter: 8.7.8.8.7 Appears in 206 hymnals Matching Instances: 204 First Line: O the bitter shame and sorrow Topics: liturgical Confession Songs
None of Self and All of Thee
ALL OF THEE
Appears in 24 hymnals Matching Instances: 19 Incipit: 11117 12213 33323 Used With Text: O the bitter shame and sorrow
ALL OF THEE
[O the bitter shame and sorrow]
Appears in 13 hymnals Matching Instances: 12 Composer and/or Arranger: J. G. Robinson Incipit: 34235 43654 33254 Used With Text: The Altered Motto
[O the bitter shame and sorrow]
O the Bitter Shame and Sorrow
Author: Theodore Monod Hymnal: The Cyber Hymnal #4707 Meter: 8.7.8.8.7 Lyrics: 1. O the bitter shame and sorrow,
That a time could ever be,
When I let the Savior’s pity
Plead in vain, and proudly answered,
All of self, and none of Thee!
2. Yet He found me; I beheld Him
Bleeding on th’accursèd tree,
Heard Him pray, Forgive them, Father!
And my wistful heart said faintly,
Some of self, and some of Thee!
3. Day by day His tender mercy,
Healing, helping, full and free,
Sweet and strong, and ah! so patient,
Brought me lower, while I whispered,
;Less of self, and more of Thee!
4. Higher than the highest heavens,
Deeper than the deepest sea,
Lord, Thy love at last hath conquered:
Grant me now my supplication,
None of self, and all of Thee! Languages: English Tune Title: ST. JUDE
O the Bitter Shame and Sorrow
O, the bitter pain and sorrow
Author: Rev. Theo. Monod Hymnal: The Seventh-Day Adventist Hymn and Tune Book #1268 (1886) Lyrics: 1 O, the bitter pain and sorrow,
That a time could ever be,
When I proudly said to Jesus,
"All of self and none of thee!"
All of self and none of thee,
All of self and none of thee,
When I proudly said to Jesus,
"All of self and none of thee!"
2 Yet he found me; I beheld him
Bleeding on th' accursed tree;
And my wistful heart said faintly,
"Some of self and some of thee,"
Some of self and some of thee,
Some of self and some of thee,
And my wistful heart said faintly,
"Some of self and some of thee!"
3 Day by day his tender mercy,
Healing, helping, full and free,
Brought me lower, while I whispered,
"Less of self and more of thee,"
Less of self and more of thee,
Less of self and more of thee,
Brought me lower while I whispered,
"Less of self and more of thee!"
4 Higher than the highest heavens,
Deeper than the deepest sea,
Lord, thy love at last has conquered,
"None of self and all of thee,"
None of self and all of thee,
None of self and all of thee,
Lord, thy love at last has conquered,
"None of self and all of thee!" Topics: Bible Songs Invitation Scripture: Colossians 3:11 Languages: English Tune Title: "NONE OF SELF AND ALL OF THEE"
O, the bitter pain and sorrow
None of self and all of thee
Author: Theodore Monod Hymnal: Hymns for Use in Divine Worship ... Seventh-Day Adventists #d817 (1886) First Line: O the bitter shame [pain] and [of] sorrow Languages: English
None of self and all of thee
Théodore Monod
1836 - 1921 Person Name: Theo. Monod Arranger of "O, The Bitter Pain and Sorrow" in Great Songs of the Church Monod, Theodore, son of F. Monod, Pastor in the French Reformed Church, was born in Paris, Nov. 6, 1836, and educated for the ministry at Western Theological Seminary, Allegheny, Pennsylvania. He entered the ministry in 1860, and has been many years a Pastor in Paris.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Théodore Monod
Charles Vincent
1852 - 1934 Person Name: Charles J. Vincent Composer of "ST. JUDE" in The Hymnal Vincent, Charles; b. 9-19-1852, Houghton-le-Spring, Durham, d. 2-28-34, Monte Carlo; English organist. Full name Charles John Vincent, Jr.
Charles Vincent
James McGranahan
1840 - 1907 Arranger of "NONE OF SELF" in Great Songs of the Church James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior.
John Perry
James McGranahan
