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Hacia los Montes Miraré

Author: Elodia Ayala Sada, 1901- Appears in 3 hymnals Used With Tune: DUNFERMLINE Text Sources: The Psalter, 1912

MI SOCORRO

Appears in 1 hymnal Composer and/or Arranger: Raquel Mora Martínez Tune Key: C Major Incipit: 13455 65455 17676 Used With Text: Hacia los montes (Unto the Hills)

BEATITUDO

Appears in 443 hymnals Composer and/or Arranger: John Dykes Tune Key: A Major Incipit: 12353 14367 13222 Used With Text: Salmo 121

DUNFERMLINE

Appears in 132 hymnals Tune Sources: Scottish Psalter, 1615 Tune Key: E Flat Major Incipit: 11234 55336 55455 Used With Text: Hacia los Montes Miraré

Instances

Published text-tune combinations (hymns) from specific hymnals

Hacia los Montes Miraré

Author: Elodia Ayala Sada, 1901- Hymnal: Himnario Metodista #131 (1973) Languages: Spanish Tune Title: DUNFERMLINE

Hacia los montes (Unto the Hills)

Author: Elodia Ayala Sada; Raquel Mora Martínez Hymnal: Fiesta Jubilosa #51 (2022) First Line: Hacia los montes miraré (Unto the hills I lift my eyes) Topics: La Experiencia con Cristo Confianza y Seguridad Scripture: Psalm 121 Languages: English; Spanish Tune Title: MI SOCORRO

Salmo 121

Author: Elodia Ayala Sada Hymnal: Himnos de la Iglesia #76 (1995) First Line: Hacia los montes miraré Scripture: Psalm 121 Languages: Spanish Tune Title: BEATITUDO

People

Authors, composers, editors, etc.

Raquel Mora Martínez

b. 1940 trad. Ingl. of "Hacia los montes (Unto the Hills)" in Fiesta Jubilosa Raquel Martinez (b. January 17, 1940) is a well-known composer and arranger of Hispanic songs and hymns. She has degrees from the University of Texas at El Paso and Perkins School of Theology and the School of the Arts, Southern Methodist University. She served as editor of the official United Methodist hymnal, Mil Voces Para Celebrar (Nashville: Abingdon Press, 1996). --www.gbod.org/lead-your-church/hymn-studies/

John Bacchus Dykes

1823 - 1876 Person Name: John Dykes Composer of "BEATITUDO" in Himnos de la Iglesia As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman