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Come, join the dance of Trinity

Author: Richard Leach Meter: 8.6.8.6 D Appears in 4 hymnals

KINGSFOLD

Meter: 8.6.8.6 D Appears in 276 hymnals Tune Key: e minor Incipit: 32111 73343 45543 Used With Text: Come, Join the Dance of Trinity

Meter: 8.6.8.6 D Appears in 11 hymnals Composer and/or Arranger: Ronald F. Krisman, b. 1946 Tune Sources: Irish Melody Tune Key: E Flat Major Incipit: 51216 56543 13167 Used With Text: Come, Join the Dance of Trinity

Instances

Published text-tune combinations (hymns) from specific hymnals

Come, Join the Dance of Trinity

Author: Richard Leach, b. 1953 Hymnal: Evangelical Lutheran Worship #412 (2006) Meter: 8.6.8.6 D Topics: Holy Trinity; Creation; Holy Trinity; Incarnation; Praise, Thanksgiving; Proclamation; Sending; Witness Languages: English Tune Title: KINGSFOLD

Come, Join the Dance of Trinity

Author: Richard Leach, b. 1953 Hymnal: Worship (4th ed.) #554 (2011) Meter: 8.6.8.6 D Topics: Trinity Languages: English Tune Title: THE FLIGHT OF THE EARLS

Come, Join the Dance of Trinity

Author: Richard Leach Hymnal: Worship and Song #3017 (2011) Meter: 8.6.8.6 D Topics: Bethlehem; Creator; Dancing; Death; Fire and Flame; Freedom and Liberation; Holy Spirit; Holy Trinity; Jerusalem; Joy; Life; Love (Human); Movement; Music and Singing; Name of Jesus Christ; Praise and Thanksgiving; Providence; Service Music Doxology; Sin; Space; Storms; Times; Universe; Voices; Wind; Bethlehem; Christian Year and Observances Pentecost; Creator; Dancing; Death; Fire and Flame; Freedom and Liberation; Holy Spirit; Holy Trinity; Jerusalem; Joy; Life; Love (Human); Movement; Music and Singing; Name of Jesus Christ; Praise and Thanksgiving; Providence; Service Music Doxology; Sin; Space; Storms; Times; Universe; Voices; Wind Scripture: Psalm 150 Languages: English Tune Title: KINGSFOLD

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People

Authors, composers, editors, etc.

Ralph Vaughan Williams

1872 - 1958 Adapter of "KINGSFOLD" in Sing a New Creation Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrangements of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman