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Carey Bonner

1859 - 1938 Composer of "DOUDNEY" in The Praise Book Pseudonyms: E. Rawdon Bailey, A. Bryce, Nora C. E. Byrne, R. Y. Harding, Ernest B. Leslie, Frank Ernest Newton, Edwyn Vincent, Hermann von Müller ============ Bonner, Carey, was born in Southwark, Surrey, May 1, 1859. He entered the Baptist ministry after studying at Rawdon College, and held pastorates at Sale, Manchester (1884-95) and Portland, Southampton (1895-1900). Since Sept. 1900 he has been Secretary of the Sunday School Union. He edited words and music of the Garland of New Sunday School Music (issued in parts, 1881 and 1882; complete edition 1886), and the S. S. Hymnary, 1905; and the music of the Christian Endeavour Hymnal, 1896, and the Junior Hymnal, 1906. The longer hymns contributed by him to these works include:— 1. Father, hear Thy children's voices. [S. S. Anniversary.] Written 1905 for a Sunday School Festival at Toledo, Ohio, 1905, as above, No. 362. 2. Gently a voice is pleading. [Come to Jesus.] Written 1902, first published in his Hymns for the Mission, 1902, No. 41; 1905, No. 225. 3. God of little children. [Reverence.] 1882, as above; edition 1886, No. 39. Also in School Hymns, 1891, and Junior Hymnal, 1906. 4. In hope, and love, and steadfast faith. [For Conventions.] Written 1896; first published 1896, as above, No. 369. 5. Now when from one another parting. [Parting Hymn.] Written 1896; 1896, as above, No. 383. 6. We join our hearts and voices. [The Children’s Friend,] 1882, as above; edition 1886, No. 25. Also in School Hymns, 1891, No. 388. See also under "Alleluia dulce carmen," p. 1602, i. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907) =====================

Anonymous

Person Name: Unknown Author of "The Christian's Rest" in Waves of Melody In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

John Stainer

1840 - 1901 Composer of "VALE, VALE" in The Day School Hymn Book

Ira David Sankey

1840 - 1908 Composer of "[Sleep on, belovèd, sleep, and take thy rest]" in The Cyber Hymnal Sankey, Ira David, was born in Edinburgh, Pennsylvania, in 1840, of Methodist parents. About 1856 he removed with his parents to New Castle, Pennsylvania, where he became a member of the Methodist Episcopal Church. Four years afterwards he became the Superintendent of a large Sunday School in which he commenced his career of singing sacred songs and solos. Mr. Moody met with him and heard him sing at the International Convention of the Young Men's Christian Association, at Indianapolis, and through Mr. Moody's persuasion he joined him in his work at Chicago. After some two or three years' work in Chicago, they sailed for England on June 7, 1872, and held their first meeting at York a short time afterwards, only eight persons being present. Their subsequent work in Great Britain and America is well known. Mr. Sankey's special duty was the singing of sacred songs and solos at religious gatherings, a practice which was in use in America for some time before he adopted it. His volume of Sacred Songs and Solos is a compilation from various sources, mainly American and mostly in use before. Although known as Sankey and Moody’s Songs, only one song, "Home at last, thy labour done" is by Mr. Sankey, and not one is by Mr. Moody. Mr. Sankey supplied several of the melodies. The English edition of the Sacred Songs & Solos has had an enormous sale; and the work as a whole is very popular for Home Mission services. The Songs have been translated into several languages. --John Julian, Dictionary of Hymnology (1907) Pseudonymns: Harry S. Lower Rian A. Dykes ==================== Sankey, I. D., p. 994, i. During the past fifteen years Mr. Sankey's Sacred Songs and Solos have had a very large sale, which has justified him in increasing the number of songs and hymns, including " New Hymns and Solos," to 1200. In 1906 he published My Life and Sacred Songs (London : Morgan & Scott). In addition to the "Story of his Own Life," the work contains an account of the most popular of his solos, with interesting reminiscences of the spiritual awakening of many who were influenced through his singing of them in public. In this respect it corresponds in some measure with G. J. Stevenson's Methodist Hymn Book, &c, 1883 (p. 1094, i.). It is an addition to the Sacred Songs and Solos, which will be held in esteem by many. In addition to his hymn, noted on p. 994, ii., Mr. Sankey gives details of the following:— 1. Out of the shadow-land into the sunshine. [Heaven Anticipated.] Mr. Sankey's account of this hymn is:— "I wrote this hymn specially for the memorial service held for Mr. Moody in Carnegie Hall, where 1 also sang it as a solo. It is the last sacred song of which I wrote both the words and music. The idea was suggested by Mr. Moody's last words, 'Earth recedes; heaven opens before me . . . God is calling me, and I must go.' On account of its peculiar association with my fellow-labourer in the Gospel for so many years, the words are here given in full." The hymn follows on p. 185, in 3 stanzas of 4 lines and a chorus. 2. Rejoice! Rejoice! our King is coming, [Advent.] Mr. Sankey writes concerning this hymn:— "During one of my trips to Great Britain on the SS. City of Rome a storm raged on the sea. The wind was howling through the rigging, and waves like mountains of foam were breaking over the bow of the vessel. A great fear had fallen upon the passengers. When the storm was at its worst, we all thought we might soon go to the bottom of the sea. The conviction came to me that the Lord would be with us iu the trying hour, and sitting down in the reading room, I composed this hymn. Before reaching England the tune had formed itself in my mind, and on arriving in London I wrote it out, and had it published in Sacred Songs and Solos, where it is No. 524 in the edition. of 1888. From Mr. Sankey's autobiographical sketch we gather that he was born at Edinburgh, in Western Pennsylvania, Aug. 28, 1840, joined Mr. Moody in 1871, and visited England for the first time in 1873. The original of the Sacred Songs, &c, of 23 pieces only, was offered as a gift to the London publishers of P. Phillips's Hallowed Song, and declined by them. It was subsequently accepted by Mr. K. O. Morgan, of Morgan & Scott, and is now a volume of 1200 hymns. From a return kindly sent us by Messrs. Morgan & Scott, we find that the various issues of the Sacred Songs and Solos were:— In 1873, 24 pp.; 1874, 72 pp. ; 1876, 153 hymns; 1877, 271 hymns; 1881, 441 hymns; 1888, 750 hymns; 1903, 1200 hymns. In addition, The Christian Choir, which is generally associated with the Sacred Songs and Solos, was issued in 1884 with 75 hymns, and in 1896 with 281. The New Hymns & Solos, by the same firm, were published in 1888. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Joseph Barnby

1838 - 1896 Person Name: Joseph Barnby, 1838-1896 Composer of "THE BLESSED REST" in The Book of Praise Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

Sarah Doudney

1841 - 1926 Author of "The Christian's Good-Night" in Hallowed Hymns, New and Old Doudney, Sarah, daughter of Mr. George E. Doudney, of Cosham, Hants, was born near Portsmouth, but removed into a remote village in Hampshire at an early age. Her first efforts in literature were made when she was quite young, her poem, "The Lessons of the Water-Mill," a popular song, especially in America, having been written when she was only fifteen. Known mainly to the reading public through her stories, A Woman's Glory, Stepping Stones, and others, and through her contributions to the Sunday Magazine, Good Words, and other serials, her works, including fiction, and sacred and secular poems, have been widely read and appreciated. Her sacred poems are the least numerous of her writings. Some of these, as, "The Master hath come, and He calls us to follow," and "Saviour, now the day is ending," for use at the close of Evening Service, and of more than usual merit, create the desire for more of a like kind. Greater use, however, may be made of what she has written than has been done. By being buried in magazine literature, her hymns are somewhat difficult to trace. Her Psalms of Life was published by Houlston in 1871. In the Sunday School Union Songs of Gladness, 1871, the following were given;— 1. He hath gone into His garden. The Vineyard of the Lord. 2. In Thy holy garden ground. The Vineyard of the Lord. 3. Land of peace, and love, and brightness. Heaven. 4. Saviour, now the day is ending. Sunday Evening. 5. The Master hath come, and He calls us to follow. Jesus and Mary of Bethany. 6. We praise our Lord to-day. Sunday. 7. We sing a loving Jesus. Praise of Jesus. Of these, Nos. 1, 2, 3, are in her Psalms of Life, 1871, and all have passed from the Songs of Gladness into other collections. Her:— 8. Room for the wanderer, room. Christ's Invitation. is in W. B. Stevenson's School Hymnal, 1880. -- John Julian, Dictionary of Hymnology (1907) ================== Doudney, Sarah, p. 307, i. Other hymns in common use:— 1. For all Thy care we bless Thee. Morning. 2. Lord of the golden harvest. Harvest. 3. Now the solemn shadows darken. Evening. Nos. 1, 2, are from Miss Doudney's Psalms of Life, 1871, and No. 3 is in Mrs. Brock's Children's Hymn Book, 1881. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Josiah Booth

1852 - 1930 Composer of "LULWORTH" in The Home and School Hymnal Josiah Booth (27 March 1852 – 29 December 1929) was an English organist and composer, known chiefly for his hymn-tunes. See also in: Wikipedia

George E. Lee

1846 - 1875 Person Name: Geo. E. Lee Composer of "[Sleep on, beloved, sleep, and take thy rest]" in The Golden Sheaf No. 2 Lee, George E. (? July, 1846--January 11, 1875, Biddeford, Maine). Advent Christian. His frequent contributions to the Adventist papers were well received. He was a piano tuner, and his legacy of Adventist hymns is rich. Took his own life. --Moses C. Crouse, DNAH Archives

Myles Birket Foster

1851 - 1922 Person Name: Myles B. Foster Composer of "SLEEP ON" in The Home and School Hymnal Born: November 29, 1851, London, England. Died: December 18, 1922, London, England. Son of an artist, Foster attended Brighton and Guildford Grammar School and entered the stock exchange. He subsequently enrolled at the Royal Academy of Music and played the organ at St. James Church, Marylebone, and St. George’s, Campden Hill. From 1880-92 he was organist at the Foundling Hospital and at Her Majesty’s Theatre, and was choirmaster of St. James, Holborn. He composed children’s cantatas and much church music. His works include: Methodist Free Church Hymns, 1889 (co-editor) Anthems and Anthem Composers (London: Novello and Company, 1901) History of the Philharmonic Society (London: 1913) --www.hymntime.com/tch/