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Text Identifier:"^ye_righteous_in_the_lord_rejoice_it_well$"

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You Righteous, in the Lord Rejoice

Meter: 8.8.6 D Appears in 3 hymnals Matching Instances: 3 Lyrics: 1 You righteous, in the Lord rejoice; it well becomes the good man's voice to sing Jehovah's praise. With harp and hymn of gladness sing, your gift of sweetest music bring, to him a new song raise. 2 For upright is Jehovah's word; and all the doings of the Lord in faithfulness are wrought. In justice and in judgment right the Lord does ever take delight; with goodness earth is fraught. 3 Jehovah's word the heav'ns has made, and all the host of them arrayed his breath has caused to be. He rolls the waters heap on heap; he stores away the mighty deep in garners of the sea. 4 Let all the earth Jehovah fear, let all that dwell both far and near in awe before him stand; for, lo, he spoke and it was done, and all, with sovereign pow'r begun, stood fast at his command. 5 He makes the nations' counsels vain, the plans the peoples would maintain are thwarted by his hand. Jehovah's counsel stands secure, his purposes of heart endure, forevermore they stand. 6 O truly is the nation blessed whose God, before the world confessed, Jehovah is alone; and blessed the people are whom he has made his heritage to be, and chosen for his own. Topics: God His Power; Church Covenant People; Fear of God; God Incomprehensibility of; God Praise of; God Sovereignty of ; The Nation Scripture: Psalm 33:1-12 Used With Tune: OLD 113TH Text Sources: compiled from several sources; mod.

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OLD 113TH

Meter: 8.8.6 D Appears in 101 hymnals Matching Instances: 1 Composer and/or Arranger: V. Earle Copes Tune Sources: Matthäus Greiter's Strassburger Kirchenamt, 1525; arr alt. 1990 Tune Key: D Major Incipit: 11231 34554 32134 Used With Text: You Righteous, in the Lord Rejoice
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FRANCES

Meter: 8.8.6 D Appears in 25 hymnals Matching Instances: 1 Composer and/or Arranger: James McGranahan, 1840-1907 Tune Key: A Major Incipit: 51215 34513 43567 Used With Text: Ye righteous, in the Lord rejoice

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You Righteous, in the Lord Rejoice

Hymnal: Trinity Hymnal (Rev. ed.) #43 (1990) Meter: 8.8.6 D Lyrics: 1 You righteous, in the Lord rejoice; it well becomes the good man's voice to sing Jehovah's praise. With harp and hymn of gladness sing, your gift of sweetest music bring, to him a new song raise. 2 For upright is Jehovah's word; and all the doings of the Lord in faithfulness are wrought. In justice and in judgment right the Lord does ever take delight; with goodness earth is fraught. 3 Jehovah's word the heav'ns has made, and all the host of them arrayed his breath has caused to be. He rolls the waters heap on heap; he stores away the mighty deep in garners of the sea. 4 Let all the earth Jehovah fear, let all that dwell both far and near in awe before him stand; for, lo, he spoke and it was done, and all, with sovereign pow'r begun, stood fast at his command. 5 He makes the nations' counsels vain, the plans the peoples would maintain are thwarted by his hand. Jehovah's counsel stands secure, his purposes of heart endure, forevermore they stand. 6 O truly is the nation blessed whose God, before the world confessed, Jehovah is alone; and blessed the people are whom he has made his heritage to be, and chosen for his own. Topics: God His Power; Church Covenant People; Fear of God; God Incomprehensibility of; God Praise of; God Sovereignty of ; The Nation Scripture: Psalm 33:1-12 Languages: English Tune Title: OLD 113TH
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Ye righteous, in the Lord rejoice

Hymnal: Trinity Hymnal #40 (1961) Meter: 8.8.6 D Lyrics: 1 Ye righteous, in the Lord rejoice; It well becomes the good man's voice To sing Jehovah's praise. With harp and hymn of gladness sing, Your gift of sweetest music bring, To him a new song raise. 2 For upright is Jehovah's word; And all the doings of the Lord In faithfulness are wrought. In justice and in judgment right The Lord doth ever take delight; With goodness earth is fraught. 3 Jehovah's word the heav'ns hath made, And all the host of them arrayed His breath has caused to be. He rolls the waters heap on heap; He stores away the mighty deep In garners of the sea. 4 Let all the earth Jehovah fear, Let all that dwell both far and near In awe before him stand; For, lo, he spake and it was done, And all, his sovereign pow'r begun, Stood fast at his command. 5 He makes the nations' counsels vain, The plans the peoples would maintain Are thwarted by his hand. Jehovah's counsel stands secure, His purposes of heart endure, For evermore they stand. 6 O truly is the nation blessed Whose God, before the world confessed, Jehovah is alone; And blessed the people is whom he Has made his heritage to be, And chosen for his own. Amen. Topics: The Church Covenant People; Fear of God; God Divine Perfections of; God Glory of; God Incomprehensibility of; God Power of; God Praise of; God Sovereignty of ; National Scripture: Psalm 33:1-12 Languages: English Tune Title: FRANCES

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V. Earle Copes

1921 - 2014 Arranger of "OLD 113TH" in Trinity Hymnal (Rev. ed.)

James McGranahan

1840 - 1907 Person Name: James McGranahan, 1840-1907 Composer of "FRANCES" in Trinity Hymnal James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior. John Perry