Search Results

Text Identifier:"^what_cheering_words_are_these$"

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities
TextPage scans

What Cheering Words Are These

Author: John Kent Meter: 6.6.8.6 Appears in 145 hymnals Matching Instances: 145 First Line: What cheering words are these! Lyrics: 1 What cheering words are these! Their sweetness who can tell? In time and to eternal days, "’Tis with the righteous well." 2 In ev'ry state secure Kept by Jehovah’s eye, ’Tis well with them while life endure, And well when called to die. 3 ’Tis well when joys arise; ’Tis well when sorrows flow; ’Tis well when darkness veils the skies, And strong temptations blow. 4 ’Tis well when on the mount They feast on dying Love: And ’tis as well in God’s account, When they the furnace prove. 5 'Tis well when Jesus calls, "From earth and sin arise, Join with the hosts of ransomed souls, Made to salvation wise." Topics: Care and Guidance Used With Tune: HOLBORN

Tunes

tune icon
Tune authorities
Page scansAudio

HOLBORN

Meter: 6.6.8.6 Appears in 83 hymnals Matching Instances: 4 Tune Sources: St. Alban's Tune Book Incipit: 53321 21345 36422 Used With Text: What Cheering Words are These
Page scansAudio

BRADEN

Appears in 37 hymnals Matching Instances: 2 Composer and/or Arranger: William B. Bradbury Incipit: 53156 71544 31253 Used With Text: What cheering words are these
Page scansAudio

ST. THOMAS

Appears in 974 hymnals Matching Instances: 1 Composer and/or Arranger: William Tansur Tune Key: G Major or modal Incipit: 51132 12345 43432 Used With Text: What cheering words are these!

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
TextAudio

What Cheeering Words Are These!

Author: John Kent Hymnal: The Cyber Hymnal #7268 Meter: 6.6.6.6.8.6 First Line: What cheering words are these Lyrics: 1. What cheering words are these! Their sweetness who can tell? In time and to eternity, ’Tis with the righteous well; In time and to eternity, ’Tis with the righteous well. 2. In every state secure, Kept by Jehovah’s eye, ’Tis well with them while life endures, And well when called to die; ’Tis well with them while life endures, And well when called to die. 3. ’Tis well when joys arise, ’Tis well when sorrows bow, ’Tis well when darkness veils the skies, And strong temptations blow; ’Tis well when darkness veils the skies, And strong temptations blow. 4. ’Tis well when on the mount They feast on dying love, And ’tis as well in God’s account, When they the furnace prove; And ’tis as well in God’s account, When they the furnace prove. Languages: English Tune Title: WRENTHAM
Page scan

What cheering words are these

Author: John Kent, 1766-1843 Hymnal: Offices of Worship and Hymns #1349 (1891)
Page scan

What cheering words are these

Author: John Kent Hymnal: The Liturgy and the Offices of Worship and Hymns of the American Province of the Unitas Fratrum, or the Moravian Church #1349 (1908)

People

person icon
Authors, composers, editors, etc.

John Kent

1766 - 1843 Author of "What Cheering Words Are These" in Lutherförbundets Sångbok Kent, John, was born at Bideford, Devonshire, Dec. 1766, and died Nov. 15, 1843. As a working shipwright his opportunities for acquiring the education and polish necessary for the production of refined verse were naturally limited. His hymns are strongly worded, very earnest and simple, and intensely Calvinistic. A few were published in Samuel Reece's Collection, 1799. The first edition of his Collection of Original Gospel Hymns, was published in 1803, and the 10th edition, with "The Author's Experience," in verse, 264 hymns, 15 longer pieces, and a Life by his Son in 1861. The Calvinistic teaching so prominent in his hymns has restricted their use to a limited number of collections. The greatest use made of them in modern hymnbooks has been by Mr. Spurgeon (Our Own Hymn Book, 1866) and Mr. Snepp (Songs of Grace & Glory, 1872). In the following list the dates in brackets indicate the dates of publication:— 1. Before the Almighty began (1841). Election. 2. Betroth'd in love, ere time began (1803). Election. 3. Christ exalted is our song (1803). Christ the sin tier's Surety. 4. Come saints, and sing in sweet accord (1803). Stability of the Covenant. 5. Hark, how the blood-bought host above (1803). Election. 6. How sweet the notes of yonder choir (1841). Christmas. 7. In types and shadows we are told (1803). Pardon. 8. Indulgent God, how kind (1803). Electing Love. 9. Let Zion in her songs record (1803). Pardon--Grace exalted. 10. Love was the great self-moving cause (1803). Free Grace. 11. Precious is the Name of Jesus (1841). The Precious Name. 12. Salvation by grace, how charming the song (1803). Free Grace. 13. Saved from the damning power of sin (1803). Eternal Love. 14. Sons of God, in tribulation (1803). Affliction. 15. Sons of peace, redeemed by blood (1803). Good Friday. 16. Sovereign grace o'er sin abounding (1827). Perseverance of the faint. 17. 'Tis the Church triumphant singing (1803). Praise. 18. 'Twas not to make Jehovah's love (1803). Election. 19. 'Twas with an everlasting love (1803). Election. 20. What cheering words are these (1803). Safety in God. 21. With David's Lord, and ours (1803). The Divine Covenant. -- John Julian, Dictionary of Hymnology (1907)

William B. Bradbury

1816 - 1868 Composer of "BRADEN" in Hymns, Psalms and Gospel Songs William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

I. B. Woodbury

1819 - 1858 Person Name: Isaac B. Woodbury Composer of "LAKE ENON" in Book of Worship with Hymns and Tunes Woodbury, Isaac Baker. (Beverly, Massachusetts, October 23, 1819--October 26, 1858, Columbia, South Carolina). Music editor. As a boy, he studied music in nearby Boston, then spent his nineteenth year in further study in London and Paris. He taught for six years in Boston, traveling throughout New England with the Bay State Glee Club. He later lived at Bellow Falls, Vermont, where he organized the New Hampshire and Vermont Musical Association. In 1849 he settled in New York City where he directed the music at the Rutgers Street Church until ill-health caused him to resign in 1851. He became editor of the New York Musical Review and made another trip to Europe in 1852 to collect material for the magazine. in the fall of 1858 his health broke down from overwork and he went south hoping to regain his strength, but died three days after reaching Columbia, South Carolina. He published a number of tune-books, of which the Dulcimer, of New York Collection of Sacred Music, went through a number of editions. His Elements of Musical Composition, 1844, was later issued as the Self-instructor in Musical Composition. He also assisted in the compilation of the Methodist Hymn Book of 1857. --Leonard Ellinwood, DNAH Archives