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It Is Finished
Author: James Proctor Appears in 92 hymnals First Line: Nothing either great or small, Nothing sinner, no Refrain First Line: "It is finished!" yes, indeed
It Is Finished
[Nothing, either great of small]
Appears in 11 hymnals Composer and/or Arranger: Ira D. Sankey Tune Key: B Flat Major Incipit: 55551 23447 71555 Used With Text: It is Finished
[Nothing, either great of small]
JESUS PAID IT ALL
Appears in 6 hymnals Composer and/or Arranger: William Batchelder Bradbury (1816-1868) Incipit: 33323 44432 23533 Used With Text: Jesus paid it all, All the debt I owe
JESUS PAID IT ALL
[Nothing, either great or small]
Appears in 1 hymnal Composer and/or Arranger: Ira D. Sankey Incipit: 56513 21465 32556 Used With Text: It Is Finished
[Nothing, either great or small]
Nothing Either Great of Small
Author: Anon. Hymnal: Dortch's Gospel Voices #361 (1902) First Line: Nothing either great or small Refrain First Line: "It is finished!" yes, indeed, finished ev'ry joy Scripture: John 19:30 Languages: English Tune Title: [Nothing either great or small]
Nothing Either Great of Small
Nothing either great or small
Author: James Proctor Hymnal: Hymns of Grace and Truth. 2nd ed. #d228 (1904) First Line: Nothing either great or small, nothing sinner Refrain First Line: It is finished, yes indeed Languages: English
Nothing either great or small
It Is Finished
Author: Rev. J. Proctor Hymnal: Christian Endeavor Hymns #53 (1894) First Line: Nothing either great or small Refrain First Line: “It is finish'd!” yes, indeed Lyrics: 1 Nothing, either great or small—
Nothing, sinner, no;
Jesus died and paid it all,
Long, long ago.
Refrain:
“It is finish’d!” yes, indeed,
Finished, every jot;
Sinner, this is all you need,
Tell me, is it not?
2 When He, from His lofty throne,
Stoop’d to do and die,
Ev’rything was fully done;
Hearken to His cry! [Refrain]
3 Weary, working, burden’d one,
Wherefore toil you so?
Cease your doing; all was done
Long, long ago. [Refrain]
4 Cast your deadly “doing” down—
Down at Jesus’ feet;
Stand in Him, in Him alone,
Gloriously complete. [Refrain] Topics: Promises Languages: English Tune Title: [Nothing, either great or small]
It Is Finished
Ira David Sankey
1840 - 1908 Person Name: Ira D. Sankey Composer of "[Nothing, either great of small]" in Sacred Songs and Solos Sankey, Ira David, was born in Edinburgh, Pennsylvania, in 1840, of Methodist parents. About 1856 he removed with his parents to New Castle, Pennsylvania, where he became a member of the Methodist Episcopal Church. Four years afterwards he became the Superintendent of a large Sunday School in which he commenced his career of singing sacred songs and solos. Mr. Moody met with him and heard him sing at the International Convention of the Young Men's Christian Association, at Indianapolis, and through Mr. Moody's persuasion he joined him in his work at Chicago. After some two or three years' work in Chicago, they sailed for England on June 7, 1872, and held their first meeting at York a short time afterwards, only eight persons being present. Their subsequent work in Great Britain and America is well known.
Mr. Sankey's special duty was the singing of sacred songs and solos at religious gatherings, a practice which was in use in America for some time before he adopted it. His volume of Sacred Songs and Solos is a compilation from various sources, mainly American and mostly in use before. Although known as Sankey and Moody’s Songs, only one song, "Home at last, thy labour done" is by Mr. Sankey, and not one is by Mr. Moody. Mr. Sankey supplied several of the melodies. The English edition of the Sacred Songs & Solos has had an enormous sale; and the work as a whole is very popular for Home Mission services. The Songs have been translated into several languages.
--John Julian, Dictionary of Hymnology (1907)
Pseudonymns:
Harry S. Lower
Rian A. Dykes
====================
Sankey, I. D., p. 994, i. During the past fifteen years Mr. Sankey's Sacred Songs and Solos have had a very large sale, which has justified him in increasing the number of songs and hymns, including " New Hymns and Solos," to 1200. In 1906 he published My Life and Sacred Songs (London : Morgan & Scott). In addition to the "Story of his Own Life," the work contains an account of the most popular of his solos, with interesting reminiscences of the spiritual awakening of many who were influenced through his singing of them in public. In this respect it corresponds in some measure with G. J. Stevenson's Methodist Hymn Book, &c, 1883 (p. 1094, i.). It is an addition to the Sacred Songs and Solos, which will be held in esteem by many. In addition to his hymn, noted on p. 994, ii., Mr. Sankey gives details of the following:—
1. Out of the shadow-land into the sunshine. [Heaven Anticipated.] Mr. Sankey's account of this hymn is:—
"I wrote this hymn specially for the memorial service held for Mr. Moody in Carnegie Hall, where 1 also sang it as a solo. It is the last sacred song of which I wrote both the words and music. The idea was suggested by Mr. Moody's last words, 'Earth recedes; heaven opens before me . . . God is calling me, and I must go.' On account of its peculiar association with my fellow-labourer in the Gospel for so many years, the words are here given in full."
The hymn follows on p. 185, in 3 stanzas of 4 lines and a chorus.
2. Rejoice! Rejoice! our King is coming, [Advent.] Mr. Sankey writes concerning this hymn:—
"During one of my trips to Great Britain on the SS. City of Rome a storm raged on the sea. The wind was howling through the rigging, and waves like mountains of foam were breaking over the bow of the vessel. A great fear had fallen upon the passengers. When the storm was at its worst, we all thought we might soon go to the bottom of the sea. The conviction came to me that the Lord would be with us iu the trying hour, and sitting down in the reading room, I composed this hymn. Before reaching England the tune had formed itself in my mind, and on arriving in London I wrote it out, and had it published in Sacred Songs and Solos, where it is No. 524 in the edition. of 1888.
From Mr. Sankey's autobiographical sketch we gather that he was born at Edinburgh, in Western Pennsylvania, Aug. 28, 1840, joined Mr. Moody in 1871, and visited England for the first time in 1873. The original of the Sacred Songs, &c, of 23 pieces only, was offered as a gift to the London publishers of P. Phillips's Hallowed Song, and declined by them. It was subsequently accepted by Mr. K. O. Morgan, of Morgan & Scott, and is now a volume of 1200 hymns.
From a return kindly sent us by Messrs. Morgan & Scott, we find that the various issues of the Sacred Songs and Solos were:—
In 1873, 24 pp.; 1874, 72 pp. ; 1876, 153 hymns; 1877, 271 hymns; 1881, 441 hymns; 1888, 750 hymns; 1903, 1200 hymns.
In addition, The Christian Choir, which is generally associated with the Sacred Songs and Solos, was issued in 1884 with 75 hymns, and in 1896 with 281. The New Hymns & Solos, by the same firm, were published in 1888.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Ira David Sankey
William B. Bradbury
1816 - 1868 Person Name: Wm. B. Bradbury Composer of "[Nothing, either great or small]" in The Little Seraph William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life.
John Perry
William B. Bradbury
Anonymous
Person Name: Anon. Author of "Nothing Either Great of Small" in Dortch's Gospel Voices In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
