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Voces de gozo y de loor

Author: Anónimo Appears in 5 hymnals Hymnal Title: El Himnario Topics: Resurrección; Resurrection Scripture: 1 Peter 1:3 Used With Tune: LASST UNS ERFREUEN

Appears in 480 hymnals Composer and/or Arranger: Ralph Vaughan Williams Hymnal Title: El Himnario Tune Sources: Geistliche Kirchengesang Tune Key: D Major Incipit: 11231 34511 23134 Used With Text: Voces de gozo y de loor

Instances

Published text-tune combinations (hymns) from specific hymnals

Voces de gozo y de loor

Author: Anónimo Hymnal: El Himnario #155 (1998) Hymnal Title: El Himnario Topics: Resurrección; Resurrection Scripture: 1 Peter 1:3 Languages: Spanish Tune Title: LASST UNS ERFREUEN

Voces de gozo y de loor

Author: Anónimo Hymnal: El Himnario Presbiteriano #155 (1999) Hymnal Title: El Himnario Presbiteriano Lyrics: 1 ¡Voces de gozo y de loor, canten el triunfo del Señor! ¡Aleluya! ¡Aleluya! Resucitó Cristo Jesús. ¡La sombra huyó, brilló la luz! ¡Gloria a Cristo que ha triunfado sobre muerte y pecado! ¡Aleluya! 2 ¡Cristo a vencido! ¡Cristo es Rey! clame con júbilo su grey: ¡Aleluya! ¡Aleluya! ya de la muerte el aguijón huyó por su resurrección. ¡Gloria a Cristo que ha triunfado sobre muerte y pecado! ¡Aleluya! 3 Su sacrificio y santidad ganaron nuestra libertad. ¡Aleluya! ¡Aleluya! Nuestra confianza en Él esté; ya no es en vana nuestra fe. ¡Gloria a Cristo que ha triunfado sobre muerte y pecado! ¡Aleluya! 4 ¡Cantad victoria, alzad la voz! ¡load a Cristo nuestro Dios! ¡Aleluya! ¡Aleluya! Ha demostrado su poder; on Él podemos ya vencer. ¡Gloria a Cristo que ha triunfado sobre muerte y pecado! ¡Aleluya! Topics: Resurrección Scripture: 1 Peter 1:3 Languages: Spanish Tune Title: LASST UNS ERFREUEN

Voces de Gozo y de Loor

Hymnal: Himnario Metodista #338 (1973) Hymnal Title: Himnario Metodista First Line: ¡Voces de gozo y de loor Languages: Spanish Tune Title: LASST UNS ERFREUEN

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People

Authors, composers, editors, etc.

Anonymous

Person Name: Anónimo Hymnal Title: El Himnario Author of "Voces de gozo y de loor" in El Himnario In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Ralph Vaughan Williams

1872 - 1958 Person Name: Ralph Williams Hymnal Title: Himnos de la Iglesia Arranger of "LASST UNS ERFREUEN" in Himnos de la Iglesia Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman