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Text Identifier:like_as_a_mother_comforteth

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Like as a Mother Comforteth

Author: William M. Runyan Appears in 10 hymnals Used With Tune: [Like as a mother comforteth]

Like as a mother, God comforteth His children

Author: Maria Louise Baum Appears in 2 hymnals Used With Tune: CONSOLATION

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[Like as a mother comforteth]

Appears in 678 hymnals Composer and/or Arranger: A. R. Reinagle Incipit: 51765 54332 14323 Used With Text: Like as a Mother Comforteth
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BEATITUDO

Meter: 8.6.8.6 Appears in 443 hymnals Composer and/or Arranger: John Bacchus Dykes Tune Sources: Hymns Ancient and Modern, 1875 Tune Key: G Major Incipit: 12353 14367 13222 Used With Text: Like as a Mother Comforteth
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CONSOLATION

Appears in 364 hymnals Composer and/or Arranger: Felix Mendelssohn-Bartholdy Tune Key: E Flat Major Incipit: 32154 43217 13222 Used With Text: Like as a mother, God comforteth His children

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Like as a Mother Comforteth

Author: William M. Runyan Hymnal: Favorite Hymns No. 2 #254 (1942) Languages: English Tune Title: [Like as a mother comforteth]
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Like as a Mother Comforteth

Author: William M. Runyan, 1870-1957 Hymnal: The Cyber Hymnal #3774 Meter: 8.6.8.6 Lyrics: 1. Like as a mother comforteth O words of gentle worth! So will I comfort you, declares The Lord of all the earth. 2. He bends in faithful watchfulness; He slumbers not nor sleeps; Above His trusting child the Lord A constant vigil keeps. 3. He patient is, as mothers are Who love their children well; Our faults and failings He forgives; His mercies—who can tell! 4. Like as a mother, grant, O God, This likeness e’er may be A holy symbol to declare The love that dwells in Thee. Languages: English Tune Title: BEATITUDO
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Like as a Mother Comforteth

Author: William M. Runyan Hymnal: The Service Hymnal #427 (1935) First Line: "Like as a mother comforteth Languages: English Tune Title: BEATITUDO

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William M. Runyan

1870 - 1957 Author of "Like as a Mother Comforteth" in Favorite Hymns No. 2 Showing early musical promise, William Marion Runyan (b. Marion, NY, 1870; d. Pittsburg, KS, 1957) was a substitute church organist by the age of twelve. He became a Methodist minister in 1891 and served several churches in Kansas but turned to evangelism in 1903; he worked for the Central Methodist Conference for the next twenty years. Following that service, Runyan became pastor at the Federated Church at John Brown University, Sulphur Springs, Arkansas. Editor of Christian Workers Magazine, he also served the Moody Bible Institute and was an editor for Hope Publishing Company until his retirement in 1948. Runyan wrote a number of hymn texts, gospel songs, and hymn tunes. Bert Polman

John Bacchus Dykes

1823 - 1876 Composer of "BEATITUDO" in The Cyber Hymnal As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Alexander Robert Reinagle

1799 - 1877 Person Name: A. R. Reinagle Composer of "[Like as a mother comforteth]" in Favorite Hymns No. 2 Alexander Robert Reinagle United Kingdom 1799-1877. Born at Brighton, Sussex, England, gf Austrian descent, he came from a family of musicians, studying music with his father (a cellist), then with Raynor Taylor in Edinburgh, Scotland. Reinagle became a well-known organ teacher. He became organist at St Peter’s Church, Oxford (1823-1853). He was also a theatre musician. He wrote Teaching manuals for stringed instruments as well. He also compiled books of hymn tunes, one in 1830: “Psalm tunes for the voice and the pianoforte”, the other in 1840: “A collection of Psalm and hymn tunes”. He also composed waltzes. In 1846 he married Caroline Orger, a pianist, composer, and writer in her own right. No information found regarding children. In the 1860s he was active in Oxford music-making and worked with organist, John Stainer, then organist at Magdalen College. Reinagle also composed a piano sonata and some church music. At retirement he moved to Kidlington, Oxfordshire, England. He died at Kidlington. John Perry