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Text Identifier:in_loving_partnership_we_come

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In loving partnership

Author: Jim Strathdee Appears in 4 hymnals Matching Instances: 4 First Line: In loving partnership we come

Tunes

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PARTNERSHIP

Meter: 8.8.8.8 Appears in 2 hymnals Matching Instances: 1 Composer and/or Arranger: Jim Strathdee Tune Key: C Major Incipit: 33565 43233 33165 Used With Text: In Loving Partnership We Come
Audio

RIVAULX

Appears in 127 hymnals Matching Instances: 1 Composer and/or Arranger: John Bacchus Dykes, 1823-1876 Tune Key: D Major Incipit: 55555 66511 62344 Used With Text: In loving partnership

Instances

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Published text-tune combinations (hymns) from specific hymnals

In loving partnership

Author: Jim Strathdee Hymnal: Scripture Song Database #1788 (2008) First Line: [In loving partnership] Scripture: Philippians 1:11 Languages: English

In loving partnership

Author: Jim Strathdee, 1941- Hymnal: The Book of Praise #759 (1997) First Line: In loving partnership we come Topics: Church Body of Christ; Justice; Love; Offering; One Life in Christ Mission; Peace; Servant / Service Scripture: 2 Corinthians 6:1 Languages: English Tune Title: RIVAULX

In Loving Partnership We Come

Author: Jim Strathdee Hymnal: Voices United #603 (1996) Meter: 8.8.8.8 Topics: Church in the World Discipleship: Love in Action; Discipleship and Service; Jesus Christ Presence; Love for God/Christ; Love for Others; Service Music Gathering, Call to Worship, Greeting; Service Music Following Lord's Supper; Proper 9 Year A; Proper 16 Year A; Easter 5 Year B; Proper 24 Year B Languages: English Tune Title: PARTNERSHIP

People

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Authors, composers, editors, etc.

Jim Strathdee

b. 1941 Person Name: Jim Strathdee, 1941- Author of "In loving partnership" in The Book of Praise

John Bacchus Dykes

1823 - 1876 Person Name: John Bacchus Dykes, 1823-1876 Composer of "RIVAULX" in The Book of Praise As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman