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Psalm 119

Appears in 7 hymnals First Line: Lord to whom shall we go? Yours are the words of eternal life Lyrics: Refrain: Lord, to whom shall we go? Yours are the words of eternal life.

[Lord, to whom shall we go]

Appears in 1 hymnal Composer and/or Arranger: Thomas Pavlechko, b. 1962 Tune Key: D Major Incipit: 54577 645 Used With Text: Gospel Acclamation

[Lord, to whom shall we go]

Appears in 1 hymnal Tune Sources: Plainsong mode VI Tune Key: G Major Incipit: 34322 231 Used With Text: Gospel Acclamation

[Lord, to whom shall we go]

Appears in 10 hymnals Composer and/or Arranger: Abraham Maraire Tune Key: F Major Incipit: 35321 612 Used With Text: Gospel Acclamation

Instances

Published text-tune combinations (hymns) from specific hymnals

Hymnal: Lift Up Your Hearts #748 (2013) Meter: 7.9 First Line: Lord, to whom shall we go? Lyrics: Lord, to whom shall we go? Yours are the words of eternal life. Topics: Jesus Christ Lamb; Elements of Worship Hearing the Word Scripture: John 6:68 Languages: English Tune Title: TO WHOM SHALL WE GO

Lord, to Whom Shall We Go (¿A quién iremos, Señor?)

Author: María Eugenia Cornou, b. 1969 Hymnal: Santo, Santo, Santo #563 (2019) First Line: Lord, to whom shall we go? (¿A quién iremos, Señor?) Topics: Oración de Iluminación; Prayer for Illumination; Palabra de Dios; Word of God Scripture: Psalm 119:33-40 Languages: English; Spanish Tune Title: [Lord, to whom shall we go]

Psalm 119

Hymnal: Sing! A New Creation #87 (2002) First Line: Lord to whom shall we go? Lyrics: Refrain: Lord, to whom shall we go? Yours are the words of eternal life. Topics: Illumination and Guidance; Illumination and Guidance Scripture: Psalm 119 Languages: English Tune Title: [Lord to whom shall we go?]

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People

Authors, composers, editors, etc.

Iona Community

Person Name: The Iona Community Composer of "[Lord to whom shall we go?]" in Sing! A New Creation Iona Community, an ecumenical Christian group of men and women based on the small island of Iona off the coast of Scotland. The community began in 1938 when the Rev. George MacLeod of the Church of Scotland began a ministry among the unemployed poor who had been neglected by the church. He took a handful of men to the island to rebuild the ruins of a thousand-year-old abbey church. That rebuilding became a metaphor for the rebuilding of the common life, a return to the belief that daily activity is the stuff of godly service – work, and worship. The Community has since grown to include a group of members, associates, and friends all over the United Kingdom and many other countries. In addition to many conferences that attract people to Iona from around the world, the Community is known for its publishing of new songs and prayers for worship, both developed in community and gathered from around the world. For more information on the Iona Community, check their website: www.iona.org.uk. John Bell is probably the community’s most well-known member, having composed and arranged much of the community’s music. Sing! A New Creation

Thomas Pavlechko

b. 1962 Person Name: Thomas Pavlechko, b. 1962 Composer of "[Lord, to whom shall we go]" in Evangelical Lutheran Worship PAVLECHKO, THOMAS (b. 1962) is the Cantor and Composer-in-Residence at St. Martin’s Lutheran Church in Austin, Texas. Named the Emerging Hymn Tune Composer by HSUSC in 2002, his sacred music compositions, hymn tunes, choral, orchestral and concert band works are widely performed. He is the co-editor of the principal worship planning reference books of the Episcopal Church U.S.A, ,cite>Liturgical Music for the Revised Common Lectionary. His collection of over 600 Psalm settings, St. Martin’s Psalter, is published in two editions with Augsburg Fortress Publishers and St. James Music Press. Pavlechko is a graduate of the Dana School of Music at Youngstown State University and the University of Cincinnati’s College-Conservatory of Music, both in his native Ohio. He has pursued postgraduate study in symphonic orchestration at the University of Texas. Thomas Pavlechko (from In Melody and Song, Darcey Press, 2014