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Forgiveness (Atonement)
Appears in 189 hymnals First Line: God of mercy, God of love Used With Tune: [God of mercy, God of love]
Forgiveness (Atonement)
AUS DER TIEFE RUFE ICH
Appears in 134 hymnals Composer and/or Arranger: J. F. Ohl Tune Sources: Nürnberg Gesangbuch, 1676 Tune Key: d minor Incipit: 55123 45557 76655 Used With Text: God of Mercy! God of Grace!
AUS DER TIEFE RUFE ICH
WEBER. (SEYMOUR).
Meter: 7.7.7.7 Appears in 580 hymnals Composer and/or Arranger: Carl M. von Weber, 1786-1826 Incipit: 32436 53233 33471 Used With Text: God of Mercy! God of Grace
WEBER. (SEYMOUR).
God of mercy! God of grace!
Author: Taylor Hymnal: The Voice of Praise #401 (1873) Meter: 7.7.7.7 Lyrics: 1 God of mercy! God of grace!
Hear our sad, repentant songs;
Oh, restore thy suppliant race,
Thou to whom our praise belongs--
2 Deep regret for follies past,
Talents wasted, time misspent;
Hearts debased by worldly cares,
Thankless for the blessings lent.
3 Foolish fears, and fond desires,
Vain regrets, for things as vain,
Lips too seldom taught to praise,
Oft to murmur and complain--
4 These, and every secret fault,
Filled with grief and shame, we own;
Humbled at thy feet we lie,
Seeking pardon from thy throne!
5 God of mercy! God of grace!
Hear our sad, repentant songs;
Oh, restore thy suppliant race,
Thou to whom our praise belongs.
Topics: The Christian System Repentance and Faith; Mercy and Grace Scripture: Jeremiah 2:13
God of mercy! God of grace!
God of mercy! God of grace!
Hymnal: A Collection of Hymns and Prayers, for Public and Private Worship #179 (1845) Lyrics: 1 God of mercy! God of grace!
Hear our sad repentant songs.
O restore thy suppliant race,
Thou to whom all grace belongs!
2 Deep regret for follies past,
Talents wasted, time misspent;
Hearts debas'd by worldly cares,
Thankless for the blessings sent;
3 Foolish fears and fond desires,
Vain regrets for things as vain;
Lips too seldom taught to praise,
Oft to murmur and complain;
4 These, and ev'ry secret fault,
Fill'd with grief and shame we own.
Humbly at thy feet we lie,
Seeking pardon from thy throne.
5 God of mercy! God of grace!
Hear our sad repentant songs.
O restore thy suppliant race,
Thou, to whom our praise belongs! Topics: Holy Spirit Repentance Languages: English
God of mercy! God of grace!
God of mercy! God of grace!
Hymnal: A Collection of Hymns and A Liturgy #245 (1814) Meter: Irregular Lyrics: 1 God of mercy! God of grace!
Hear our repentant songs.
O restore thy suppliant race,
Thou to whom our praise belongs!
2 Deep regret for follies past,
Talents wasted, time mispent;
Hearts debas'd by worldly cares,
Thankless for the blessings lent;
3 Foolish fears and fond desires,
Vain regrets for things as vain;
Lips too seldom taught to praise,
Oft to murmur and complain;
4 These, and ev'ry secret fault,
Fill'd with grief and shame, we own.
Humbled at thy feet we lie,
Seeking pardon from thy throne.
5 God of mercy! God of grace!
Hear our sad repentant songs.
O restore thy suppliant race,
Thou, to whom our praise belongs! Topics: Repentance and Conversion Languages: English
God of mercy! God of grace!
George Frideric Handel
1685 - 1759 Person Name: G. F. Handel Composer of "THEODORA" in The National Baptist Hymnal George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.”
Bert Polman
George Frideric Handel
Henry J. Gauntlett
1805 - 1876 Person Name: H. J. Gauntlett Composer of "[God of mercy, God of love]" in The Service Hymnal with an introductory service Henry J. Gauntlett (b. Wellington, Shropshire, July 9, 1805; d. London, England, February 21, 1876) When he was nine years old, Henry John Gauntlett (b. Wellington, Shropshire, England, 1805; d. Kensington, London, England, 1876) became organist at his father's church in Olney, Buckinghamshire. At his father's insistence he studied law, practicing it until 1844, after which he chose to devote the rest of his life to music. He was an organist in various churches in the London area and became an important figure in the history of British pipe organs. A designer of organs for William Hill's company, Gauntlett extended the organ pedal range and in 1851 took out a patent on electric action for organs. Felix Mendelssohn chose him to play the organ part at the first performance of Elijah in Birmingham, England, in 1846. Gauntlett is said to have composed some ten thousand hymn tunes, most of which have been forgotten. Also a supporter of the use of plainchant in the church, Gauntlett published the Gregorian Hymnal of Matins and Evensong (1844).
Bert Polman
Henry J. Gauntlett
William B. Bradbury
1816 - 1868 Person Name: Wm. B. Bradbury Composer of "ALETTA" in Gospel Hymn and Tune Book William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life.
John Perry
William B. Bradbury
