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Behold, What Manner of Love
Author: Patricia Van Tine Appears in 7 hymnals First Line: Behold, what manner of love the Father has given unto us (Van Tine)
Behold, What Manner of Love
What Manner of Love
Appears in 7 hymnals First Line: Behold what manner of love, Behold, what manner of love
What Manner of Love
Behold, What Manner of Love
Author: Eden Reeder Latta Appears in 5 hymnals First Line: Behold, what manner of love, the father hath bestowed (Latta)
Behold, What Manner of Love
MANNER OF LOVE
Meter: Irregular Appears in 8 hymnals Composer and/or Arranger: Patricia Van Tine Tune Key: E Flat Major Incipit: 53332 14443 23334 Used With Text: Behold, What Manner of Love
MANNER OF LOVE
"BEHOLD, WHAT MANNER OF LOVE"
Appears in 3 hymnals Composer and/or Arranger: William B. Bradbury Tune Key: D Major Incipit: 55553 45666 61765 Used With Text: Behold, what manner of love
"BEHOLD, WHAT MANNER OF LOVE"
[Behold, behold, what manner of love]
Appears in 1 hymnal Composer and/or Arranger: D. O. Teasley Tune Key: C Major Incipit: 51113 45655 22257 Used With Text: What Manner of Love
[Behold, behold, what manner of love]
What Manner of Love
Hymnal: Salvation Echoes #157 (1900) First Line: Behold, behold, what manner of love Scripture: 1 John 3:1 Languages: English Tune Title: [Behold, behold, what manner of love]
What Manner of Love
Behold, what manner of love
Hymnal: The Seventh-Day Adventist Hymn and Tune Book #1403 (1886) Lyrics: 1 Behold, what manner of love,
Behold, what manner of love the Father hath bestowed upon us,
that we should be called the sons of God.
Behold what manner of love the Father hath bestowed upon us
That we should be called the sons of God.
Therefore the world knoweth us not, because it knew him not,
it knew him not, it knew him not.
Beloved, now are we the sons of God, the sons of God.
And it doth not yet appear what we shall be, but we know, that when he shall appear, we know, that when he shall appear, we shall be like him, we shall be like him, for we shall see him as he is, we shall see him as he is,
we shall be like him, we shall be like him, for we shall see him as he is, shall see him as he is, we shall be like him, we shall be like him, for we shall see him as he is. Topics: Bible Songs Special Selections Tune Title: "BEHOLD, WHAT MANNER OF LOVE"
Behold, what manner of love
Behold, what manner of love - Motet
Hymnal: New Hymn and Tune Book #A36 (1889) First Line: Behold what manner of love Scripture: 1 John 3:1-3 Languages: English Tune Title: [Behold what manner of love]
Behold, what manner of love - Motet
William B. Bradbury
1816 - 1868 Person Name: W. B. Bradbury Composer of "[Behold, what manner of love]" in Popular Hymns Number 2 William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life.
John Perry
William B. Bradbury
James R. Murray
1841 - 1905 Person Name: J. R. M. Composer of "[Behold what manner of love]" in Royal Gems L.P.M. (1905, April 12). Obituary. New Church Messenger, p.209.
Murray.--At Cincinnati, March 10, 1905, James Ramsey Murray. Funeral services in the Church of the New Jersualem, March 13th.
James R. Murray was widely known in the musical world as the author of many songs and song books, and in the New Church in Chicago and Cincinnati as an affectionate, intelligent, and loyal New Churchman.
He was born in Andover (Ballard Vale), Mass., March 17, 1841. In early life he developed musical talent, and composed many minor pieces for local and special occasions. Later at North Reading, Mass., he attended Dr. George F. Root's School of Music, and was associated with William Bradbury and Dr. Lowell Mason. He enlisted in the Fourteenth Regiment of infantry, commonly known as the Essex County Regiment, and afterwards was changed to the First Regiment, Massachusetts Heavy Artillery, which was engaged in most of the battles fought by the Second Army Corps up to the surrender of General Lee.
"Daisy Deane," the first and most popular of his early song successes, was composed in 1863 in Virginia while in camp, words by his cousin, Thomas F. Winthrop. This song is known all over the world, and the Salvation Army is using an arrangement of it for one of their war cry songs.
In 1868 Mr. Murray married Isabella Maria Taylor of Andover; and they removed to Chicago. Here three children were born to them, two passing early to their heavenly home, the youngest, Winthrop Root Murray, is still living. It was during these first years in Chicago that Mr. and Mrs. Murray became interested in the New Church, while he was engaged with Root and Cady as editor of the Long Visitor, afterwards merged with the Musical Visitor. After the great fire of 1871 Mr. and Mrs. Murray returned East, where he was engaged in teaching in Lawrence and Andover, and as organist at the Old South Church in Andover. In 1881 they removed to Cincinnati and Mr. Murray became the editor of the Musical Viistor [sic] and head of the publication department of the John Church Company. Among the most popular of his books are "Pure Diamonds," "Royal Gems," "The Prize" and "Murray's Sacred Songs." The following titles will recall some of his best loved sacred songs: "At Last," "Calm on the Listening Ear of Night," "I Shall Be Satisfied," "There Shall No Evil Befall Thee," "Thine, O Lord, Is the Greatness," "The Way Was Mine," "How Beautiful Upon the Mountains," "Angels from the Realms of Glory."
His last great labor in the publishing department of the John Church Company was the seeing through the press five volumes of Wagner's music dramas, with full score and original German text, and an English translation. The immense and careful labor involved in the preparation of these volumes, with a really smooth and excellent English translation, had perhaps, as it was done under pressure, something to do with Mr. Murray's breakdown. Although for some reason Mr. Murray's name does not appear on the title page of these volumes, his friends knew of the place the work held in his affections and ambition.
Mr. Murray was a member of the Church Council of the Cincinnati Society for the last four years and took a deep interest in the building of the New Church, and in the inauguration of services, with all the changes looking to the improvement of the musical part of the service. The vested choir, organized by Mr. and Mrs. Lawson, which Mr. Murray as councilman had urged from the beginning, in their entrance to the church each Sunday singing the processional hymn participated in the funeral service, with a congregation of brethren and friends, all moved by deep love and profound respect for the consistent life and faith of a worthy Churchman and beloved friend.
--DNAH Archives
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For a discussion of Murray and the tune MUELLER, see: Stulken, M.K. (1981). Hymnal companion to the Lutheran Book of Worship. Philadelphia : Fortress Press, p.170.
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Also available in the DNAH Archives:
1. An excerpt from Christie, George A. (1927). New Free Church. In Music in Andover. Papers read at "Fagot Party" of the Andover Natural History Society.
2. Unsourced essay about Murray written soon after his death, likely from Andover, Mass., perhaps authored by Charlotte Helen Abbott.
James R. Murray
Daniel Otis Teasley
1876 - 1942 Person Name: D. O. Teasley Composer of "[Behold, behold, what manner of love]" in Salvation Echoes Daniel Otis Teasley, 1876-1942
Died: November 15, 1942, Santa Ana, California.
Teasley entered the ministry of the Church of God denomination in 1896, and pastored in New York. Sometime after 1910, he became General Manager of the Gospel Trumpet Company, where he worked until 1917. He then worked as general manager of Warner Press (1917-18). His works include:
Historical Geography of the Bible, 1898, 1917
The Holy Spirit and Other Spirits, 1904
How to Conduct a Sunday School, 1911
The Gospel Guide-book, 1918
The Bible and How to Interpret It, 1918
Lyrics--
At the Cross of Jesus Bowing
Back to the Blessèd Old Bible
Be Ready When He Comes
I Am the Lord’s
I Know in My Heart What It Means
I Will Praise Him, Hallelujah!
In Holy Reverence, Lord
Song of Joy, A
We’ll Crown Him Lord of All
We’ll Praise the Lord
Music--
No Friend Like Jesus
Reverena
--hymntime.com/tch/
Daniel Otis Teasley
