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Come Now, Saith The Lord
Author: Daniel W. Whittle Meter: 9.8.9.8.9.8.9.8.9.8 Appears in 3 hymnals First Line: Come, souls that are longing for pleasure Refrain First Line: Come now, saith the Lord, let us reason
Come Now, Saith The Lord
Come Now, Saith The Lord
Author: Daniel W. Whittle Hymnal: The Cyber Hymnal #9273 Meter: 9.8.9.8.9.8.9.8.9.8 First Line: Come, souls that are longing for pleasure Refrain First Line: Come now, saith the Lord, let us reason Lyrics: 1 Come, souls that are longing for pleasure,
Our Savior has pleasures to give;
Come find in His love the rare treasure
That makes every true pleasure live.
Refrain:
Come now, saith the Lord, let us reason,
Come now and your purpose declare;
Is it pleasures of sin for a season,
Or pleasures the glorified share?
2 The pleasures of sin are deceiving,
They’ve nothing for yesterday’s pain,
But hope of tomorrow receiving,
And then, it’s tomorrow again. [Refrain]
3 The pleasures of sin are all fleeting,
They vanish with life’s passing morn;
Like dewdrops the morning sun greeting,
They glisten, and then they are gone. [Refrain]
4 Then all who are longing for pleasure,
Ye weary, and all who are worn;
Come find in the Lord a sure treasure,
That from you shall never be torn. [Refrain]
5 Of Jesus, thy choice now be making,
Redeemer, and Savior, and Lord;
And soon in the glory awaking,
You’ll share in the saint’s blest reward. [Refrain] Languages: English Tune Title: BISSAU
Come Now, Saith The Lord
Come now saith the Lord
Author: W. W. D. Hymnal: Gospel Hymns No. 3 #34 (1878) First Line: Come souls that are longing for pleasure Languages: English Tune Title: [Come souls that are longing for pleasure]
Come now saith the Lord
Come Now Saith the Lord
Author: W. W. D. Hymnal: Gospel Hymns Nos. 1 to 6 #668 (1894) First Line: Come souls that are longing for pleasure Refrain First Line: Come now saith the Lord, let us reason Languages: English Tune Title: [Come souls that are longing for pleasure]
Come Now Saith the Lord
D. W. Whittle
1840 - 1901 Person Name: Daniel W. Whittle Author of "Come Now, Saith The Lord" in The Cyber Hymnal [Also published under the pseudonym El Nathan.]
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Whittle, D. W.. Six of his hymns (Nos. 295, 308,363, 385, 386, 417) are given in I. D. Sankey's Sacred Songs and Solos, under the signature of "El Nathan."
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
D. W. Whittle
James McGranahan
1840 - 1907 Composer of "BISSAU" in The Cyber Hymnal James McGranahan USA 1840-1907. Born at West Fallowfield, PA, uncle of Hugh McGranahan, and son of a farmer, he farmed during boyhood. Due to his love of music his father let him attend singing school, where he learned to play the bass viol. At age 19 he organized his first singing class and soon became a popular teacher in his area of the state. He became a noted musician and hymns composer. His father was reluctant to let him pursue this career, but he soon made enough money doing it that he was able to hire a replacement farmhand to help his father while he studied music. His father, a wise man, soon realized how his son was being used by God to win souls through his music. He entered the Normal Music School at Genesco, NY, under William B Bradbury in 1861-62. He met Miss Addie Vickery there. They married in 1863, and were very close to each other their whole marriage, but had no children. She was also a musician and hymnwriter in her own right. For a time he held a postmaster’s job in Rome, PA. In 1875 he worked for three years as a teacher and director at Dr. Root’s Normal Music Institute. He because well-known and successful as a result, and his work attracted much attention. He had a rare tenor voice, and was told he should train for the operatic stage. It was a dazzling prospect, but his friend, Philip Bliss, who had given his wondrous voice to the service of song for Christ for more than a decade, urged him to do the same. Preparing to go on a Christmas vacation with his wife, Bliss wrote McGranahan a letter about it, which McGranahan discussed with his friend Major Whittle. Those two met in person for the first time at Ashtubula, OH, both trying to retrieve the bodies of the Bliss’s, who died in a bridge-failed train wreck. Whittle thought upon meeting McGranahan, that here is the man Bliss has chosen to replace him in evangelism. The men returned to Chicago together and prayed about the matter. McGranahan gave up his post office job and the world gained a sweet gospel singer/composer as a result. McGranahan and his wife, and Major Whittle worked together for 11 years evangelizing in the U.S., Great Britain, and Ireland. They made two visits to the United Kingdom, in 1880 and 1883, the latter associated with Dwight Moody and Ira Sankey evangelistic work. McGranahan pioneered use of the male choir in gospel song. While holding meetings in Worcester, MA, he found himself with a choir of only male voices. Resourcefully, he quickly adapted the music to those voices and continued with the meetings. The music was powerful and started what is known as male choir and quartet music. Music he published included: “The choice”, “Harvest of song”, “Gospel Choir”,, “Gospel hymns #3,#4, #5, #6” (with Sankey and Stebbins), “Songs of the gospel”, and “Male chorus book”. The latter three were issued in England. In 1887 McGranahan’s health compelled him to give up active work in evangelism. He then built a beautiful home, Maplehurst, among friends at Kinsman, OH, and settled down to the composition of music, which would become an extension of his evangelistic work. Though his health limited his hours, of productivity, some of his best hymns were written during these days. McGranahan was a most lovable, gentle, modest, unassuming, gentleman, and a refined and cultured Christian. He loved good fellowship, and often treated guests to the most delightful social feast. He died of diabetes at Kinsman, OH, and went home to be with his Savior.
John Perry
James McGranahan
