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Alleluia! Alleluia!
Author: Christopher Wordsworth Meter: 8.7.8.7 D Appears in 218 hymnals Hymnal Title: Calvin Hymnary Project First Line: Alleluia! alleluia! Hearts and voices heavenward raise
Alleluia! Alleluia!
ANTILUTRON
Appears in 7 hymnals Hymnal Title: Great Songs of the Church (Revised) Tune Sources: Würzburg, 1705 Tune Key: G Major Incipit: 51712 32175 17123 Used With Text: Alleluia! Alleluia! Hearts to Heaven
ANTILUTRON
[Alleluia! Alleluia! hearts and voices heavenward raise]
Appears in 28 hymnals Composer and/or Arranger: Joseph Barnby Hymnal Title: Hymn Tunes Incipit: 55653 13211 23542 Used With Text: Alleluia! Alleluia! hearts and voices heavenward raise
[Alleluia! Alleluia! hearts and voices heavenward raise]
Alleluia! Alleluia!
Hymnal: A Church hymnal #300 (1870) Hymnal Title: A Church hymnal
Alleluia! Alleluia!
Alleluia, Alleluia, hearts to heaven and voices raise
Hymnal: A Church of England Hymn Book #178 (1880) Meter: 8.7.8.7 D Hymnal Title: A Church of England Hymn Book Languages: English
Alleluia, Alleluia, hearts to heaven and voices raise
Alleluia! Alleluia! Hearts to heaven and voices raise
Author: Christopher Wordsworth (1807-1885) Hymnal: Ancient and Modern #194 (2013) Meter: 8.7.8.7 D Hymnal Title: Ancient and Modern Lyrics: 1 Alleluia! Alleluia!
Hearts to heaven and voices raise;
sing to God a hymn of gladness,
sing to God a hymn of praise:
he who on the cross a victim
for the world's salvation bled,
Jesus Christ, the King of glory,
now is risen from the dead.
2 Christ is risen, Christ the first-fruits
of the holy harvest field,
which will all its full abundance
at his second coming yield;
then the golden ears of harvest
will their heads before him wave,
ripened by his glorious sunshine,
from the furrows of the grave.
3 Christ is risen, we are risen;
shed upon us heavenly grace,
rain, and dew, and gleams of glory
from the brightness of thy face;
that we, with our hearts in heaven,
here on earth may fruitful be,
and by angel-hands be gathered,
and be ever, Lord, with thee.
4 Alleluia! Alleluia!
Glory be to God on high;
Alleluia to the Saviour,
who has gained the victory;
Alleluia to the Spirit,
fount of love and sanctity;
Alleluia! Alleluia!
to the Triune Majesty. Topics: Church Year Easter; Easter; Future hope; Jesus Names and images for; Other Saints and Festivals Mary Magdalene; Praise; The Fourth Sunday of Easter Year C; The Second Sunday of Easter Year A; The Third Sunday of Easter Year B Scripture: John 15:1-8 Languages: English Tune Title: LUX EOI
Alleluia! Alleluia! Hearts to heaven and voices raise
Donald S. Marsh
1923 - 2010 Person Name: Don Marsh Hymnal Title: Baptist Hymnal 2008 Arranger (1st st. setting) of "HYMN TO JOY" in Baptist Hymnal 2008 Donald Stuart Marsh USA 1923-2010. Born at Akron, OH, he spent his early years in Singapore and Sumatra, Indonesia, where his father was an accountant for rubber plantations. He attended Western Maryland College, Westminster, MD (now McDaniel College). He then attended the U of Houston, TX, and received Masters degrees in music, art, and drama. For 17 years he was involved with theatre, concert, and TV work in NYC as actor, choreographer, teacher, and pianist. For three decades he served at the First Presbyterian Church of Port Jervis (FPCPJ), along with pastor, Richard K Avery, his friend and partner for 50 years. As an ordained elder, he directed 75+ plays and musicals, and conducted three choirs. With pastor Avery, the two wrote and published 150+ songs. They formed Proclamation Productions to publish their works. Later, Hope Publishing handled their sales. Don spent his retirement years at Santa Fe, NM, with his friend, Avery. He died at Santa Fe, never having married. His record is staggering. He directed two full productions each year; created the church’s High Tea concerts; and for years, wrote a new musical to be performed at the annual Thanksgiving weekend Holiday Fair. All this in addition to directing the choirs for Sunday services. He was head of the ‘Presby Players’ there, and is believed to be the longest-running director of a church arts group in America. Proclamation Publications collections of works include: ‘Hymns Hot and Carols Cool’ (1967); ‘More, More, More’ (1970); ‘Songs For the Search’ (1970; ‘Alive and Singing’ (1971); ‘Songs For Easter People’ (1972); three volumes of ‘Hymns and Carols’ (1974-1979); and ‘Songs For Special Occasions’ (1980).
John Perry
Donald S. Marsh
Henry Thomas Smart
1813 - 1879 Person Name: Henry Smart (1812-1879) Hymnal Title: Carmina Sanctorum, a selection of hymns and songs of praise with tunes Composer of "BETHABARA" in Carmina Sanctorum, a selection of hymns and songs of praise with tunes Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known).
Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporizations and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for important places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861).
Bert Polman
Henry Thomas Smart
John Bacchus Dykes
1823 - 1876 Person Name: Rev. John B. Dykes Hymnal Title: Christian Song Composer of "SANCTUARY" in Christian Song As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
