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Ludwig van Beethoven

1770 - 1827 Person Name: Ludwin von Beethoven Composer of "GORTON" in The Otterbein Hymnal A giant in the history of music, Ludwig van Beethoven (b. Bonn, Germany, 1770; d. Vienna, Austria, 1827) progressed from early musical promise to worldwide, lasting fame. By the age of fourteen he was an accomplished viola and organ player, but he became famous primarily because of his compositions, including nine symphonies, eleven overtures, thirty piano sonatas, sixteen string quartets, the Mass in C, and the Missa Solemnis. He wrote no music for congregational use, but various arrangers adapted some of his musical themes as hymn tunes; the most famous of these is ODE TO JOY from the Ninth Symphony. Although it would appear that the great calamity of Beethoven's life was his loss of hearing, which turned to total deafness during the last decade of his life, he composed his greatest works during this period. Bert Polman

Grace W. Hinsdale

1833 - 1902 Person Name: Mrs. Grace Webster Hinsdale Author of "Are there no wounds for me?" in The Otterbein Hymnal Hinsdale, Grace Webster, née Haddock, a Congregationalism daughter married to Theodore Hinsdale, a lawyer of New York, in 1850. Mrs. Hinsdale is a contributor to the periodical press, and has published Coming to the King, a Book of Daily Devotion for Children, 1865; republished in England as Daily Devotions for Children, 1867. Her hymns include :— i. From Coming to the King, 1865. 1. A light streams downward from the sky. Heaven. 2. My soul complete in Jesus stands (1855). Safety in Jesus. ii. From Schaff’s Christ in Song, N.Y., 1869. 3. Are there no wounds for me? Passiontide. Written April, 1868. 4. Jesus, the rays divine. Jesus ever present. Written July, 1868. 5. There was no angel 'midst the throng. Jesus, the Deliverer; or, Redemption. Written April, 1868. The hymn, "Jesus, Thou art my Lord, my God,” in the 1874 Supplement to the New Congregational Hymn Book, is composed of st. viii.-x., xv.-xvii., slightly altered, of this hymn. 6. Thou stand'st between the earth and heave. Virgin and Child. This poem was "written after viewing Raphael's Madonna di San Sisto, in the Royal Gallery of Dresden, Aug., 1867." (Christ in Song.) It is not suited for congregational use. Her pen name is "Farin." -- John Julian, Dictionary of Hymnology

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