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Text Identifier:christian_rise_and_act_thy_creed

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Christian, Rise and Act Thy Creed

Author: F. A. Rollo Russell, 1849-1914 Appears in 62 hymnals First Line: Christian, rise, and act thy creed Topics: Brotherhood and Service Used With Tune: INNOCENTS

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INNOCENTS

Appears in 437 hymnals Tune Sources: "The Parish Choir," 1850 Tune Key: D Major Incipit: 34517 65123 54323 Used With Text: Christian, Rise and Act Thy Creed
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NUREMBERG

Appears in 228 hymnals Composer and/or Arranger: J. R. Ahle Incipit: 31253 12111 12321 Used With Text: Christian, rise and act thy creed
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ST. BEES

Appears in 289 hymnals Composer and/or Arranger: John B. Dykes Incipit: 11176 71223 56272 Used With Text: Christian! rise and act thy creed

Instances

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Published text-tune combinations (hymns) from specific hymnals

Christian, Rise and Act Thy Creed

Author: F. A. Russell Hymnal: Songs of Service. Rev. ed. #a53 (1948) First Line: Christian, rise, and act thy creed Languages: English Tune Title: [Christian, rise, and act thy creed]
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Christian, Rise and Act Thy Creed

Author: F. A. Rollo Russell; Francis Albert Rollo Russell Hymnal: Songs for the Sunday School #93 (1921) First Line: Christian, rise, and act thy creed Languages: English Tune Title: [Christian, rise, and act thy creed]
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Christian, Rise and Act Thy Creed

Author: F. A. Russell Hymnal: Songs of Service #53 (1918) First Line: Christian, rise, and act thy creed Languages: English Tune Title: [Christian, rise, and act thy creed]

People

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Authors, composers, editors, etc.

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes Composer of "ST. BEES" in Songs of the Christian Life As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Richard Redhead

1820 - 1901 Person Name: R. Redhead Arranger of "ORIENTIS PARTIBUS" in The Smaller Hymnal Richard Redhead (b. Harrow, Middlesex, England, 1820; d. Hellingley, Sussex, England, 1901) was a chorister at Magdalen College, Oxford. At age nineteen he was invited to become organist at Margaret Chapel (later All Saints Church), London. Greatly influencing the musical tradition of the church, he remained in that position for twenty-five years as organist and an excellent trainer of the boys' choirs. Redhead and the church's rector, Frederick Oakeley, were strongly committed to the Oxford Movement, which favored the introduction of Roman elements into Anglican worship. Together they produced the first Anglican plainsong psalter, Laudes Diurnae (1843). Redhead spent the latter part of his career as organist at St. Mary Magdalene Church in Paddington (1864-1894). Bert Polman

William Henry Monk

1823 - 1889 Person Name: William H. Monk Harmonizer of "INNOCENTS" in The Cyber Hymnal William H. Monk (b. Brompton, London, England, 1823; d. London, 1889) is best known for his music editing of Hymns Ancient and Modern (1861, 1868; 1875, and 1889 editions). He also adapted music from plainsong and added accompaniments for Introits for Use Throughout the Year, a book issued with that famous hymnal. Beginning in his teenage years, Monk held a number of musical positions. He became choirmaster at King's College in London in 1847 and was organist and choirmaster at St. Matthias, Stoke Newington, from 1852 to 1889, where he was influenced by the Oxford Movement. At St. Matthias, Monk also began daily choral services with the choir leading the congregation in music chosen according to the church year, including psalms chanted to plainsong. He composed over fifty hymn tunes and edited The Scottish Hymnal (1872 edition) and Wordsworth's Hymns for the Holy Year (1862) as well as the periodical Parish Choir (1840-1851). Bert Polman